Tibetan Case Pieces and Storage Cabinets

Mid-20th Century Lane Legacy Rattan Love Chest Unusual Lane Cedar Chest completely covered in Rattan and Bamboo over solid Cedar. Lock does not work. No ...

Very old bench with weathered wood and nice patina. Narrow seat of 6.5 inches. Low profile. Sturdy. Fits almost anywhere! We have four other similar benches.

A gorgeous antique Chinoiserie Jacobean style bookcase, dining cabinet, or bar cabinet In the manner of Berkey & Gay USA, Circa 1900 Carved ebonized walnut, with orange lacquered ...

This exquisite Andrew bench features an elegant silhouette with ample storage space that make it a beautiful addition to any modern or Classic decor. Either at the entrance of a home...

Discover the beauty of traditional Chinese craftsmanship with this Hand Painted and Carved Shoe Cabinet. Adorned with detailed carvings and hand-painted scenes from Chinese culture, ...

Antique Chinese Red Painted/Lacquered Cabinet. This beautiful red cabinet has lovely flowers and pomegranates displayed on the panels in black and highlighted in gold. The unique pan...

19th century architectural plan, collector's cabinet features multiple shallow drawers perfect for keeping a large inventory of blueprints and sketc...

This honey-colored pine armoire or linen press is in two sections -- upper and lower cabinet, four doors with recessed panels. The armoire was later made into an entertainment unit / cabinet. Upper cabinet features a swivel TV shelf...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Skinny vintage Chinese rustic elm wood bench. Seat measures 7 inches deep, but footprint is 13 inches deep. Weathered patina.

European Walnut Storage Chest, early 19th Century. An early chest with triple brass locks and hand-forged iron strap hinges.

White Tibetan lambs fur bench / ottoman with brass cabriolet legs. Brass legs are vintage Italian from 1980's. Upholstery is new.