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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Everybody Pt. 1
By Amy Sillman
Located in New York, NY
Amy Sillman is an influential contemporary American painter and printmaker whose practice conflates the abstract and the figurative. Born in 1955 in Detro...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

New Orleans Sportin House
By Stephen Longstreet
Located in Fairlawn, OH
New Orleans Sportin House Pen and ink on paper, 1951 Signed in ink, titled and dated in pencil (see photos) Condition: Corners are pasted to support sheet, some staining in image. Image/sheet size: 15 5/8 x 18 inches Provenance: Acquired from the artist Joseph M. Erdelac, Cleveland, patron and friend of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...
Category

1950s American Modern Ifpda International Fine Print Dealers Association

Materials

Ink

The Box at 'Faustus'
By Diana Thorne
Located in Storrs, CT
The Box at 'Faustus'. 1929. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled, and numbered in pencil. A rich impression printed on the full sheet of pale blue/green-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching, Drypoint

Wendingen, Issue 8/9, Cover by R.N. Roland Holst, 1923.
Located in New York, NY
WENDINGEN- 5-8/9 1923 R. N. ROLAND HOLST. Shells, the Wonder Forms of the Sea. Published November 1923. Strange resemblance’s by R. N. Roland Holst; Na...
Category

1920s Symbolist Ifpda International Fine Print Dealers Association

Materials

Lithograph

VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category

1750s Old Masters Ifpda International Fine Print Dealers Association

Materials

Etching

Python Sebae (African Rock Python Skull)
By Jacob Crook
Located in New Orleans, LA
Python is a hand-pulled mezzotint in an edition of 25. This is #7/25. Jacob Crook was born in St. Louis, MO in 1985. Crook works primarily in the intagli...
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous cabaret located in the old wind mill building in the right distance of this image. It was the center of fin de siecle culture in Paris. Condition: Slight yellowing to the sheet from age. Sight size: 9 x 5 3/4 inches Frame size: 14-1/8 x 10-3/4 x 1/2" Provenance: Eric G. Carlson (1940-2016), art historian and noted art dealer François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875). “Somm is above all a painter and his watercolors are much sought after; he has the painter’s eye to the highest degree imaginable.” Louis Morin, Somm’s fellow artist revealed in 1893 that while his training as an academic painter forged his draughsmanship and an acute eye for colors, Somm preferred and excelled in the graphic realm. Particularly prolific, he produced a very extensive corpus of 7,500 drawings and prints, many of which were widely reproduced in journals and magazines. In 1867, Somm’s career reached a turning point with the discovery of Japanese culture through his friendship with French collector and critic Philippe Burty and a visit to the Paris International Exhibition. More generally, Japanese art and especially Japanese woodblock prints exerted a heavy influence on French artists at the time, and especially on the Impressionists, who were particularly inspired by the subject matter, as well as the innovative use of perspective, composition and color. Although technically not an Impressionist by pure definition, Somm’s interest in the effect of atmospheric light on shadow and color prompted Edgar Degas to invite him to participate in their 4th exhibition in 1879. However, Somm did not exhibit again with the Impressionists, and was never considered a member of the group. Rather, his work intersects between Impressionism, Symbolism and Japonism. In fact, while his drypoints and etchings reflect a more literal borrowing of Japanese elements than the work of Whistler or Monet, they also clearly anticipate the future work of Henri de Toulouse-Lautrec. Although Somm was 20 years older than Toulouse-Lautrec, both artists developed a friendship, as habitués of the Chat noir, a cabaret founded by Rodolphe Salis and located 84 boulevard de Rochechouart in Montmartre. More than a cabaret, the Chat noir also became an important gathering place for writers, poets, composers, musicians, and artists living in Montmartre. For Somm, a founding member of this artistic circle, it also served as a unique environment, where he could express his limitless imagination as active participant to the events – notably the literary soirées organized by the hydropathic group – and illustrator of the Chat noir journal. In 1886, Somm, in collaboration with Georges Auriol, initiated the Chat noir’s first puppet show, which subsequently evolved into shadow theater. Somm’s Japonism and sense of humor appealed to Toulouse-Lautrec, and this influence is echoed in Lautrec posters advertising two other Montmartre nightspots, namely Le Mirliton and Le Divan Japonais...
Category

