Items Similar to The Box at 'Faustus'
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Diana ThorneThe Box at 'Faustus'1929
1929
About the Item
The Box at 'Faustus'. 1929. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled, and numbered in pencil. A rich impression printed on the full sheet of pale blue/green-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box, lower right. Housed in a 20 x 16-inch archival mat.
The perfect gift for the opera lover.
Diana Thorne was born Ann Woursell on October 7, 1895, in Odessa, Russia. In her youth, Thorne spent time in Winnipeg, Canada, and later on a farm in Calgary, Canada. She was to eventually become one of America's most recognized canine artists. Thorne began drawing all her favorite four-legged creatures as a young child. She was the oldest child in a Jewish family of four girls and two boys. Her siblings were Abraham, Paula, Judith, Samuel, and Katherine. Thorne's parents were Chaim and Rose Woursell. During this period, Jews in Russia were experiencing severe oppression and physical attacks. The situation seemed hopeless. Canada opened its doors to immigrants fleeing Russia, offering free homestead land in the West. The family left Canada for Germany around 1912 where Thorne took her first formal art studies at the Imperial Academy in Munich and Charlottenburg Technical College in Berlin. The First World War began two years later and Thorne and her family were subsequently detained by the German government. They managed to escape to England, where Thorne was said to have supported herself as a reporter, librarian, writer, bicycle shop owner, and typewriter repair person. At this time she began her first experiments in both illustration and etching and was said to have studied with artist William Strang. On September 27, 1920, Thorne and several of her family members arrived in the United States. Her first published etching, titled "Rollin' Home", was well received in 1926. From this point on, she became an established artist. Thorne began commercial artwork in New York City in 1929. In her private life, she was known as Mrs. Arthur North, claiming to reside at times in Boston, Massachusetts, Philadelphia, Pennsylvania or Connecticut. (The pseudonym Thorne originated from an anagram of the name North.) There is evidence that Arthur North was actually an alias of artist Carton Moore-Park (1877-1956). This ruse allowed Thorne and Moore-Park to present themselves as a married couple, even though Moore-Park was already married. Frequently, biographies of the artist are filled with inaccuracies supplied by Thorne herself, such as referring to her father as a Scotsman or claiming to be Canadian born, which served to conceal the true details of her past.
- Creator:Diana Thorne (1895 - 1963, Russian)
- Creation Year:1929
- Dimensions:Height: 11 in (27.94 cm)Width: 8.88 in (22.56 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521219843
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
701 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Bibi ValentinBy James Abbott McNeill WhistlerLocated in Storrs, CTBibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...Category
19th Century American Modern Portrait Prints
MaterialsEtching, Drypoint
- JanineBy Arthur William HeintzelmanLocated in Storrs, CT9 5/16 x 8 1/4 (sheet 15 1/4 x 12 3/4). Toning in the image; otherwise good condition. A rich impression with plate tone printed on cream wove paper. Signed in pencil. Housed in a 20...Category
Mid-20th Century American Modern Portrait Prints
MaterialsDrypoint, Etching
- Portrait of James McBey.By Walter TittleLocated in Storrs, CTJames McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...Category
1930s American Modern Portrait Prints
MaterialsDrypoint, Etching
- La Duchesse de Marlborough, Consuelo VanderbiltBy Paul César HelleuLocated in Storrs, CTPaul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...Category
Late 19th Century Modern Portrait Prints
MaterialsDrypoint, Etching
- Self PortraitBy Augustus Edwin JohnLocated in Storrs, CTSelf Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Slight toning in ...Category
Early 20th Century Modern Portrait Prints
MaterialsDrypoint, Etching
- James McBeyBy Gerald Leslie BrockhurstLocated in Storrs, CTFletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...Category
Mid-20th Century Modern Portrait Prints
MaterialsDrypoint, Etching
You May Also Like
- 14th Street OrientalBy Isabel BishopLocated in Middletown, NYNew York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...Category
Mid-20th Century American Modern Portrait Prints
MaterialsAquatint, Drypoint
- George Constant, When We Were Very YoungLocated in New York, NYThe Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...Category
1930s American Modern Figurative Prints
MaterialsDrypoint
- Untitled: Head of A Woman 2By George Zachary ConstantLocated in New York, NYGeorge Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...Category
Early 20th Century Modern Portrait Prints
MaterialsEtching, Drypoint
- Untitled: Head of A Woman 1By George Zachary ConstantLocated in New York, NYGeorge Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 1", Portrait/ Figurative Etching and Drypoint signed on Paper, 12 x 10 (15 x 13 Framed), Early to M...Category
Early 20th Century Modern Portrait Prints
MaterialsEtching, Drypoint
- "Mes Petites Amies, Les Deux Sœurs" signed by Jacques VillonBy Jacques VillonLocated in Milwaukee, WIThis is an original drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...Category
Early 1900s Modern Figurative Prints
MaterialsDrypoint, Aquatint, Etching, Intaglio
- The Race - Original Etching by Robert Naly - Mid 20th CenturyBy Robert NalyLocated in Roma, ITThe Race is an Original Etching and Drypoint realized by Robert Naly (1900-1984). Good condition on a yellowed paper . Hand-signed by the artist on the lower right corner.Category
Mid-20th Century Modern Figurative Prints
MaterialsEtching, Drypoint
Recently Viewed
View AllMore Ways To Browse
1929 Door
Imperial American
Antique Diana
Antique Portrait Box
Antique Russian Box
Antique Russian Boxes
The Librarian
Russia Portrait Imperial
Blue Green Antique Doors
Ann Landers
Antique Pencil Box
Drypoint Etching England
Antique Doors Pennsylvania
Antique Farm Doors
Antique Doors Boston
Antique Doors Canada
Green Devil
Antique Typewriter