Wood Dining Room Sets

CraftAssociates Dining Table, Modern Oak Dining Table, Barricas Collection, Trenchard Modern Oak Dining Table "Barricas Series" for Craft As...

Beautiful Danish Fritz Hansen dining set in walnut: a ‘Super-Elliptical’ dining table designed by Piet Hein & Bruno Mathsson and in 2005 (labeled). This example features a beautiful top made of walnut with a magnificent wood grain, combined with the signature chromed steel spanlegs. Together with a matching set of 4 walnut ‘Series 7...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

Italy modern chairs, bench and dining table in solid wood, 1980s Set composing by 3 chairs, a dining table and a bench, entirely in solid w...

Iconic dining table and six dining chairs by Osvaldo Borsani and Eugenio Gerli for TECNO, Italy, circa 1960. Four chairs have galvanized metal details and two chairs have brass detai...

This original dining set includes a dining table produced by Samuel Marx for the Quigley Company Marx in 1939, an important architect and designer renowned for his custom one of kind...

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

Mid-Century dining table designed by Finn Juhl for Niels Vodder. Made in Denmark, 1948. The 'Judas' table deserves to be seen as the embodiment of fundamental Mid-Century Danish de...

A very imposing and good quality Regency period Mahogany triple pedestal dining table, with two extra leaves, having this wonderful figur...

This rare, and highly sought after Ercol dining suite, made of solid English beech and elm, has had one owner from new, being in the same dining room since original purchase, and has been exceptionally well cared for over the years. The Ercol 493...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

A ten foot dining table designed by Edward Wormley for Dunbar with expressively grained Tawi wood top and mahogany base with brass cleats. The table has th...

Sculptural X Base Dining Table, designed by T.H. Robsjohn Gibbings for Widdicomb, American, circa 1950s. This dining table is currently being refinished and can be completed in your choice of color. The price noted INCLUDES refinishing in your choice of color. The dining table expands...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Stunning Art Deco dining room set with expandable table and eight chairs in Makassar Veneer and Black Lacquer. Extendable dining table with top and apron veneered in bright Macassar...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

An extremely rare set of twelve dining chairs designed by Edward Wormley for Dunbar. Known as the Greene & Greene chair for it's crafted look with exposed tenon crest rail, rosewood ...

A fine 20th century mahogany fitted table canteen of Sheffield silver plate cutlery. The well figured moulded top of rectangular form w...

Set of extendable table and 6 Scandinavian chairs in teak and black leatherette 1965. Closed table dimensions: 140 cm x 72 x 80 cm Open table dimensions...

Elegant Mid Century Dining Table, designed by Paul McCobb for Calvin Furniture's Directional Line, American, circa 1960s. The table expands from a 48" round to a 68" width oval with ...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is far more complex, handcrafted, and extensive. The wood pieces produced by ...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

Howlite Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite black dining table represents the dawn of a new modern era. The champagne-b...

Set of six dining chairs, designed by Paul McCobb for Directional, circa 1950s. This set has been completely restored in an ultra-deep brown lacquer with ivory bouclé upholstery. The...

Art Deco Paul Frankl for Johnson Furniture mahogany and cork dining set - 9 piece set. An exquisite, iconic and truly timeless and unparalleled classic dining set...

Dark solid oak dining table with a set of six matching chairs. Dimensions: Table (may be fully disassembled): H(table/tabletop) 74/4 cm, W 200 cm, D 84 cm Chairs: H 98 cm, H(sea...

Regency Mahogany 2 Pedestal Dining Table With clips , table tightened , touched up & waxed

1989, USA, French Art Deco-inspired design. Beautifully constructed of bubinga and ebony, the table raised on open columned standard and central stepped plinth, with a circular inlai...

Set composed of four Medea dining chairs and their circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d’Oro Prize at Milano Triennale, in 1956. The Medea chair was manufactured in Italy between 1950 to 1959. The manufacturer of this chair was Fratelli Tagliabue. Vittorio Nobili designed it. Although he designed this chair in vintage times, it is suitable for our modern needs. This chair adds elegance and looks to its surroundings. This chair was reported at the prestigious Industrial Design Award, Compasso d’Oro, in 1955. Other iconic pieces, such as Soriana by Afra and Tobia Scarpa...

1950s Paul Frankl black cerused oak wood dining set for Brown Saltman CA Dining table and six dining chairs Table 95 long x 41.75 depth x 29.75 height. With one extension 80 long. 6...

