Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Homage to Morandi
By Phyllis Sloane
Located in Fairlawn, OH
Homage to Morandi
Watercolor, c. 1990
Signed lower right: Sloane
An important exhibition size watercolor by the artist.
Acquired by the Cleveland Clinic, de-accessed in 2021
Conditio...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Watercolor
Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category
1990s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Cucumber Watercolor
Located in New York, NY
Original watercolor by Nan Dedrick. Signed in pencil along the lower right edge of the main cucumber. Dedrick is a botanical artist who was a founding member of Art Botanica. This g...
Category
Early 2000s Ifpda International Fine Print Dealers Association
Materials
Watercolor, Paper
Orpheus and Eurydice
By Sir Frank Short
Located in Storrs, CT
Orpheus and Eurydice (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). The painting is on the right. 1889. Mezzotint. Hardie 54.12 5/8 x ...
Category
Late 19th Century Victorian Ifpda International Fine Print Dealers Association
Materials
18k Gold
Untitled (Mother and Child)
By Maurice Denis
Located in Myrtle Beach, SC
Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed.
Collection: Los Angeles County Museum of Art.
Reproduced: German Expressionist Prints...
Category
1890s Symbolist Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Sea And Sky' — 1930s Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
A brilliant, black impression, on cream wove Japan; the full sheet with margins (2 to 2 1/2 inches), in excellent condition. Edition 150. Signed in pencil. Matted to museum standards...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
1720s Ifpda International Fine Print Dealers Association
Materials
Paper
The Get Up (Plate 1 of 4)
By Darius Steward
Located in Fairlawn, OH
The Get Up (Plate 1 of 4)
Watercolor on Yupo mounted to board, 2019
Signed with the artist's initials lower right
Series: The Get Up (4 plates)
Exhibited: Occup...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Watercolor
Desvelo (Sleeplessness or insomnia
By Eduardo Leyva Herrera
Located in New Orleans, LA
A copper mezzotint printed on Hahnemulle paper in an edition of 20,
Graduated from the National Academy of Fine Arts "San Alejandro" in 2005. Study of graphic arts. Printer and spe...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
The Cornfield
By John Constable
Located in Storrs, CT
Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate.
Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments.
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The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part.
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First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas.
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The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...
Category
19th Century Romantic Ifpda International Fine Print Dealers Association
Materials
Mezzotint
DUELO (Duel)
Located in Santa Monica, CA
FRANCISCO MORA (1922 - 2002)
DUELO (Duel) c. 1945
Lithograph signed in pencil. Published by the TGP Taller de Grafica Popular. Label on verso. 9 5/8 x...
Category
1940s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Arlecchino in blu e grigio (Harlequin in Blue and Gray)
By Duilio Barnabe
Located in Chicago, IL
This work is signed by Barnabè in the lower right. Harlequins were one of Barnabè's favorite subjects, reminders of the costumed revellers at the famous Carnival of Venice celebrated...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Charcoal, Gouache
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Engraving
Autumn Harvest Gouache
Located in New York, NY
Gouache on cardstock intended for a greeting card design, painted in the 1970s. Signed "Lucille H." at the lower right corner.
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Board, Gouache
The Solitary One in Autumn—after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Einsame im Herbst' (The Solitary One in Autumn) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 3/8 to 4 1/8 inches), in good condition. Image size 12 3/8 x 8 7/8 inches; sheet size 19 5/8 x 13 3/4 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint, Aquatint
Duck Decoy, Lantern & Binoculars Gouache
Located in New York, NY
Gouache painted on cardstock, intended for a greeting card design, painted circa 1980. Unsigned. Displayed in a slate archival mat. Cellophane tape on board.
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Cardboard, Gouache
Atlas Cornice Drawings 2 —Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Pencil
G is for Girl, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
Pair of Floral Still Life Paintings
Located in Storrs, CT
A pair of floral still life paintings. The first painting depicts 2 bouquets, one in a large white vase and the second in a small blue one,...
Category
20th Century Impressionist Ifpda International Fine Print Dealers Association
Materials
Oil
Do It Yourself
By Gunter Uecker
Located in London, GB
Hammer and two nails on wood board, 1930, signed in pencil, from an unknown edition size, published by Edition VICE-Versand, Remscheid, Germany, overall sizes: 34 x 16.5 x 7.8 cm. (1...