Late 19th Century French School Ifpda International Fine Print Dealers Association

Materials

Ink

ISLAND, SEA, AND SKY I, PANAREA
Located in Portland, ME
Crossley, Greg (Canadian/American, born1952). ISLAND, SEA, AND SKY I, PANAREA. Colored pencils on black paper, 2011. Signed and dated in pencil. 5 1/8 x 3 3/4 inches (image) on a lar...
Category

Early 2000s Ifpda International Fine Print Dealers Association

Materials

Color Pencil

The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens
By Christoffel Jegher
Located in Fairlawn, OH
The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens (1577-1640) Woodcut, trimmed and tipped to support Initialed in the block bottom ...
Category

1630s Old Masters Ifpda International Fine Print Dealers Association

Materials

Woodcut

AIDS (Stamps)
By General Idea
Located in New York, NY
Offset lithograph on perforated paper Edition of 200
Category

1980s Ifpda International Fine Print Dealers Association

Materials

Offset, Lithograph

Angel and Skeleton (the rescuing Angel appears to be female)
By Donna Evans
Located in New Orleans, LA
Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Woodcut

Scattered (Young Woman and Flowers)
By Brinley Ribando
Located in New Orleans, LA
A black and white photograph of a young woman with flowers
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Digital Pigment

Raised Eyebrows / Furrowed Foreheads: Crooked Made Straight
By John Baldessari
Located in New York, NY
9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate
Category

Early 2000s Ifpda International Fine Print Dealers Association

Materials

Screen

Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures Color lithograph poster, 1961 Unsigned as issued Large edition Published by Maeght Editeur Imprimeur Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980 Condition: Framed Colors fresh Image/sheet size: 25 x 19 inches Frame size: 34 x 27...
Category

1960s Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

THORNAPPLE
By Bertha Evelyn Clausen Jaques
Located in Portland, ME
Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Drypoint

Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
By Frederick Mershimer
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint, Aquatint

Gilbert & George
By Gilbert & George
Located in New York, NY
Photograph, mounted on cardboard folded in the middle, 10 x 16 1/2“ (25,5 x 42 cm), Ed. 200, signed and numbered
Category

1980s Ifpda International Fine Print Dealers Association

Materials

Photographic Paper

The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category

1810s Ifpda International Fine Print Dealers Association

Materials

Paper

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

The River at Belfast, Maine
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Les Deux Magots
By Red Grooms
Located in New York, NY
Red Grooms Les Deux Magots, 1985 etching and aquatint, ed. of 90 26 1/4 x 31 3/8 in. (66.7 x 79.9 cm)
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Aquatint, Etching

Peter Blake, L is for Love, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

The Beach at Kaiganji in Sanuki Province — Lifetime Impression, 1934
By Kawase Hasui
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...
Category

1930s Showa Ifpda International Fine Print Dealers Association

Materials

Woodcut

Narcissus
By Claudio Bravo
Located in New York, NY
Claudio Bravo, Narcissus, 1995 Edition of 76 Born in Chile in 1936, Claudio Bravo lived and worked in Tangier, Morocco from 1972 onward. The artist first established himself as a so...
Category

1990s Realist Ifpda International Fine Print Dealers Association

Materials

Alpaca, Lithograph

Fidelma 3
By Leon Kossoff
Located in London, GB
Leon Kossoff Fidelma 3 1984 Etching, Edition of 100 43.2 x 30.5 cms (17 x 12 ins) (paper size) 10.4 x 6.2 (4 1/16 x 2.7/16 ins) (plate size)
Category

