Corrado Cagli Art

FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...

HOMAGE TO THE PANTHERS is an original limited edition lithograph created using hand printmaking techniques on white archival fine art paper, 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. HOMAGE TO THE PANTHERS is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the famous late 1960's Black Power organization, The Black Panthers. Composition of geometric orange rust shapes, powerfully graphic dense black portrait heads, clenched fists and guns. The Black Panther Party...

F. N. Souza - Untitled Marker on Paper, 11 x 8.5 inches Marker on Tracing Paper Pasted on Board, 12.5 x 9 inches ( Set of 2 works ) (Unframed Delivered) Francis Newton Souza was born in 1924 in Saligao, Goa. After losing his father at a very young age and being afflicted by a serious bout of small pox, he vowed to go about life his own way. Souza was expelled for participating in the Quit India Movement while studying at the Sir J J School of Art in Mumbai. In 1947, he founded the Progressive Artists' Group along with S H Raza...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

after Henri Matisse - Acrobat Edition of 200 with the printed signature, as issued 76 x 56 With stamp of the Succession Matisse References : Artvalue - Succession Matisse

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vacances forcées 1970. Published by Éditi...

Pablo Picasso - Original Lithograph Title: The Ballet Dancer Dimensions: 32 x 24 cm 1954 Reference: Bloch 767 Frontispiece for the book "Le Ballet" (Paris: Editions Hachet, 1954) by...

This is a lifetime edition - hand signed and numbered by Jean-Michel Basquiat himself in Basquiat's lifetime. Many younger collectors don't appreciate the difference between the numerous posthumous estate authorized prints...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches p...

Patti Smith Auguries of Innocence (Hand signed poetry book), 2005 Hardback monograph (Hand signed by Patti Smith on the first front end page) Hand signed...

Käthe Kollwitz (German, 1867-1945) Deutschlands Kindern Hungern (Germany's Children Are Starving), 1924 Lithograph on paper after original charcoal drawing Sight: 17 1/2 x 12 in. Fr...

John Chamberlain Hand Signed Letter re: Leo Castelli Exhibition, 1982 Typewriter on paper (hand signed) 6 1/2 × 8 1/2 inches Hand-signed by artist, Signed in purple felt tip marker Hand signed telegraph/letter refers to Chamberlain's exhibition at the legendary Leo Castell Gallery. A piece of history! John Chamberlain Biography John Chamberlain (1927 – 2011) was a quintessentially American artist, channeling the innovative power of the postwar years into a relentlessly inventive practice spanning six decades. He first achieved renown for sculptures made in the late 1950s through 1960s from automobile parts—these were path-breaking works that effectively transformed the gestural energy of Abstract Expressionist painting into three dimensions. Ranging in scale from miniature to monumental, Chamberlain’s compositions of twisted, crushed, and forged metal also bridged the divide between Process Art and Minimalism, drawing tenets of both into a new kinship. These singular works established him as one of the first American artists to determine color as a natural component of abstract sculpture. From the late 1960s until the end of his life, Chamberlain harnessed the expressive potential of an astonishing array of materials, which varied from Plexiglas, resin, and paint, to foam, aluminum foil, and paper bags. After spending three years in the United States Navy during World War II, Chamberlain enrolled in the Art Institute of Chicago and Black Mountain College, where he developed the critical underpinnings of his work. Chamberlain lived and worked in many parts of the United States, moving between New York City, Long Island, Los Angeles, Santa Fe, Connecticut, and Sarasota, before finally settling on Shelter Island. In many ways, each location provoked a distinct material sensibility, often defined by the availability of that material or the limitations of physical space. In New York City, Chamberlain pulled scrap metal and twelve-inch acoustic tiles...