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Style: Renaissance
Aristomachus, Ancient Greek, C18th Grand Tour Roman bust engraving, 1741
By Carlo Gregori
Located in Melbourne, Victoria
'Aristomaco'
Copper-line engraving by Carlo Gregori after P Pazzi.
Illustration of a Roman bust of Cleopatra from 'Musei Capitolini' a series of engrav...
Category
Mid-18th Century Renaissance Art
Materials
Engraving
Untitled (Abstract Cadaver Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract Cadaver Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 16.75 x 14 inches
Condition: Good
Provenance: Notes: A ra...
Category
1980s Renaissance Art
Materials
Ink
Queen Mary, Queen of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'Marie'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Van der vaart.
Mary II (1662-1694) reigned as Queen of England, Scotland, a...
Category
Late 18th Century Renaissance Art
Materials
Engraving
Mythological scene: naked male rider and his dog French relief sculpture carving
Located in Norwich, GB
An early French wooden panel carved in bas relief, depicting a muscular male nude rider, accompanied by his dog. Sculpted in honey-coloured wood, this antique piece, dates from the ...
Category
19th Century Renaissance Art
Materials
Wood Panel
Study for Statue - Pencil Drawing by Giovanni Fontana - Early 17th Century
Located in Roma, IT
Study for Statue is an original drawing in pencil on paper, realized by the architect and engineer Giovanni Fontana (1540-1614).
The state of preservation of the artwork is good exc...
Category
Early 17th Century Renaissance Art
Materials
Pencil
Saint Cosmas And Saint Damian Attributed To Bonifacio Bembo
By Bonifacio Bembo
Located in New Orleans, LA
Attributed to Bonifacio Bembo
c.1444-1477 Italy
Saint Cosmas and Saint Damian
Tempera on panel
These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity.
The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George.
While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece.
According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats.
The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...
Category
15th Century and Earlier Renaissance Art
Materials
Tempera, Panel
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving
Located in Melbourne, Victoria
'Diogene Cinico'
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768).
From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome.
240mm by 170mm (platemark)
420mm by 270mm (sheet)
Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...
Category
Mid-18th Century Renaissance Art
Materials
Engraving
Pair of antique reverse glass paintings
Located in London, GB
Pair of antique reverse glass paintings
Continental, 18th Century
Frame: Height 46cm, width 40cm, depth 3.5cm
Glass: Height 38cm, width 32cm
T...
Category
18th Century Renaissance Art
Materials
Glass
Untitled (Abstract African American Male Figure Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract African American Male Figure Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 1...
Category
1980s Renaissance Art
Materials
Ink
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann
Located in London, GB
Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann (Bohemian, 1680-1730)
Bohemia, early 18th Century
Panel: Height 73cm, width 93cm
Frame: Height 90cm, width...
Category
Early 18th Century Renaissance Art
Materials
Oil, Wood Panel
19th Century Young Irish Woman with Feathered Hat
Located in Soquel, CA
Mid 19th Century portrait of a young Irish woman in c. 1570s dress with ruffle. Painted in the style of William Merritt Chase. Unsigned and unframed.
Category
Mid-19th Century Renaissance Art
Materials
Oil, Canvas
Samuel Garth, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Thomas Sydenham MD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historic...
Category
Early 19th Century Renaissance Art
Materials
Engraving
George Morley Bishop of Winchester, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by George Vertue after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical ...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Lieutenant General Talmash, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
George II, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George II'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...
Category
Late 18th Century Renaissance Art
Materials
Engraving
Logge di Rafaele nel Vaticano (Raphael's Loggia in the Vatican) Plate X Pilaster
Located in San Francisco, CA
Artists: Raffaello Sanzio d’Urbino.(1483 – 1520)
Gateano Savorelli, artist. (unk.- 1791)
Ludovico Teseo, draughtsman. (1731-1782)
Pietro Camporesi, architect (1726 - 1781)
Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers
Title: Delle Logge di Rafaele nel Vaticano, Plate X (10)
Year: 1772-1777
Medium: Hand-colored copperplate engraving
Sight size: 42 x 16 inches.
