Samuel Colman Art

Painted by Hudson River School artist Thomas Benjamin Pope (1834–1891), "Highlands - Hudson River from West Point Looking North" is oil on canvas ...

"Seascape," by Hudson River School artist George Herbert McCord (1848-1909) is oil on canvas and measures 18.07 x 30.13 inches. The work which comes from a private collection in Birmingham, Alabama is signed “G.H. McCord A.N.A.” at the lower left. The work is framed in a beautiful, period appropriate frame, and ready to hang. A member of the second generation of Hudson River School painters, George Herbert McCord is known for his atmospheric landscape and marine paintings which capture a variety of locales and are executed in a variety of media—including oil, pastel, and watercolor. McCord was born in 1848 in New York City, where he lived and worked his entire life. After 1883, he kept an additional studio in Morristown, NJ. McCord traveled throughout North America, painting in the Berkshire, Adirondack and Laurentian mountain ranges, the Hudson River Valley, the Coast of New England, the Upper Mississippi, and Florida, which had become popular among Eastern vacationers. He was among a select group of artists commissioned by the Santa Fe Railroad to paint the Grand Canyon, and also participated in a special painting excursion to the Erie Canal. His travels in Europe were equally expansive, taking him to England, Scotland (having been commissioned by Andrew Carnegie to paint the scenery around his castle there), France, the Netherlands, and Italy. McCord was well-educated, having attended Claverack College amidst the Catskills in Claverack, NY, which provided instruction in classical, French, German, English, music, painting, military, commercial, telegraphic and agricultural studies. He also studied with the accomplished painter and inventor of Morse code, Samuel F.B. Morse, and with the Scottishborn landscape painter, James Fairman. McCord was active in numerous art clubs and institutions in New York, including the National Academy of Design, which elected him an Associate member in 1880, the American Watercolor Society, the Brooklyn Art...

Oil on panel Signed and titled on verso.

Antique American impressionist fall forest oil painting. Oil on canvasboard. Finely painted and housed in a period giltwood frame.

Beautiful Hudson River School Original gouache autumnal landscape of vivid sunset through forest by Charles Russell Loomis (American 1857 - 1936), circa 1880. Warm and cool tones wit...

Shawangunk Mountains [View from top of Granit Road Looking Southeast] by Hudson River School artist Lemuel Maynard Wiles (1826-1905) is oil on can...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Monogram lower right. But for sheer numbers, as well as degree of fame, the activity which is most closely linked with this Adirondack town is painting. Mrs. Peggy O'Brien, who has long studied Adirondack artists, finds over 400 have painted in these mountains and Keene Valley was the summer capital for many of them. The earliest in the valley are Asher B. Durand (1796-1800), considered a co-founder of the Hudson River School, John Casilear (1811 -1893) and John F. Kensett (1816 - 1871) coming in 1848. Frederick Perkins came in 1857, boarded at the Bruce home, and with Orson Phelps sat on Mt. Marcy and named Skylight, Basin and Saddelback Mountains. Roswell Shurtleff came first to Keene Valley in 1868 and returned each year for the rest of his life, being, with A.H. Wyant, the first artists to have summer places here. Wyant built on the hillside east of the AuSable, Shurtleff on the west. Winslow Homer joined John Fitch and Shurtleff in Keene Valley for hunting, fishing, and painting. John Adams Parker was here by 1866, subsequently building. Robert Monior came in 1875 and by 1882 had a house that became a center for art students. Samuel Coleman arrived in the 1860's. Homer Martin (1836-1897), Sanford Gifford (1823-1880), and Arthur Parton (1842-1914) are but a few more of the recognized American artists who painted the AuSable lakes and mountain of Keene in the nineteenth century. In fact, the Heidelberg Museum of the Paletinate's salute to the American Bicentennial was a 1976 exhibit of work by the first German to the American scenes, a man named Kappel, and featured scenes around Beede's. John Marin brought Keene Valley art into the twentieth century. Harold Weston, son of S. Burns Weston, wintered alone at his AuSable Club studio 1920-21 to start his painting career, and gave us later life a good local history as well as art sampling in his autobiography Freedom in the Wilds (1971). Present day artists living or working in the town include Bruce Mitchell...

A finely detailed oil landscape of the Delaware Gap attributed to French American artist Regis Francois Gignoux (1816-1882). Gignoux was born in Lyon, France, and began his studies i...

Hudson River Inlet, 1885 by Hudson River School artist Frank Anderson (1844-1891) is oil on canvas. The work measures 15.13 x 24.25 inches ...

Hudson River School artist Worthington Whittredge's (1820-1910) Landscape in the Hudson Valley is oil on canvas and measures 11 x 19 inches. The work is signed by the artist at the l...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...