Andrea Ferrigno Art

"Bauhaus Slide Park" is a painting by Spanish artist Natalia Roman. Inspired by nature and astronomy, this painting suggests a gemoetric earthy tones landscape where the sky and the ...

Title : First Floor Biogram Materials : Acrylic, gouache, oil pastel, marker, charcoal, graphite, and conté crayon on paper Date : 2018 Dimensions : 24 x 18 x .1 in. Description : ...

Abstract Artwork (drawing or rubbing) laid on a New Years card. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Ben Zion and Andy Warhol) During the summer of 1948 in the Cape Cod Massachusetts artists’ colony of Provincetown, Stillman’s experiments with such techniques led to a unique drawing process. Using an inkless pen, or some such tool, the artist impressed the paper with invisible scribbles, which only emerged as white lines when he rubbed a flat stick of charcoal or pastel across the surface. These evocative, subtly modulated, works on paper are sophisticated, yet little known, examples of Abstract Expressionist art. He imbued his abstractions with a glowing atmospheric quality that derives from both impressionism and the Old Testament concept of divine light. He subsequently adapted this technique to the graphic arts, experimenting in the early 1950s with color lithograph and woodcut print techniques. Ary...

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy Warhol) Johannes Von Wicht was born in Holstein, Germany on February 3, 1888. His mother moved the family to Oldenburg when Von Wicht was in elementary school and he began to visit the artist Gerhard Bakenhus. Von Wicht’s mother had arranged for him to apprentice at the studio of master painter F.W. Adels. There he learned to prepare paints with linseed oil and later commented on the lasting impression of colors throughout his career. Interior of a Farmhouse was his first painting completed in 1907. Gerhard Bakenhus was able to include the painting to in the Bremer Kunsthalle exhibition in 1908. Due to the critical success of this piece Von Wicht was accepted to the private art school of the Grand Duke of Hesse in Darmstadt. Fundamental themes of simplicity, nature, and poetry were instilled in the students. The students also studied ancient art, Chinese and Japanese calligraphy, as well as Mathias Grünewald, Albrecht Dürer, Martin...

Blue sky over the loch by Natalie Bird [2022] original Pastel Image size: H:36 cm x W:28 cm Complete Size of Unframed Work: H:25 cm x W:20 cm x D:0.5cm Sold Unframed Please note tha...

Robert Petrick's "The Dancer" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this pie...

Sandi Gehring (1957), American artist living and working in Amsterdam. Education; Art Students League, NY and Wackers Academie, Amsterdam. Currently repr...

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

'With Geraniums At the Window and Doves On the Roof' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visua...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Mixed Media: Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Edition 104/130 Pencil numbered 104/130, hand signed in pastel chalk on the front Edizioni Carte Segrete, Rome, Italy Excellent condition; held in matting which can be easily removed The matting measures 18" x 21" This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche. This is one of the editions which bears unique hand coloring with pastel chalk. A comparable work sold at auction in 2015 for US $12,583. (see details below): Nam June Paik Title Novecento Description Nam June PAI K Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo Medium pastel Year of Work 1992 Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm. Misc. Signed Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090] Design Sold For 11,057 EUR Hammer (12,583 USD) Nam June Paik Biography Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume. In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...