Framed size: 55.5 x 28.5 inches
Condition: Very good
Frame: Frame in very good condition
A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...
Category
1770s Renaissance Art
Materials
Engraving
Guardian Angel, 17th century Italian Old Master oil on copper
Located in Cirencester, Gloucestershire
Guardian Angel
Italian School, 17th century
Oil painting on copper, framed
Framed size: 12 x 10.5 inches
Fine quality early Italian Old Master oil on copper panel, dating to the 17t...
Category
17th Century Renaissance Art
Materials
Oil
Print Porcelain Plaque Last Supper Painting after Leonardo in Carved Wood Frame
Located in Firenze, IT
A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...
Category
Early 20th Century Renaissance Art
Materials
Color, Porcelain
Thomas Wentworth Earl of Strafford, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Sir Anthony Van Dyck (1599-1641).
Houbraken was a Dutch engraver famous for his series of portraits of famous English hi...
Category
Early 19th Century Renaissance Art
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
George I, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George I'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...
Category
Late 18th Century Renaissance Art
Materials
Engraving
Thomas Marquis of Wharton, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
Henry Boyle, Lord Carleton, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller.
Houbraken was a Dutch engraver famous for his series of portraits of famous English his...
Category
Early 19th Century Renaissance Art
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
320mm by 250mm (sheet)
Category
Early 19th Century Renaissance Art
Materials
Lithograph
Classical Roman vase, early 19th century Italian Grand Tour engraving, c1820
Located in Melbourne, Victoria
Italian Neoclassical engraving depicting the Roman bronze and marble vases in collections of antiquities in Rome. Circa 1820.
175mm by 130mm (platemark) 330mm by 215mm (sheet size)
Category
Early 19th Century Renaissance Art
Materials
Engraving
The Dead Bird, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"The Dead Bird"
After Jean-Baptiste Greuze (1725-1805)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stampe...
Category
18th Century Renaissance Art
Materials
Oil, Canvas
A Marshal in his forge, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"A Marshal in his forge"
After Louis LE NAIN (1593-1648)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped...
Category
17th Century Renaissance Art
Materials
Oil, Canvas
Flemish School--Girl in Chair-1631-
Located in Brooklyn, NY
Portrait of a Girl in Chair by an unknown artist from the Flemish School. Currently framed in a gold wood frame with a side profile depth of 1.5 inches. The overall outside dimensio...
Category
16th Century Renaissance Art
Materials
Oil
AfterJean Baptiste Chardin-Grand Palais-FRAMED
Located in Brooklyn, NY
The last major event devoted to Chardin was held in 1979 at the Grand Palais in Paris of "Girl with Racket and Shuttlecock."
FREE delivery in New York metropolitan area.
Shipping a...
Category
20th Century Renaissance Art
Materials
Offset
Roman Laurel Wreath, Male Portrait, Original Oil Painting
Located in Cirencester, Gloucestershire
Roman Laurel Wreath, Impressionist Portrait, Original Oil Painting
By European Schooled artist, Mid 20th Century
Oil painting on metal, framed
Framed size...
Category
Mid-20th Century Renaissance Art
Materials
Oil
Stylised Portrait, Peasant Girl, Impressionist Oil Painting
Located in Cirencester, Gloucestershire
Stylised Portrait, Peasant Girl, Impressionist Oil Painting
By European Schooled artist, Mid 20th Century
Oil painting on metal, framed
Framed size: 10.5 ...
Category
Mid-20th Century Renaissance Art
Materials
Oil
Lady with the Red Hat Portrait, Original Oil Painting
Located in Cirencester, Gloucestershire
Lady with the Red Hat, Impressionist Portrait, Original Oil Painting
By European Schooled artist, Mid 20th Century
Oil painting on metal, framed
Framed size: 10.5 x 8 inches
Fabulou...
Category
Mid-20th Century Renaissance Art
Materials
Oil
A Self Portrait
Located in Storrs, CT
A Self Portrait. c. 1932. Ink drawing on wove paper. 3 1/2 x 2 1/4 (sheet 10 x 7). Provenance: the artist's daughter. Unsigned. A unique silhouette housed in an archival French doubl...