Category
1930s Op Art Ifpda International Fine Print Dealers Association
Materials
Wood
Eros Vanne - Cupid Exhausted
By Henri de Toulouse-Lautrec
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901)
EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92)
Original lithograph, cover of music / song sheet words by Maur...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
HEAD OF A WOMAN IN PROFILE
By Julian Alden Weir
Located in Santa Monica, CA
J. ALDEN WEIR (1852 – 1919)
LARGE HEAD IN PROFILE, 1891 (Zimmerman 30)
Signed and dated in plate only in upper left corner. 7 7/8 x 5 7/8” Sheet size 13 x 9 ¼”. Delicate impressi...
Category
1890s American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
PROLETARIANS
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 - 1949)
PROLETARIANS (aka Basurero, Scavengers ) 1935 (Orozco 27)
lithograph, One of 88 signed and numbered of a total edition of 133, (+ 42 unnumbered a...
Category
1930s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Lithograph
Underwater — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce.
ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cartella A
By Michelangelo Pistoletto
Located in London, GB
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, 42 x 33 cm. (16 3/4 x 13 in.)
Including La Testa...
Category
1980s Arte Povera Ifpda International Fine Print Dealers Association
Materials
Screen
J.P. Morgan
Located in Storrs, CT
A 20th-century American School oil painting on board featuring American banker and financier J.P. Morgan (1837-1913) seated at his desk. Light streams through the window, casting th...
Category
Mid-20th Century American Realist Ifpda International Fine Print Dealers Association
Materials
Oil
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Gouache
Damp
By Sam Francis
Located in London, GB
Sam Francis
Damp
1969
Lithograph, Edition of 20
66 x 94 cms (26 x 37 ins)
SF14868
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Night and Branches
By Claire Sherman
Located in Lyons, CO
Color lithograph, Edition 30.
The dense, tangled, and undulating forms of spaces and plants in Claire Sherman’s recent bodies of work address some of the complicated new environment...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Winter Wonderland Watercolor
Located in New York, NY
Watercolor on board intended for a greeting card design, painted in the 1980s. Illegibly signed at lower right. Presented in an archival mat. Small light stain.
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Illustration Board, Watercolor
NEW YORK CITYSCAPE
By Earl Horter
Located in Portland, ME
Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Etching
Jules Laforgue - I'll take my life monotonous (Edition C)
By Patrick Caulfield
Located in London, GB
Patrick Caulfield
Jules Laforgue - I'll take my life monotonous (Edition C)
1973
Screenprint, Edition of 100
61 x 56 cms (24 x 22 ins)
PCE9257
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Patitcha. Masque
By Henri Matisse
Located in London, GB
Henri Matisse
Patitcha. Masque
1947
Aquatint on BFK Rives paper, signed in pencil and numbered 3/25
Paper size: 56.2 x 38.1 cms (22.1 x 15 ins)
Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins)
HM16063
Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367.
Yau, J., 2018. Henri Matisse Prints...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Mosque of the Sultan Bayazid, Constantinople
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Resting Bull Lithograph
By Thomas Sidney Cooper
Located in New York, NY
Original lithograph hand-colored at the time of publication from "Groups of Cattle Drawn from Nature" by Thomas Sydney Cooper. Mounted on artist's board. London, 1839.
Category
1830s Ifpda International Fine Print Dealers Association
Materials
Paper
Water Polo Print
By Milivoy Uzelac
Located in New York, NY
Water Polo from "Joies du Sport." Original pochoir print from a limited edition of 750 copies. Paris, 1932. Sheet size: 16 3/4 x 12 1/2 in.
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Paper
Aylesbury Estate
By Keith Coventry
Located in London, GB
Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.)
Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98.