Dining room sets in Louis XV Style with a set of 4 chairs & a Louis XV dining room table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created his more feminine version of Louis XV furniture and this elegant dining room sets. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during Louis XV period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. The dining room sets are inspired from the style of 18th-century French furniture which was guided by the court. When Louis XV, who reigned from 1715–74, focused royal life on the smaller salons of Versailles rather than its grand chambers, it transformed the aesthetics away from the imposing and angular furniture that characterised the style of Louis XIV. A broader focus on comfort and more delicate forms define antique Louis XV furniture dining room sets, with nature-inspired carvings, wood inlays, curved cabriole legs, asymmetrical shapes and rounded oval seat backs. The furnishings changed throughout the king’s life, as he ascended to the throne as a child and then grew to establish his own tastes. The dining room sets are made with great precision by our master craftsmen and hand carvers. This dining room set is more than just a dining room set as it is a true piece of art! Pieces like the bergère, an upholstered armchair with a wide cushion that fit the flowing dresses in fashion at the time, reflected this more informal court. Introduced at the start of Louis XV’s reign, bergère chairs in this style were deeper and broader than other chairs of the period. Louis XV tapestries and carpets tended to be floral and colourful, and design elements were borrowed from Asia. Dutch-born cabinetmaker Bernard van Risenburgh brought lacquer techniques influenced by Japan and China into his luxuriously made furniture. Along with its fine details, the furniture of the era also featured new innovations including mechanical devices. Jean François Oeben, a royal cabinetmaker, created such intricate pieces as a mechanical table for Madame de Pompadour, Louis XV’s mistress. It involved a sliding top and a writing surface that extended from its marquetry panels. During the later years of Louis XV’s reign, there was a shift from the ostentatious rocaille style, part of the exuberantly decorative Rococo movement in Europe for which designers such as Nicolas Pineau and Juste-Aurèle Meissonier are known. The style under Louis XVI would return to boxier forms, but with a neoclassical touch inspired by the ancient world. For the dining room sets the curved legs and side arms of this exceptionally elegant chair are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper or purest silver (assayed at 96% purity, beyond sterling at 92.5%). The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original lustre. For the dining room sets the curved legs and side rails of this exceptionally elegant table are handcarved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the table from thick sheets of copper or silver. Once the table is joined together, it is meticulously encased in a tight-fitting skin of copper or purest silver. The silver used was assayed at 96% purity, which exceeds the minimum standard for sterling of 92.5%. Available options for the metal skins are White Bronze, Antiqued Bronze, Brass, Silver and Copper. Both silver and copper will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original finish. Dining room sets include: Set of 4 chairs Louis XV style in white bronze clad, club chair by Paul Mathieu...

Presumably unique spider dining set made by a master carpenter. Made of solid pine with a star-shaped table top.

Stylish Louis table with 6 chairs from the late 19th century. Antique furniture with a more beautiful form will add elegance to any interior. A table with chairs beautifully decora...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Hollywood Regency Ebony Dining Table by Maison Gouffé, Paris, France, Lacquer Important circular dining table designed and produced in Paris, France by Maison Gouffé, circa 1930s. Go...

Set of 6 Farmhouse Modern Sleigh back dining / side chairs, pickled wood, linen. Six mid-century inspired French country dining or side chairs having been hand made and produced ...

Louis table XV Style in Copper Clad designed by the renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of ...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Baker Charleston Collection double pedestal mahogany banded dining table w/ 3 extension leaves 6 chairs set. Chair: 19 × 22 x 38 inches ...

Dining room sets in Louis XV Style with a set of 4 chairs & a Louise Dining Room Table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created h...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

Elegant Walnut dining table with matching buffet cabinet, designed by Paul Frankl for The Johnson Furniture Company, American, circa 1940. The table ha...

Beautiful set of a dining table with 6 chairs, you can hang these chairs on the table. See the photo. This is very easy to clean. Marc Held ...

Danish Modern Mahogany dining table, designed by Frits Henningsen, Denmark, circa 1930s. This dining table is currently being refinished and the leaves will be re-veneered, as their veneer was missing when we purchased the set. It expands from a compact 43" circle to an impressive 108.5" oval with all three of it's leaves installed. We also have the matching dining chairs from the same estate currently listed on 1stdibs. Please see last photos. This listing and pricing is for the dining table only.