Category
Early 20th Century Renaissance Art
Materials
Ink
St Cecilia
Located in London, GB
D. BRUCCIANI & CO
(19th Century)
St Cecilia
Polychrome painted plaster bust with mould lines visible (probably later painting)
47 cm., 18 ½ in. high
Dom...
Category
1870s Renaissance Art
Materials
Plaster
Jale with the Sisera's Head - Original Etching by M. Greuter
By Matthaeus Greuter
Located in Roma, IT
Jale with the Sisera's Head is a copper engraving on laid paper in 1586 by the German engraver Matthaeus Greuter.
Representing one of the terrible heroines of the Old Testament, Gia...
Category
16th Century Renaissance Art
Materials
Etching
Flemish interior, XIX c. - Oil on canvas, 46x38 cm, framed.
Located in Nice, FR
Wonderful scene depicting a flemish interior higly detailed. Oil on canvas. XIX century. comes with frame
Category
Early 19th Century Renaissance Art
Materials
Oil
Women at Prayer
Located in Storrs, CT
10 15/16 x 8 7/16 (sheet 13 13/16 x 10 13/16). Subsequent to Dodgson. Edition 40 published by the Twenty-One Gallery for 7 guineas. Illustrated: Fine Prints of the Year, 1936. A rich...
Category
1930s Renaissance Art
Materials
Engraving
19th century painting from Old Italian Renaissance Master Raphael
Located in Saint-Ouen, FR
French School 19th Century Circa 1830
The Madonna Of The Chair from Raffaelo Sanzo da Urbino (1483 – 1520)
Oil on canvas : 65 X 65 cm
Frame gilded with leaves : 94 X 94 cm
Certifica...
Category
1830s Renaissance Art
Materials
Oil
Classical Male Torso
By Martin Glick
Located in Milford, NH
Wonderful sculpture of a Twisting Male Torso in carved stone by contemporary New York City artist Martin Glick. Born in 1944, Martin Glick resides in Pomona, New York, just outside of New York City. He was taught by Conger Metcalf...
Category
20th Century Renaissance Art
Materials
Stone
Serigraph with Religious Theme --The Guarantee
Located in Troy, NY
A group of young boys study the sacred scriptures with an elder in this serigraph print. A solemn and serious atmosphere pervades the four figures. The att...
Category
1990s Renaissance Art
Materials
Rag Paper, Screen
Sin Necesidad Alguna
By Theo Toy
Located in San Miguel de Allende, Guanajuato
Theo Toy original painting "Sin Necesidad Alguna".
Signed by the artist.
Category
2010s Renaissance Art
Materials
Canvas, Acrylic
Suave 2 - Study of lights and volumes
By Theo Toy
Located in San Miguel de Allende, Guanajuato
Original Theo Toy watercolor
Suave 2 - Study of lights and volumes
Watercolor on paper.
Signed by the artist.
Unframed. Please contact us if you would like framing options.
Category
Renaissance Art
Materials
Watercolor, Archival Paper
Abandono - Study of lights and volumes
By Theo Toy
Located in San Miguel de Allende, Guanajuato
Original Theo Toy watercolor
Suave 2 - Study of lights and volumes
Watercolor on paper.
Signed by the artist.
Unframed. Please contact us if you would like framing options.
Category
Early 2000s Renaissance Art
Materials
Watercolor, Archival Paper
The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 11 x 5 1/2 inches (28 x 14 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.
The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category
18th Century Renaissance Art
Materials
Chalk, Paper
Fine XVI secolo. Immacolata concezione. Vergine con il bambino ed il drago.
Located in Firenze, IT
Inizio XVII secolo.
Immacolata concezione.
Vergine con il bambino ed il drago.
Tecnica: olio su tavoletta di legno.
Dipinto della scuola di centro Italia : Toscana o Umbria o March...