His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Screen
Squid Print
By Mathurin Meheut
Located in New York, NY
Plate number 11,Calmar (Loligo vulgaris) from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Paper
Man with Outstretched Arms
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a portrait of his signature figure with outstretched arms. He moves images around on the paper to create a sense of mystery and drama. This impression ...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association
Materials
Mezzotint
The Waves: Squid
By Frank Stella
Located in London, GB
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph, Screen
Statue-Fisherboy
By Jane Martin VonBosse
Located in Storrs, CT
Statue-Fisherboy 1967. Linoleum cut. 9 1/2 x 7 5/8 (sheet 13 x 10 5/8). Edition 16, #16. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. ...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Linocut
OVERGROWN PATH
By Karl Schrag
Located in Portland, ME
Schrag, Karl (American, born Germany, 1912-1995).. OVERGROWN PATH. Color lithograph, not dated. Edition of 30. Signed and numbered 21/30 in pencil. 36 1/2 x 22 1/4 inches (sheet). Fr...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Lithograph
POEMS OF LEOPOLD SEDAR SENGHOR
Located in Portland, ME
Senghor, Leopold Sedar. POEMS OF LEOPOLD SEDAR SENGHOR with illustrations by Lois Maillou Jones. Limited Editions Club, NY, 1996. Number 88 of the e...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Screen
Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION
By William Hogarth
Located in Santa Monica, CA
WILLIAM HOGRTH (1697 - 1764)
MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7)
(Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 20...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching, Engraving
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
1730s Baroque Ifpda International Fine Print Dealers Association
Materials
Engraving
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
1730s Baroque Ifpda International Fine Print Dealers Association
Materials
Engraving
Of Youth —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Jugend' (Of Youth) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 1/4 x 9 1/16 inches; sheet size 19 3/4 x 13 5/8 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint, Aquatint
Sail I
By Sam Francis
Located in London, GB
101.6 x 71.1 cms (40 x 28 ins)
Edition of 40
Signed lower left; numbered lower centre, printer's chop lower right.
Publisher: Hollander's Workshop, New ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
Apprentice Japanese Geisha (Maiko)
By Tatsumi Shimura
Located in Burbank, CA
A young apprentice geisha from Kyoto poses before a gold leaf screen. She is both alluring and slightly distant at the same time, not an easy balance for an artist to convey. This p...
Category
Early 2000s Showa Ifpda International Fine Print Dealers Association
Materials
Giclée
FARMHOUSE WITH YELLOW FIELDS
By Junichiro Sekino
Located in Portland, ME
Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Woodcut
Untitled (Abstraction)
Located in Fairlawn, OH
Untitled (Abstraction)
Oil on canvas, date unknown
Signed lower left corner: Zayon
Canvas size: 13 3/4 x 19 1/2 inches
Frame size: 19 3/4 x 25 1/2 inches
Condition: Very good
Born i...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Oil
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Pool Blue
By William Tillyer
Located in London, GB
William Tillyer
Pool Blue
1972
Line Etching, Edition of 60
Paper size: 70.5 x 104.5 cms (27 3/4 x 41 1/2 ins)
Plate size: 47 x 76.2 cms (18 1/2 x 30 in...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Etching
FISHERMAN - FROM ESTAMPAS DE YUCATAN.
By Alfredo Zalce
Located in Portland, ME
Zalce, Alfredo (Mexican 1908-2003). FISHERMAN - FROM ESTAMPAS DE
YUCATAN. Lithograph, 1945. Edition of 100. From the portfolio of eight
lithographs. Printed in brown on cream colored wove paper by Jose
Sanchez at Taller de Grafica Popular...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Lithograph
Dry Lake - set of 4
By William Tillyer
Located in London, GB
William Tillyer
Dry Lake I-IV
1971
Etching
Edition of 50
55.9 x 66.7 cms (22 x 26 1/4 ins) (paper size)
32.4 x 43.4 cms (12 3/4 x 17 1/8 ins) (plate si...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Etching
A l'Exposition Universelle: La Tour Eiffel
By Auguste Louis Lepère
Located in Fairlawn, OH
A l'Exposition Universelle: La Tour Eiffel
Woodengraving, 1889
Signed and numbered in ink by the artist (see photo)
Edition: Deluxe ...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
L'Eventail (Anaïs) also called The Fan.
By Gerald Leslie Brockhurst
Located in Storrs, CT
L'Eventail (Anaïs) also called The Fan. 1921. Etching. Fletcher 22. Final state. 6 3/8 x 4 7/16 (sheet 11 1/2 x 9 1/4). Edition 76. An extremely rich, tonal impression printed on cr...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Suite Catalana, plate 2
By Antoni Tàpies
Located in London, GB
Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Aquatint
Floater
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20.
Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history.
Floater, a meditating skeleton poised above surging waves, was done from memory after a 19th century Japanese painting...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
