Impressionist Prints and Multiples

"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...

PRODUCT DETAILS Ivan Kupala. Fortunetelling for wreaths, canvas print by Simon Kozhin. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image ...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Medium: etching and drypoint (after the painting). This beautiful piece was etched by Emile Lequeux after Renoir, and published in Paris in 1904 by Gazette des Beaux-Arts; and is referenced in the Sanchez & Seydoux catalogue (entry 1904-14). A good impression printed by Charles Wittmann...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Actresses in Their Dressing Rooms etching & aquatint, 1879-1880 Unsigned as usual for all canceled plate impressions Reference: Delteil 28, Shapiro 50 vi/vi with the cancelation line...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Medium: lithograph (after the painting). Printed by Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90) A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

Original INDUSTRY THE ARSENAL OF DEMOCRACY, vintage poster. Defense in the field begins in the factory. National Association of Manufacturers. Linen backed in excellent condit...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

Oil painting painted in 2005, inspired by my travels to the Cinqueterre in Italy... The Italian joie de vivre is reflected in the colors of the landscape and the architecture. A smal...

Original poster: The Sesquicentennial International Exposition Philadelphia. June First to December First, 1926. "The Voice of the Liberty Bell." Original vintage poster, line...

PRODUCT DETAILS Notley Abbey in England canvas print by Simon Kozhin. Bring your artwork to life with the texture and depth of a stretched canvas print. The image gets printed onto ...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

FRANCES H. GEARHART and Sisters (THE GEARHARTS) SEA TREASURES...

Theo Tobiasse (French, 1927-2012) Le Petit Train qui mene au chant de la pensee" Lithograph c.1970 Bright and colorful lithograph by noted French artist. The title translates to "T...

'Fearless 01 Fine Art Print' is an impressionist floral print by urban impressionist painter Steve Javiel. It measures 16 x 16 inches in size, with the printed image itself spanning ...

Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...

Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonnes G...

Published 1998. Limited Edition Serigraph. (Image Area) Dimensions 30.75″ x 38.5.” Numbered 458 pieces. Signed and numbered by LeRoy Neiman. Also signed by Joe DiMaggio - as was the ...

The Seaside Memories II is a popular Thomas Kinkade series. This painting titled "A Light in the Storm", 24” x 20” edition size is limited in Standard Numbered to 395 Artist Proof ...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd. The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August. Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e. Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...

'Flow of Energy Fine Art Print' is an impressionist floral print by urban impressionist painter Steve Javiel. It measures 12 x 16 inches. This piece is part of a limited edition coll...

Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...

It is a GICLEE PRINT with my original oil painting Lion Fish Florida Signed by hand Olga Nikitina I give a hand touch to all my prints on ...

Late autumn. 1972. Paper, monotype. 42x61.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different sea...

It is a GICLEE PRINT with my original oil painting Woman Universe Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas – I make a couple of strokes with palette knife and oil or acrylic paints to underline the main accents of artwork. It's a perfect way to turn a fine art reproduction on canvas into an original art. I cover canvas print with special seal varnish. It makes wall décor looks finished, bright and preserves it for many years. • Printed on a premium quality canvas • Giclée printing process. • Hand touch with texture gel, oil or acrylic paints, sealed with varnish. • Canvas print ships unmounted, rolled in tube. Print of abstract...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Caribbean Sky, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works ar...

Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...

It is a GICLEE PRINT with my original oil painting Breaching Whale Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas – I make a couple of strokes with palet...

Original La Baule le Midi de le Bretagne, small format vintage French travel poster. Plage de Sable Fin: 20 Clubs de Culture Physique. Tennis: 50 Courts; Casino, Golf sur le Pouliguen. Printed in Paris. Professional acid-free archival linen backed, mint condition, ready to frame. Jean-Denis Malclès - with accent marks. Paris Boasting France’s longest beach, running no less than eight kilometers, La Baule is an ever-popular destination for seaside amusements. Here, its 20 health clubs, 50 tennis courts, casino, and golf courses are promoted below while a fantasy world of costumed dandies, curvaceous sunbathers, equestriennes, theatrical performers, and the general haute monde wander the perfectly-preened paths along the shore. This La Baule - de la Bretagne is an Original Vintage Poster, not a reproduction. This poster is conservation-mounted, linen-backed, and in excellent condition. The artist is also known for his famous French Beauty and the Beast poster...

Sunbathing Etching and color aquatint on watermarked Umbria Italy paper, c. 1915 Signed by the artist in pencil lower right (see photo) Annotated: "No. 6" in pencil lower left (see p...

Andre Bourrie was born in southern France in 1936. He was orphaned at the age of eight and his harsh childhood led to his love of light and and serene sc...

This artwork "Three Children" c.1995 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered 83/300...

The inspiration for this print is to capture the momentary spectacle when shafts of light cast themselves through a densely packed woodland canopy. The print boasts a vibrant array of four stunning colours, featuring an under-layer of metallic Gold ink and finished off with a subtle lush green overprint. Artwork printed...

Sankaty Lighthouse, Nantucket (LIMITED EDITION GICLÉE PRINT) By SPENCER VERNEY This is one of three in a series of museum quality giclée prints captur...

Brant Point Lighthouse, Nantucket (LIMITED EDITION GICLÉE PRINT) By SPENCER VERNEY This is one of three in a series of museum quality giclée prints ca...

"Triple Creek Colts" by Nancy Dunlop Cawdrey, 40" x 50" Limited Edition Giclée on Canvas. Edition #1/25, 46" x 56" Framed. Nancy Dunlop Cawdrey lives in a world of color. And she li...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Homecoming from XXe Siecle. Chagall Monumental Year: 1973 Medium: Lithograph Edition: 10,000 Size: 12.25 in. x 18.875 in. (31 cm x...

This is a bold and geometric rendering of a vase of flowers atop a grand piano. The background is cleanly split into three colors in red, yellow, and gray while the flowers and the v...

Marsden Hartley is a seminal figure in American arts even eighty-plus years after his death. Hartley was a member of Alfred Stieglitz’s groundbreaking circle and painted easel-sized ...

Great Point Lighthouse, Nantucket (LIMITED EDITION GICLÉE PRINT) By SPENCER VERNEY This is one of three in a series of museum quality giclée prints captured from oil paintings. This is a limited edition of 100. The lighthouse at Great Point stands on the eastern shore of the northern most point of Nantucket. At the north end, where the island meets the sea, is a shallow hooked shoal just a few feet below the water’s surface. The strong rip formed by the tides of Nantucket sound feed bluefish and striped bass in the warm months. In the calm winds...

Artist: Harold Altman (American, 1924-2003) Title: November 1981 III (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches Image size: 7.75 x 11.70 inches Framed size: 18.65 x 22.5 inches Signature: Hand signed and titled in pencil by the artist Condition: Excellent Frame: Custom framed in a wooden silver frame frame, with light light grey matting and brownish green fillet. About the artist. Print...