Impressionist Art

The Coastal Harbor by Y. Blanchon, French 1930's Impressionist oil painting on board, unframed painting: 15 x 17.5 inches provenance: from a large private collection of this artists...

Interior Scene by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 18 high by 13 inches wide condition: overa...

Dietz Edzard Bremen 1893 – 1963 Paris German Painter 'La musique et les roses' Signature: signed lower left ‘D Edzard’ Medium: oil on canvas Dimensions: ima...

Artist: British School, latter part of the 20th century Title: The Coastal House Medium: oil painting on board, unframed Size: 10 x 12 inches Condition: good and presentable Pro...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

Original Lithograph by Jean-Gabriel Domergue Title: Elegant Couple Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous...

Signed lower right, "M. Decker" for Michael Decker (American, 20th Century) and created circa 1975. An elegant graphite and india ink figural study showing a young woman kneeling an...

"Venezia" Lovely Impressionist oil painting on canvas, depicting this elegant young lady standing on a balcony overlooking the beautiful city of Venice. The painting is signed by it...

Very high quality American impressionist landscape painting. Thick impasto and great color. Signed lower left illegibly. Framed.

Stowe Vermont Village Sleigh Ride - Mid Century Winter Figurative Landscape A bright, crisp morning and a sleigh ride through new snow in Stowe, Vermont...

This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....

Impressive early American impressionist interior scene oil painting. Framed. Oil on canvas. Signed.

One of several paintings that we are offering by Henri-André Martin's. A wonderfully evocative image of an expansive beach with a figure by a sailing boat in the South of France, pai...

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice period impressionist frame. Signed.

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice period impressionist frame. Signed.

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Nicely painted early American impressionist view of Brooklyn and the Hudson River by Martin Petersen (1866 - 1956). Oil on board. Framed. Signed verso.

untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...

20th Century Oil painting of an Impressionist scene of of a Group of people at Henley Rowing Regatta. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish ...

A fine New England Cape Cod landscape by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA, studied at the Massachusetts College of Art and at the Boston Museum School with artists such as Edmond Tarbell, Frank W. Benson, Joseph R. DeCamp, and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica...

A fine spring landscape oil painting by American artist Emile Albert Gruppe (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscapes and vigorous...

Don Hatfield’s 'Mothers and Children on the Beach' is a captivating example of American Impressionism, showcasing his mastery of light, color, and composition. This framed 38" x 55" ...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

Beach Bay by Georges Bordonave (French contemporary) signed oil painting on board, unframed dated 1989 unframed: 20 x 24 inches condition: very good...

Aldro Thompson Hibbard (1886 - 1972) Autumn in New England Oil on canvasboard 18 x 25 inches Signed lower right; estate stamped on the reverse Born in Falmouth, Massachusetts, Aldro Hibbard was an Impressionist landscape painter much concerned with light and shadow. He was one of the founders of the Rockport Art Colony, and the Rockport Art Association now occupies his former studio. Hibbard grew up in Dorchester and Boston and spent much time in the summers in Boston and Cape Cod. He showed early artistic talent, an interest he shared with a life-long love of baseball, which led to his becoming a professional baseball player. For his art training, he graduated from the Massachusetts Normal School and studied at the Boston Museum School with Edmund Tarbell...

Title: Flower In White Vase Medium: Oil On Canvas Painting Size: 35"" x 29"" Frame Size: 38.5"" x 33"" Condition: This artwork is in good overall condition for its age. Signature: S...

Sunflowers, Countryside, River, Yellow, Sky, Clouds, Ukraine Georgij MOROZ (Dneprodzerzinsk, Ukraine, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Ar...

A beautiful c.1950 oil on board by French artist Lucien Potronat depicting a view of the Cote d'Azur / French Riviera from a balcony. Excellent quality...

Early 20th Century Pebble Beach Surf Seascape by Abel Warshawsky Significant and period early 20th century Plein Air seascape painting of crashing surf at Pebble Beach by listed Ca...

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 11.5x19 cm. Frame measures 22x28 cm. Photographer and artist from Lleida trained at the "Círcu...

Paul Cornoyer, born in 1864 in St. Louis, Missouri, was an American Impressionist artist. Initially studying at the St. Louis School of Fine Arts under Halsey C. Ives, he began his artistic journey painting in a style reminiscent of the Barbizon School. His first exhibition took place in 1887, followed by further studies in Paris at the Académie Julian under notable instructors such as Jules Lefebre, Louis Blanc, and Benjamin Constant. Inspired by French Impressionism during his travels to Paris, London, and Venice, Cornoyer embraced a more fluid and tonal style, particularly evident in his landscapes and cityscapes. Returning to St. Louis in 1894, he painted a mural at the Planters Hotel, depicting the city's birth. Over the next six years, little is known about his work except for the creation of a significant triptych titled "A View of St. Louis," which became iconic for the city. Encouraged by the artist William Merritt Chase, Cornoyer moved to New York City in 1899, where he gained recognition for his urban cityscapes, particularly scenes after rainfall. Capturing the essence of city life with vivid depictions of streets, carriages, and towering buildings, Cornoyer's work became synonymous with New York's urban landscape. He also taught at the Mechanics Institute and mingled with prominent artists such as Childe Hassam and J. Alden Weir, expanding his artistic circle to include New England art schools. In 1917, Cornoyer relocated permanently to Massachusetts, establishing his studio in East Gloucester. He played a pivotal role in founding the Gloucester Art...

A beautiful 1940's impressionist oil on canvas laid on board depicting a snow covered Alpine Landscape by Canadian RA artist Adolphus George Broomfield. This excellent quality and c...