1980s Ifpda International Fine Print Dealers Association

Materials

Etching

JOSHUA TREE
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (American, 1869-1958) JOSHUA TREE c. 1925-30 Color block print. Signed in pencil. 6 1/2 x 4 1/2 inches. Edition unknown, bur likely ab...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Linocut, Woodcut

Desert Icon II
By Roy Ahlgren
Located in Fairlawn, OH
Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...
Category

1960s Op Art Ifpda International Fine Print Dealers Association

Materials

Screen

'Evening' —Mid-Century American Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Evening', color serigraph, 1958, edition 25, Ryan 71. Signed, titled, and annotated 'Ed. 25' in pencil. A fine impression, with fresh colors, on cream wove paper; the...
Category

Mid-20th Century Surrealist Ifpda International Fine Print Dealers Association

Materials

Screen

Sheffield Island Light off Norwalk, Conn.
By Reynolds Beal
Located in New York, NY
“Sheffield Island Light off Norwalk, Conn.“ This pencil drawing is on a 5.50 x 9 inch sheet of laid paper. It is initialed and dated (June 30, 1887) in ...
Category

1880s Naturalistic Ifpda International Fine Print Dealers Association

Materials

Graphite

Peter Blake, F is for Football, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, B is for Boxer, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, C is for Clown, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, K is for King, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, M is for Marilyn, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

BETENDES MADCHEN
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. BETENDES MADCHEN. Klipstein 11, Knesebecke 14. Softground, drypoint and aquatint, 1892. The third state of four, with "Original Rad von Kathe Kollwitz" in the plate,...
Category

1890s Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint, Drypoint

Apprentice Japanese Geisha (Maiko)
By Tatsumi Shimura
Located in Burbank, CA
A young apprentice geisha from Kyoto poses before a gold leaf screen. She is both alluring and slightly distant at the same time, not an easy balance for an artist to convey. This p...
Category

Early 2000s Showa Ifpda International Fine Print Dealers Association

Materials

Giclée

Peter Blake, E is for Everly Brothers, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category

1890s Ifpda International Fine Print Dealers Association

Materials

Paper

Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Untitled
By Jesús Rafael Soto
Located in New York, NY
Jesús Rafael Soto Untitled, 1970 embossing with etching, edition of 95 37 x 37 in.
Category

1970s Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Etching

Sunlight Through Storm Clouds.
Located in Storrs, CT
American School. The Pond: Sunlight and Clearing Clouds. Late nineteenth century. 13 7/8 x 11 1/8 x 1 1/4. Unsigned. Frost & Adams stamp to the verso. The painting has been cleaned and relined; minor discolorations; craquelure. Housed in a linen liner with a gold lip and an elegant period-style 17 1/8 x 14 ½ x 2 1/8-inches. Frost & Adams (est.1869) was an artists' supply firm in Boston, Massachusetts, located in Cornhill, on the current site of Boston City...
Category

Late 19th Century Hudson River School Ifpda International Fine Print Dealers Association

Materials

Oil

William Tell And His Son In Front Of The Hat
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (German 1858 -1925) TELL AND HIS SON IN FRONT OF THE HAT "(Wilhelm) Tell Und Sein Sohn Vor Dem Hut" 1923 -5, (Muller 781) Lithograph with coloring, signed in pencil. This is one of 25, signed, on Japan paper Total edition 200. Image 9 1/8 x 7 1/4 inches. Full Sheet 15 x 11 1/2 inches with deckle edge. In good condition. From the portfolio "William Tell". A portfolio of 13 signed lithographs including the title page. Published in 1925. Publisher Karl Nierendorf, Berlin, Printer:A. Rogall, Berlin. (Müller 775-787 - this is the 7th one. There are 25, signed, on Japan paper as offered, Total edition 200, including 75, signed, on "Bütten" paper and 100, signed, on copperplate printing paper) Below is from the Museum of Modern Art: Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011. Lovis Corinth often cloaked allusions to contemporary politics in historical dress. In these thirteen lithographs for an illustrated edition of Friedrich Schiller...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

