Photography on Sale

Hand printed silver gelatin photograph Edition 1/10 Mat size 20x24"

Black and white fine art landscape photography. Row of trees in the rapeseed field, France. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Ce...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine nude study, photographed in 1972. This is a vintage gelatin silver print, selenium...

Wild Mustangs just Carson Nevada 40x55 Edition of 10. Singed and numbered by Shane Printed on archival paper using archival inks Framing available. Inquire for rates. Shane Rus...

This is a contemporary black and white photograph of a Costal Wolf. Printed on archival paper using only archival ink. Edition of 50 Signed and numbered Framing available. Inquire ...

Red Residence California Landscape Painting Artist signed lower left oil on Masonite 16x20 with frame 20.5x24.5 Belinda Vidor Holliday (American, 1930-2023). An original oil painting...

Shot in the off the San Juan Islands this is the only known image of a double synchronized breach with two adult Orcas. This was truly a once in a lifetime event. This is the first ...

Edition of 50 Signed and numbered Printed on archival paper and using archival inks Shane Russeck has built a reputation for capturing America's landscapes, cultures and endanger...

Stormy Bay in California Impressionist Oil Painting Artist signed lower left. Belinda Vidor Holliday (American, 1930-2023). An ...

"Women" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

This landscape of a lily pad shows a couple of leaves and a lovely yellow lily centered on the photograph. In the foreground is a large green leaf duplicated in the background by oth...

In a world dominated by digital precision and instant gratification, Pia Clodi stands as a beacon of nostalgia and unpredictability, finding beauty in the fleeting moments captured t...

This is a black and white photograph of American Wild Mustangs by Shane Russeck. Printed on Archival Paper Using Archival ink 40x50 Edition of 10 Signed and numbered Shane Russec...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

The Fog (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Nu...

The Mountain (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Purple Valley (Wastelands) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Number 6...

Bates Motel (The Last Picture Show) - 2005, Edition 1/5, 38x36cm each, installed 80x116cm. 6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte fini...

This is a contemporary photograph of an African Lion shot by Shane Russeck Edition of 10 Signed and numbered Printed on archival luster paper. Shane Russeck has built a reputatio...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 30x40 Edition of 12. Signed and numbered by Shane. Printed on archival paper and using archi...

This is a contemporary photograph of an African Lion shot by Shane Russeck Unsigned Printed on archival luster paper. Shane Russeck has built a reputation for capturing America's ...

This is a contemporary photograph of an American Bison. 50x60 Edition of 10. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

Slim Aarons Speedboat Landing, 1973 Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a jetty in Porto Ercole, Italy. Estate stamped an...

Indian Summer III (The Last Picture Show) - 2005 Edition 1/5 128x126cm. Analog C-Print, matte surface, hand-printed by the artist, based on the original Polaroid. Signature label ...

This is a black and white photograph of American Wild Mustangs by Shane Russeck. Printed on Archival Paper Using Archival ink Shane Russeck has built a reputation for capturing Am...

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was capture...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

This is a contemporary photograph of an American Bison. 50x60 Unsigned Print Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russe...

Contemporary photograph of an American Bison. 24x36 Edition of 50. Signed and numbered. Printed on archival paper and using archival inks Framing available. Inquire for rates. ...

This is a contemporary black and white photograph of Wild Mustangs 24x 40 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

This is a black and white photograph of an African Lion. 40x60 Unsigned Test Print Printed on archival paper and using archival inks Framing available. Inquire for rates. Sha...

This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x90 Edi...

This is a contemporary photograph on archival paper. Shane Russeck is know worldwide for his wild horse imagery. This is one of only 3 color images he created in this series. Edi...

"Roxy Burlesk" Times Square Photograph, Manhattan, 1978: In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

This is a contemporary photograph of an African Lion shot by Shane Russeck 36x48 edition of 12 Signed and numbered Printed on archival luster paper. Shane Russeck has built a re...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist Inventory No. 695.03...

Wild Mustangs just Carson Nevada 40x55 Printed on archival paper using archival inks Unsigned print Framing available. Inquire for rates. Shane Russeck is a modern day photograp...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Juilliard Building, New York, 2023 by Roberta Fineberg is an 18” x 24" archival pigment print (on baryta paper) in an edition of 5. Signed, dated, and titled by the artist on front a...

Digital c-print. Hand signed by the artist on a label affixed to the reverse. Edition of 10. Frame size approx 53 x 65 inches, Certificate of Authenticity Included. Artwork in Ex...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

This is a contemporary photograph of American Wild Mustangs. Edition of 50. Signed and numbered Printed on archival paper and using archival inks Framing available. Inquire for rat...

Image title: "Locals Only" This is a contemporary photograph of 2 North American Mountain Lions. 40x60 Printed on archival paper using archival ink Framing available. Inquire for...

This is a contemporary photograph of a Northern California Wild Mustang. 60x40 Archival pigment paper Unsigned test print Framing available. Inquire for rates. Shane Russeck has ...

Flowing 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered...

Dance 1 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Artist: Timothy Greenfield-Sanders (1952) Title: Jenna Jameson (Diptych-Clothed/Nude) from the XXX 30 PORN-STAR PORTRAITS SERIES Year: 2004 Medium: Color Print Edition: 6 plus 3 AP S...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...