Giacomo Grosso Art

Bad date, 59x42cm, tempera/paper

This original drawing by Patrick Blake measures 14in x 11.5in and ships float mounted in the pictured simple black custom frame. "Though I work in many different mediums, drawing ...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

MEDIUM: Hand-Painted Limited Edition Cel with Fine Art Gicleé Background EDITION: 100 SIZE: 12.5” x 17” SIGNED BY: Bruce Timm, Alan Burnett, Paul Dini, Glen Murakami and Eric Radomski SKU: CC1203 Inspired by an image created by DC Comics and Warner Bros. Animation. “…And Vengeance Begins” is signed by award-winning Batman producers Bruce Timm, Alan Burnett, Paul Dini, Glen Murakami, and Eric Radomski. This is the first hand-painted limited edition cel signed by all five creators of The Warner Bros. Batman: The Animated Series. Juan Ortiz completed the original drawing and the background is a Giclée reproduction of a hand-painted original. The graveyard and Bruce Wayne’s parents’ graves, symbolize to Batman the reason for his existence, as it was their deaths that spurned Bruce Wayne into becoming the Batman...

MEDIUM: Original Storyboard Concept Drawing IMAGE SIZE: 11" x 8.5" SIGNED: Jorgen Klubien SKU: CCV1491 ABOUT THE IMAGE: A fantastic concept from the P...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: The New Batman Adventures, Torch Song SKU: IFA6192 THE IMAGE: The New Batman Adventures i...

Lalu Prasad Shaw - Biwi - 16.2 x 11.9 inches Marker Pen & Hard Paper, 2022 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and coup...

MEDIUM: Original Storyboard PRODUCTION: Monsters, Inc., 2001 IMAGE SIZE: 8.5" x 5.5" SIGNED: Signed by Jorgen Klubien SKU: CCV1533 ABOUT THE IMAGE: A f...

MEDIUM: Original Storyboard Drawing IMAGE SIZE: 6" x 4.5" SKU: CCV1884 ABOUT THE IMAGE: Winnie the Pooh and Tigger Too is a 1974 animated featurette based on the third chapter of W...

MEDIUM: Original Storyboard Drawing IMAGE SIZE: 11" x 8.5" SIGNED: Jorgen Klubien SKU: CCV1931 ABOUT THE FILM: Monsters, Inc. is a 2001 American computer-animated monster comedy film produced by Pixar Animation Studios for Walt Disney Pictures. Featuring the voices of John Goodman, Billy Crystal, Steve Buscemi, James Coburn...

MEDIUM: Original Storyboard Drawing IMAGE SIZE: 9" x 8" SKU: CCV1925 ARTIST: Ferdinand Horvath ABOUT THE FILM: Ferdinand the Bull is a 1938 Americ...

Alexander Liberman, hand signed and inscribed by both Alexander Liberman and Barbara Rose, and accompanied by a separate hand signed note, 1981 Hardback monograph (hand signed and inscribed by Alexander Liberman as well as art historian Barbara Rose), plus accompanied by a separate handwritten card signed by Liberman in the original envelope Warmly signed and inscribed on the monograph and card by Alexander Liberman and hand signed by Barbara Rose on the first front end page 13 1/4 × 12 1/4 × 1 3/4 inches A unique and memorable gift for any collector or fan of the sculptor Alexander Liberman! This lavishly illustrated hardback monograph with dust jacket is warmly signed and inscribed on the first front end page by both Alexander Liberman and the author, art historian, Barbara Rose, and it is accompanied by a separate handwritten card, signed by Alexander Liberman and held in the original envelope. (see photos). The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries. Inscription on the monograph reads: To Jack Haber with warm friendship Alexander Liberman Inscription on the card reads: Dear Jack [Merry Christmas and a Happy New Year] with warm friendship Alex Book information: Publisher: Abbeville Press, 1981. Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages. About Alexander Liberman: Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period. Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87. - Courtesy of Mitchell-Innes & Nass About Barbara Rose: Barbara Ellen Rose (June 11, 1936 – December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art...