This early 20th-century oil painting by French artist Charles Clair (1860-1930) depicts numerous sheep feeding in a stone barn. Hailing from the picturesque rural area of Mars-sur-A...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Impressionist Nude, Atmospheric Colour, Oil Painting By French artist Garnvault, 20th Century Signed by the artist verso Oil painting on canvas, unframed Canvas size: 15 x 21.5 inche...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Antoni Vidal Rolland (1889-1970) - Reading a love letter - Oil on canvas Oil measures 55x46 cm. Frame measures 76x67 cm. Disciple of José Ruiz Blasco in...

The French Landscape by Michel Kritz (French 1925-1994) signed oil on canvas, unframed canvas: 15 x 18 inches provenance: private collection, France condition: very good and sound c...

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

French Landscape by Louise Alix, French 1950's Impressionist watercolour on artist paper, unframed painting: 25 x 16 inches provenance: from a large private collection of this artis...

Vintage French Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 5 high by 8.5 inches wide conditi...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 14.5 high by 12 inches wide condition: overal...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back gouache painting on artist paper, unframed measures: 13 high by 16.5 inches wide condition: ov...

A Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

Walking in the Poppy Field French Impressionist school, 20th century after Claude Monet's work oil on board, framed framed: 27.5 x 34 inches board: 23 x 30 inches provenance: privat...

Antonio Sala Herrero (1927-2012) - Hermitage of joy Tiana Barcelona - Oil on canvas Oil measures 81x65 cm. Frameless. Sala Herrero, Antoni, Barcelona- 19...

La Rosaire Monet's Garden, Giverny French School, signed inscribed verso oil painting on canvas, unframed canvas: 8.75 x 10.75 inches provenance: private collection, France condition...

Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...

Mastiff: "Broomcourt Romeo" by Dorothy Alexandra Johnson (1902-1988) signed lower right oil painting on canvas, unstretched 5.5 x 7.25 inches (frame 7.5 x 9.25 inches) Delightful ...

Summer Floral Display in a Green Jug by Henri Miloch (1898-1979) signed lower right and dated 1947 watercolour painting on artist's paper, unframed sh...

Richly-colored and vibrant Edwardian Beach Scene, British oil painting on canvas in impressionist style, presented in contemporary gold frame. The oil paint is raised and textured, lifting the beach sands, sea, sky and dresses from the canvas. Gathering in Edwardian period costuming looks out over the sands to the sea and clouds, with distant sailboats and children playing in the waves. This is a delightful contemporary painting, unsigned, but original oil dating to the 20th century. Framers tags verso from Oxford and Glasgow. In very good condition, with a few minor chips on the gold frame, but otherwise the painting is bright and beautiful. Provenance to gallery in the United Kingdom, imported by Saltire Gallerie...

Josine Vignon (French 1922-2022) ...

A beautiful, painterly portrait of a young black woman with colorful headscarf and sarong by Lucille H. Olpin (Ethel Lucille Harman Olpin), (American, 1909-1990). Signed "Olpin" lowe...

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Clown with Bouquet - Acrylic and Ink on Cardstock Colorful portrait of a clown holding a bouquet of flowers by Jassen Marek (20th Century). A sad clown in a suit with a straw hat ho...

French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition

Landscape "Provencal Village" Provencal landscape from Henri Farré. According to Wikipedia, Henri Farré was a painter and aviator during WWI. Born in the South of France (Foix), he joined France while he was in Buenos Aires during the mobilization. He became an official Army painter specializing in aeronautical painting. According to Richard Norton Gallery, "Farre flew in the cockpits along with the pilots of the famed Lafayette Escadrille, sketching the air battles as they were taking place. After the battles, Farre created finished, larger oil paintings based on these dogfight sketches. He was given the title of "Observateur Bombardier au Groupe d'Escadreille de Bombardment" by the French government and received the Legion of Honor and the Croix de Guerre from France for his war efforts. Farre wrote a book of his exploits called "Sky Fighters of France" in 1919. He exhibited at the Paris Salons and won a gold medal at the Salon des Artists Francais in 1934. In 1918, a large collection of Farre's aerial combat paintings was exhibited at the Art Institute of Chicago to benefit the children of the French aviators killed in action. The exhibition received a nationwide audience, traveling to major cities such as New York, Boston, Philadelphia and Washington D.C. Laurance Rockefeller, the noted philanthropist and businessman, purchased approximately 75 of these paintings, which are today in the Collection of the Smithsonian's National Air & Space Museum in Washington, D.C. Farre spent time in the U.S. before the Great War and returned to France upon the outbreak of war. After WWI, he settled in Chicago and maried an heiress, who was a 'modiste' (couturier), Marguerite Grassino. Farre lived and painted in Chicago until his death in 1934. " Structural Analysis : Inside a street view of a Provencal Village with flat roofs. On the foreground, a street is crossing the scene. It is surrounding by ocher-colored buildings with orange awnings. On the right side of the painting, a massive vegetation hangs over a porch. In the background, there is a cloudy bluish sky. Concerning the structure, the painter used thick paints to create texture. Thus, light movement creates new system of shadow and lights on the painting. It's also a geometrical painting, composed with triangular shapes.It seems very basic with triangle overlay/ superposition. Color analysis: The painter used complementary colors blue of the sky and orange of the awnings, when placed side by side, each heightens the visual intensity of the other. Technique: oil on canvas 54x65 cm / 21.3x25.6 inch with gold frame: 71x82,5cm / 28 x 32.5 inch Thickness: 3,5cm It is signed Henri Farré. There is no date mentioned on the artwork but I can guess that the artwork is after WWI. He started to use thick painting for the representation of landscape or cityscape (see Chicago paintings) Condition : Good condition - No cracks, no discoloration, no missing parts of paint. There are 2 restorations. It warps or curls in the corners, probably need to be tense again. (see picture...