Laura (Woman's head as seen thru water droplets which in turn are body parts)
By Rollin Leonard
Located in New Orleans, LA
"Laura" first looks like a color abstract. Then very slowly you realize it is an extreme close up of a young woman's face. Only slowly do the water droplets appear with each drople...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Photographic Paper, Archival Pigment

The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category

1940s Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Wooded Scene
By Alan Turner
Located in New York, NY
Alan Lee Turner (1943 - 2020) was born in the Bronx, New York, on July 6, 1943. He earned a bachelor’s degree in art from City College in 1965, and a master’s...
Category

Late 20th Century Ifpda International Fine Print Dealers Association

Materials

Etching

VI Rose Nose Cat
By Mary Spain
Located in Fairlawn, OH
VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...
Category

1970s American Modern Ifpda International Fine Print Dealers Association

Materials

Chalk

HEART
Located in Portland, ME
Wang Ming (Chinese-American, 1921-2016). HEART.Acrylic on paper, 1969. Signed, titled and dated, verso. 21 x 15 5/8, framed to 28 7/8 x 23 1/2. In excellent condition.
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Acrylic

Alessandro's Room
By Betty Woodman
Located in Lyons, CO
Color woodcut/lithograph triptych with chine collé and collage, Edition 30 Since 1985, Woodman has collaborated with Master printer Bud Shark to produce monotypes, woodcuts and l...
Category

20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Untitled
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

Holiday in Camp -- Soldiers Playing "Foot-Ball"
By Winslow Homer
Located in Fairlawn, OH
Holiday in Camp -- Soldiers Playing "Foot-Ball" Wood engraving, 1865 After Winslow Homer Unsigned (Signed in text in title caption, see photo) Published in Harper's Weekly July 15, 1...
Category

1860s American Realist Ifpda International Fine Print Dealers Association

Materials

Engraving

'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
By Albert Groll
Located in Myrtle Beach, SC
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Pencil

Nude Man and Woman (Desire and sexual tension)
By Tom Leveritt
Located in New Orleans, LA
Is it lust? Is it love? A pencil drawing shows a nude man and a nude woman on the same page. Sexual tension and desire are paramount in this composition. Tom Leveritt...
Category

2010s Modern Ifpda International Fine Print Dealers Association

Materials

Charcoal

NATIVE AMERICANS HUNTING - TWO DRAWINGS.
By Cassilly Adams
Located in Portland, ME
Adams, Cassilly (American 1843-1921). NATIVE AMERICANS HUNTING - TWO DRAWINGS. Charcoal and watercolor, not dated. One signed within the matrix of the drawing, lower right. Each about 7 x 10 inches. Both with a tack hole top and and bottom, center, and with residue from an old mount, verso. One wih a 1/2 x 1/2 inch loss at the top right corner. The images fresh. One shows two hunters with grass head-dress disguises, crouched behind low grasses,each with a rifle, a killed deer between them, and a herd moving across the field on the far side of the grasses. The other depicts two hunters wearing animal-skin disguises, each with a rifle, crouched behind grasses, beyond which a small herd of bison grazes. The Pair: $1750.00 The following is from American Western Art...
Category

Late 19th Century Ifpda International Fine Print Dealers Association

Materials

Watercolor, Charcoal

Le maréchal flamand (The Flemish Blacksmith) — 19th Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category

1820s Romantic Ifpda International Fine Print Dealers Association

Materials

Lithograph

Design 102 Fabric Sample Colorways
By Frank Lloyd Wright
Located in New York, NY
Original page from the folio sized salesman samplebook, "Schumacher's Taliesin Line of Decorative Fabrics and Wallpapers Designed by Frank Lloyd Wright." New York, F. Schumacher & Co...
Category

1950s Modern Ifpda International Fine Print Dealers Association

Materials

Linen, Paper

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