Bertha Evelyn Clausen Jaques

THORNAPPLE

1924

Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-coloring, 1978. Edition of ...

Avati, Mario. NATURE MORT AUX ALLUMETTES. Mezzotint, 1959. 8 1/2 x 10 3/4 inches, 216 x 274 mm. Edition of 75, numbered 46/75, titled and signed in pencil. In excellent condition.

Cheffetz, Asa. UNTITLED - DECANTER AND TWO GLASSES. Not in Springfield. Wood engraving, undated, but likely 1935-1945. Signed in pencil. 7 x 6 1/8 inches (image) plus margins. A tiny...

Yokoi, Tomoe (Japanese, born 1942). APPLES IN A BASKET. Color mezzotint. a Hors de Commerce copy aside from an edition of unknown size. Signed in penci...

Avati, Mario. UN OEUF ET DES COQUES. mMezzotint in colors. 10 3/4 x 13 3/8 inches; 274 x 340 mm. One of 16 artist's proofs aside from the regular edition. Numbered, titled, and signe...

Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...

Joan Miro - L'Issue Dérobée - Original Aquatint One plate from Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (D. 687-706; C. books 187) 1974 Dimensions: 36 x 54 cm Ed...

One plate from the illustrated book Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 Original prints by Joan Miro (C. books 187) Edition: 220 Individual images are unsigne...

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...