Thin Edge Group

A beautiful rare and hard-to-find Rosewood Thin Edge bookcase by George Nelson for Herman Miller. The Thin Edge bookcase would look great in any Mid-Century Modern or Contemporary ho...

Rare smaller bookcase with great dimensions in walnut on chrome base. Designed by George Nelson for Herman Miller. We have had many Nelson case pieces and never have come across this...

A rosewood thin edge chest designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...

Nice early George Nelson 'Thin Edge' chest of drawers with classic aluminum pulls and walnut or mahogany veneer. Divided drawers,,, Produced in the 1950s & 1960s by Herman Miller, ...

George Nelson design Thin Edge Group dresser for Herman Miller. Sophisticated looking and very functional as a daily dresser. Comprising four smaller drawers across the top and three...

"Thin Edge" chest of drawers by George Nelson for Herman Miller. These make nice nightstands Measures: cabinet 1. 19.5" deep by 34" wide by 33.25" high cabinet 2. 19.5" Deep by 24...

This gorgeous dresser is part of George Nelson's 1950s Thin Edge collection for Herman Miller, which takes its name from the elegant, slim profile. Tapered trestle legs elevate the w...

An eight-drawer double dresser from George Nelson’s Thin Edge collection for Herman Miller. Design features the slender rosewood case for which the series was named and a double stac...

Spectacular rosewood Thin Edge collection model 5221 eight-drawer dresser, designed by George Nelson for Herman Miller. Drawer fronts show off gorgeous figured rosewood selection, fi...

Beautifully grained Rosewood cabinet with two rows of four drawers. Early style turned aluminum pulls on each drawer. Cabinet standing on for turned aluminum legs. This is a classic ...

George Nelson design rosewood thin edge tall chest for Herman Miller. Featuring five drawers, two with fitted dividers on aluminum legs and original...

George Nelson Thin Edge Group eight drawer dresser for Herman Miller. Made with high quality construction and detail in Brazilian rosewood and oak with drawer dividers to help with ...

Pair of George Nelson thin edge chests or nightstands. The items are rosewood veneer with four pull-out drawers and metal legs.

Pair of George Nelson & Associates for Herman Miller Thin Edge cabinets model 4701. Teak cases with anodized aluminum pulls and cast aluminum legs. Each cabinet features four drawers...

Spectacular rosewood Thin Edge collection model 5221 eight-drawer dresser, designed by George Nelson for Herman Miller. Drawer fronts show off gorgeous figured rosewood selection, fi...

Part of the Thin Edge series that George Nelson designed for Herman Miller in the 1950s, this wonderful set comprises two dressers in a tawny walnut on either side of a suspended van...

Wonderful mirrored rosewood veneer.

George Nelson & Associates Miniature cabinet, model 5211 Herman Miller USA, 1950s Walnut, rosewood, enameled steel, laminate, porcelain Measures: 20.25 W × 14 D × 32.25 H in ...

Pair of original grain matched George Nelson design rosewood "Thin Edge" chests for Herman Miller. Very good original condition, labeled.

Thin edge dressers by George Nelson for Herman Miller Porcelain handles and metal legs. Dressers have been refinished.  

George Nelson thin edge double dresser, chest, Santos Palisander, Herman Miller. In 1944, Life magazine published an extensive article...

George Nelson was a prominent American industrial designer known for his contributions to mid-20th century modern design. He worked as the design director for Herman Miller, a renown...