John Von Wicht

Abstract Pastel Crayon Drawing Color Abstract, Seasonal Letter John Von Wicht

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...

Framed 33 X 45.5 image is 29 X 41.5 Hand signed lower left Signed and titled verso Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet. Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research. During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947. Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls...

Abstract Artwork (drawing or rubbing) laid on a New Years card. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Ben Zion and Andy Warhol) During the summer of 1948 in the Cape Cod Massachusetts artists’ colony of Provincetown, Stillman’s experiments with such techniques led to a unique drawing process. Using an inkless pen, or some such tool, the artist impressed the paper with invisible scribbles, which only emerged as white lines when he rubbed a flat stick of charcoal or pastel across the surface. These evocative, subtly modulated, works on paper are sophisticated, yet little known, examples of Abstract Expressionist art. He imbued his abstractions with a glowing atmospheric quality that derives from both impressionism and the Old Testament concept of divine light. He subsequently adapted this technique to the graphic arts, experimenting in the early 1950s with color lithograph and woodcut print techniques. Ary...

This is a mixed media monoprint titled Homage a Sam (I first thought it was for Sam Gilliam but the artist told me it was for Sam Francis. He has done a number of these Homages as I ...

Irene Rice Pereira, Mixed Media on Paper (American, 1902-1971) Titled "The East Wind Carries the Seed" Hand signed l.r. "I. Rice Pereira". Paper: 14.1/8"h x 18.25"w Irene Rice Pe...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one is influenced by California Abstract Expressionist artist Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

"Black Band Abstract" is an original pastel drawing by Valerie Christell. It features abstract markmaking that forms a dark band in the center of the drawing. The artist signed the piece. Artwork Size: 30" x 44" Frame Size: 45 1/4" x 31 1/8" Artist Bio: Valerie J. Christell lives, works and maintains a studio in the Milwaukee area. She’s taught a variety of classes at Alverno over the years and is the former gallery director. Currently she’s teaching Figure Drawing classes and is a member of Alverno’s Art and Environment Committee. After receiving her Bachelor’s of Fine Arts degree in painting from the University of Illinois/Urbana-Champaign, Christell received her Master’s of Fine Arts degree in printmaking from the University of Wisconsin/Milwaukee. Since then, she has continued her education with post-graduate study in art history. In creating her art, Christell works in a variety of media, including drawing (clayboard, charcoal and pencil), found object, digital photography collages...

"Joyful Impulse" is an improvised impulsive drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time ...

"Free flow movement" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time ...

"Combing Sound" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw such abstract lines, a flow of energy moves my hand. I paint very fast to give the spontaneous flow as much space as possible. I never know what the result will be. The process of spontaneous drawing is a kind of magic that turns an invisible impulse into a reflection on paper. I feel the vibration in and around my palms and enjoy this dance of vibrations every time I paint. Each drawing is unique and one of a kind." Sve Gri...

"Expressively Fast" This intuitive abstract drawing is made with Chinese ink and pastel on watercolour paper. It conveys an impulse born in the space of sensations. "Every time I draw such abstract lines, a flow of energy moves my hand. For this to happen freely, I need to be calm and focused at the same time. I draw very quickly to keep expression and spontaneity. I never know what the result will be. The process of drawing like this is a kind of magic that turns an invisible impulse into a reflection on paper. Each drawing is unique and one of a kind." Sve Gri...

"Streamlet" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw...