Early Victorian Barware

French 19th century Louis Philippe Boulle cave a liqueur. Made of Tortoiseshell, brass, and ebonized Fruitwood. Inlaid floral elements on a Tortoiseshell ...

Notable for its incredible marquetry case and beautifully embellished Baccarat crystal, this handsome 19th-century cave à liqueur consists of three decanters and 16 cordial glasses. ...

A rare and large glazed ceramic whiskey dispenser with strong form and color. Mark on the base dates to 1882-1891. Urquart owner's inscription also i...

Vintage figural bottle cork - bottle stopper with a porcelain bonzo the dog on top. Bonzo is a famous caricature bulldog dog.    

One pair of Bennington Toby jugs.

Beautiful hand blown cobalt overlay and panel cut to clear punch bowl with matching lid, wheel cut floral decoration and gold trim. 12 matching handled punch cups to complete this wo...

'Alchemica Wine Glass' A Hand Blown Wine Glass by Simone Crestani Alchemica Wine Glass is one of the pieces from the Alchemica Collection. "A collection composed of bottles, wine glasses, cocktail glasses and whiskey glasses, born from an ironic reinterpretation of chemical laboratory glassware...

William Blenko started a sheet glass company in 1921, in Milton, West Virginia because of low natural gas prices, a major concern for glass manufacturers of the time, which drew m...

An English silver and crystal decanter set from the 19th century, with seven glasses, a decanter and silver platter. Born in England during the 19th century, this exquisite set featu...

A set of eight green-faceted drinking glasses. This set will add a beautiful touch of green to any place setting. We recommend using this set for water or iced tea and pairing them w...

A set of 30 crystal ribbon motif drinking glasses. This set includes eight wine goblets, 12 tea glasses, and 10 coupe champagne glasses. The stem...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...