Paul McCobb for Calvin Dining Set, Features Six Dining Chairs, Two Arm Chairs, and Four Side Chairs, a Rectangular Table in mahogany veneer original medium tone with a solid brass st...

Sophisticated dining set Ebonized Mahogany wood dining table Six blue velvet chairs Mexico circa 1950s Attributed to Eugenio Escudero. Unmarked. Set includes six dining chairs and an oval shaped dining table. Mahogany Wood ebonized with black lacquer. Chairs have brass accents and blue velvet seats. Very comfortable. Original preowned vintage condition. Wear consistent with age and use...

Danish modern extending teak dining table manufactured by BRDR Furbo in Denmark, circa 1950s. This vintage dining table is built with the highest quality teak wood, where the aesthet...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

Dining room sets in Louis XV Style with a set of 6 chairs & a Louis XV Dining Room Table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created his more feminine version of Louis XV furniture and this Elegant Dining room sets. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during Louis XV period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. The dining room sets are inspired from the style of 18th-century French furniture which was guided by the court. When Louis XV, who reigned from 1715–74, focused royal life on the smaller salons of Versailles rather than its grand chambers, it transformed the aesthetics away from the imposing and angular furniture that characterised the style of Louis XIV. A broader focus on comfort and more delicate forms define antique Louis XV furniture dining room sets, with nature-inspired carvings, wood inlays, curved cabriole legs, asymmetrical shapes and rounded oval seat backs. The furnishings changed throughout the king’s life, as he ascended to the throne as a child and then grew to establish his own tastes. The dining room sets are made with great precision by our master craftsmen and hand carvers. This dining room set is more than just a dining room set as it is a true piece of art! Pieces like the bergère, an upholstered armchair with a wide cushion that fit the flowing dresses in fashion at the time, reflected this more informal court. Introduced at the start of Louis XV’s reign, bergère chairs in this style were deeper and broader than other chairs of the period. Louis XV tapestries and carpets tended to be floral and colourful, and design elements were borrowed from Asia. Dutch-born cabinetmaker Bernard van Risenburgh brought lacquer techniques influenced by Japan and China into his luxuriously made furniture. Along with its fine details, the furniture of the era also featured new innovations including mechanical devices. Jean François Oeben, a royal cabinetmaker, created such intricate pieces as a mechanical table for Madame de Pompadour, Louis XV’s mistress. It involved a sliding top and a writing surface that extended from its marquetry panels. During the later years of Louis XV’s reign, there was a shift from the ostentatious rocaille style, part of the exuberantly decorative Rococo movement in Europe for which designers such as Nicolas Pineau and Juste-Aurèle Meissonier are known. The style under Louis XVI would return to boxier forms, but with a neoclassical touch inspired by the ancient world. For the dining room sets the curved legs and side arms of this exceptionally elegant chair are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper or purest silver (assayed at 96% purity, beyond sterling at 92.5%). The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original lustre. For the dining room sets the curved legs and side rails of this exceptionally elegant table are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the table from thick sheets of copper or silver. Once the table is joined together, it is meticulously encased in a tight-fitting skin of copper or purest silver. The silver used was assayed at 96% purity, which exceeds the minimum standard for sterling of 92.5%. Available options for the metal skins are White Bronze, Antiqued Bronze, Brass, Silver and Copper. Both silver and copper will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original finish. Dining room sets include: Set of 6 Chairs Louis XV style in White Bronze Clad, Club Chair by Paul Mathieu...

Vintage American hardwood dining table and chairs - set of 5 A vintage hardwood dining table and 4 chairs, made in the USA. We ar...

Very nice dining room set of four dining chairs and extendable dining table. Designed by Børge Mogensen for C.M. Madsen, Denmark 1950s. The dining room set is made of solid beech woo...

Antuérpia Extendable Dining Table 4/6-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Antuérpia dining table represents the dawn of a new modern era. The ...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

This incredible exotic wood and leather dining set, which would also make an amazing conference table and chair set, by luxury design su...

This dining room consists of a dresser, three sideboards including a pair of small open sideboards and a large sideboard with doors, a table, six chairs and two armchairs. In walnut ...

A gorgeous Light Oak Wood extendable Art Deco Dining table with 12 chairs. Designed by Batistin Spade. Made in France Circa: 1940

Vintage Paul Frankl dining room set by Brown - Saltman. 9 piece dining table one leaf six chairs with matching buffet all with honey combed design ico...