Renaissance Art

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Francis Cottington, 1st Baron Cottington was the English lord...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...

'Saffo' (Sappho) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Sappho was an Archaic Greek...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Howard...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...

'Massinissa re de' Numidi' Copper-line engraving by Guttierez after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was...

'Magone Cartaginese' (Magone of Carthage) Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Roman marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Mago I, also known as Magon, was the king of the Ancient Carthage...

'Omero' (Homer) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

'Apollonio Tianeo' (Apollonius of Tyana) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campigl...

'Euripide Poeta Tragico' (Euripides, Tragic Poet) Copper-line engraving by Nicola Billy after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico...

'Omero' (Homer) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

'Cicerone' (Cicero) Copper-line engraving by C Gregory after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Ita...

'Pindaro' (Pindar) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. ...

'Virgilio' (Virgil) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) wa...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his...

'Pitodoride' Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italia...

'Teone Platonico' Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giova...

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...

'Ippocrate' (Hippocratus) Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image. Giova...

'Massinissa re de' Numidi' Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768)...

'Ierone Re di Sicilia' (Hiero, King of Sicily) Copper-line engraving by Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campigl...

'Erodoto' (Herodotus) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Herodotus was an ancient Greek historian and geographer from the Greek city of Halicarnassus, part of the Persian Empire. He is known for having written the Histories – a detailed account of the Greco-Persian Wars...

''Teofrasto' (Theophrastus) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

'Terenzio' (Terence) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) w...

'Terenzio' (Terence) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) w...

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...

'Aristofane' (Aristophanes) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Aristophanes, son of Philippus, of the deme Kydathenaion, was a comic playwright or comedy-writer of ancient Athens...

'Esiodo' (Hesiod) Copper-line engraving by Francesco Mazzoni after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

"Bacco' (Bacchus) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

'Eraclito' (Heraclitus) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–176...

'Giove Ammone' (Jupiter Ammon) Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was...

'Metrodoro' (Metrodorus) Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image....

'Asclepiade' (Asclepiades) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–...

'Lisia' (Lysias) Copper-line engraving by Pietro Parrocol after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Greek marble...

Maerten de Vos after J Baptista Vrints Baptism Scene Engraving

Published by Haddad's Fine Arts. Printed in USA Good Condition - slight dent in middle right (pictured). 23 x 35 in.

Artist/ School: French School, 20th century Title: Classical Ladies in Landscape Medium: oil painting on canvas, unframed and inscribed verso. canvas: 19.75 x 28.75 inches Prove...

Large scale reproduction poster of Leonardo Da Vinci's "Mona Lisa"

This acrylic on canvas painting is of a Renaissance Madonna. Framed beautifully, this spiritual portrait is of a graceful moment. The cerulean blue fabric is used to represent extrav...

The Lamentation Of The Death Of Christ, 17th Century after Pier Francesco Mazzucchelli (1573-1626) Fine huge 17th Century Italian Old Master depiction of the Lamentation at the Dea...

This woodcut print, depicting the 'Agony in the Garden,' is a rare image coming from a small passional. A passional is a common kind of devotional ...

Artist/ School: French School, after the earlier Renaissance Title: Portrait of a Cardinal Medium: oil painting on canvas, unframed canvas: ...

Italian Renaissance Angels Making Music - 16th Century Renaissance Fresco Fragment - Lombardy Italy A detached Renaissance Fresco dating to the ea...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance ...

This rare object is a child toilet chair that was very common during the Renaissance time in every aristocratic house. The noble origin is also highlighted by the decoration with th...

Wonderful late 19th Century of two cupids forging gold drawn from a section of the 1st century CE cupids frieze from the triclinium or dining room from the House of the Vetti in Pomp...

"Lily" by Roni Taharlev is a captivating 18" x 12" oil on canvas that exudes a soft and introspective atmosphere. In this intimate portrait, muted tones of peach, earthen brown, and ...

These 19th Century hand-carved hall chairs from Mexico are reminiscent of a Renaissance style in the design of the faces of the angels and ornamentation. This native wood is walnut colored with a stain that gives the chairs a caramel glow. The cushions are upholstered in a, light yellow silk brocade fabric. There are pin-sized holes from an earlier exposure to termites, a desirable element in antique Mexican furniture...

"Two Women & Bird," an evocative oil on board composition by contemporary artist Roni Taharlev, is a study in the nuanced interplay of form, shadow, and emotion. Sized at 40"x28", th...

Finely carved male capital dated from the 16th Century. Created in Italy, this fine works features the faces of winged cherubs.

Attributed to Peter Candid / Pieter de Witte (Bruges c. 1540 - 1628 Munich) Sacra Conversazione Oil on wood, 29 x 37 cm The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...

The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

The Madonna & Child by J. Canava, Italian late 19th century miniature painting on ceramic, framed within velvet inset and frame image measures 3.2...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

The Madonna & Child by J. Canava, Italian late 19th century miniature painting on ceramic, framed within velvet inset and frame image measures 3.2...