Category
16th Century Renaissance Art
Materials
Oil, Wood Panel
16th c. Flemish school, Renaissance, c. 1580, Venus and Mars surprised by Vulcan
Located in PARIS, FR
Venus and Mars surprised by Vulcan, circa 1580, circle of Jacob de Backer ( Antwerp, 1545 - 1585)
The subject of our work is derived from Ovid's metamo...
Category
16th Century Renaissance Art
Materials
Oil, Wood Panel
Rare and Important Italian White Marble Bust Sculpture of Jesus Christ, C. 1850
Located in New York, NY
Rare and Important Italian White Marble Bust Sculpture of Jesus Christ, C. 1850
A truly exceptionally carved marble relief of Holy Jesus Christ. Ver...
Category
19th Century Renaissance Art
Materials
Marble
Shepherds in a Landscape
Located in New York, NY
GIULIO CAMPAGNOLA (CIRCA 1482-1516) AND DOMENICO CAMPAGNOLA (CIRCA 1500-1564)
Shepherds in a Landscape
engraving, circa 1515-1518, on laid paper, without watermark, a fine, richly tonal and atmospheric impression of this rare print, small to thread margins above and below, trimmed to the subject at left, the right edge of the subject skillfully made-up with pen and ink
Sheet 140 x 260 mm.
Provenance
With R.M. Light & Co., Santa Barbara, California.
Acquired from the above on 1 July 1982; then by descent to the present owner.
The fascinating composition of this rare early engraving...
Category
16th Century Renaissance Art
Materials
Engraving
Hippolyte Flandrin-Au Bord de la Mer-OVERSIZE
Located in Brooklyn, NY
Large out of print exhibition poster for Flandrin at the Louvre in 1989.
Category
20th Century Renaissance Art
Materials
Offset
Saint Mary Magdalene, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"Saint Mary Magdalene"
D'après Guido RENI (1575-1642)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped verso
canvas: 81 x 69 cm (32 x 27.25 inches) unframed.
provenance: the atelier Dagher, Paris
Very fine quality large scale oil painting after the 16th century Renaissance painting...
Category
16th Century Renaissance Art
Materials
Canvas, Oil
Venus and Cupid with a dog, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"Venus and Cupid with Dog and Partridge"
After Tiziano VECELLIO, dit TITIEN (1488/1490 – 1576)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped verso
canvas: 67 x 93 cm (26.5 x 36.75 inches) unframed.
provenance: the atelier Dagher, Paris
Very fine quality large scale oil painting after the 16th century Renaissance painting...
Category
16th Century Renaissance Art
Materials
Canvas, Oil
Lucretius, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"Lucretius"
After Paolo Caliari, (1528 – 1588)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped ve...
Category
16th Century Renaissance Art
Materials
Canvas, Oil
The Fishermen, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"The Fisherman"
After French 18th Century School
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped verso
canvas: 73 x 53 cm (28.75 x 21 inches) unframed.
provenance: the atelier Dagher, Paris
Very fine quality large scale oil painting after the 18th century Renaissance painting by 18th French Century School , "The Fishermen".
The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ.
Mr Amal Dagher, the senior member of the family of painters, is often present in front of his easel in the Louvre Museum to paint in the way of a genuine Great Master painting...
Category
16th Century Renaissance Art
Materials
Canvas, Oil
The Abduction of Prosperine, Large Oil Painting on Canvas by Louvre Copyist
Located in Cirencester, Gloucestershire
"The Abduction of Prosperine"
After Nicolò DELL'ABATE (c.1512-1571)
oil painting on canvas, late 20th century
from the studio of Dagher, Paris (read notes below), stamped verso
canvas: 67 x 105 cm (26.5 x 41.5 inches) unframed.
provenance: the atelier Dagher, Paris
Very fine quality large scale oil painting after the 16th century Renaissance painting...
Category
16th Century Renaissance Art
Materials
Canvas, Oil
Renaissance art for sale on 1stDibs.
Find a wide variety of authentic Renaissance art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Ian Hornak, Jesus Nodarse, Roni Taharlev, and Theo Toy. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Renaissance art, so small editions measuring 2 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $675,000, while the average work sells for $1,450.