Kathleen Murray Art

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

In my sketch, I used oil painting techniques to convey the gentle awakening of nature when the buds of the apple tree bloom. Inspired by impressionism, I used the play of light and c...

A fine harbor scene with boats by American artist Emile Albert Gruppe (1896-1978). Gruppe was born in Rochester, NY, and went on to become a renowned New England landscape and marine...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. The Homestead and other paintings below were painted in 2022 by Texas artist Joan Breckwoldt.. They were painted in Texas and have custom made frames. Their finished frame size is 11.75"x14.75".All painted plein air in oil. All are Texas scenes, "Texas Hill Country". All are custom framed ready to hang. Joan Breckwoldt is an American contemporary artist living in Houston, Texas. Her training has a foundation of traditional methods and she enjoys the challenge of using traditional painting methods to create contemporary works. Joan has studied at the University of Texas at Austin, The Art League of Houston, and the Konigs Schule in the Hague, the Netherlands. She is represented by the Jack Meier Gallery...

LOOK FOR FREE SHIPPING. PRICE NEGOTIABLE Orange and Purple Trees in Harmony is an contemporary impressionist landscape painting that was painted from scenes near Brenham and Chap...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Johann Berthelsen (1883 – 1972). Born in 1883 in Denmark to artistically inclined parents, Johann Berthelsen would become a widely successful singer, teacher, and painter. After his parents divorced, his mother brought Berthelsen and his siblings with her to the United States in 1890, eventually settling in Wisconsin. At eighteen, Berthelsen moved to Chicago in the hope of becoming an actor, but a friend at the Chicago Musical College convinced him to audition at his school. Berthelsen received a full scholarship and enrolled at the college, where he was awarded the Gold Medal twice. After graduating, he had an active career traveling across the United States and Canada performing in operas and concerts, before joining the voice faculty at his alma mater in 1910. In 1913, Berthelsen became the voice department director at the Indianapolis Conservatory of Music. While in Chicago, Berthelsen met the landscape painter, Svend Svendsen...

Grant Tyson Reynard. American ( b.1887-1968 ). Fishing Boats in St Ives Harbor, Cornwall Oil on Canvas Board. Signed lower left. Image size 11 inches x 15.6 inches ( 28cm x 39.5cm ). Frame size 14.2 inches x 18.1 inches ( 36cm x 46cm ). Available for sale; this original oil painting is by the American artist Grant Tyson Reynard and dates from the period between 1912 and 1925. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), and behind premium anti-reflective glass with UV Protection greater than 70% (Artglass AR 70™). The painted surface has benefitted from cleaning and conservation, which was performed on our instruction, supervision and approval. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Grant Tyson Reynard was an accomplished American who gained an international reputation as a painter, printmaker, teacher and writer. He was born in Grand Island, Nebraska 20th October 1887 to Stephen Blackstone and Jennie Lynd Reynard. His father ran a music store and was also the manager of the Grand Island Opera House. As a youngster Grant would sketch the well-known people who visited the community. He had an early appreciation of music, sang well and originally trained as a pianist. However, he chose to pursue a career in the visual arts, studying at the Art Institute of Chicago, 1906-7, working in the days and studying at night, and then the Chicago Academy of Fine Arts 1908-1911. In 1914 he moved to New Jersey to become a freelance illustrator, and attended summer classes in illustration organised by Harvey Dunn. It was here that he also met and became lifelong friends with John Steuart Curry, Charles Chapman, Mahonri Young and Harry Wickey, all prominent artists. He maintained a studio at Leonia, New Jersey for many years. He quickly established himself as a top illustrator, contributing to major publications of his day, including Rednook Magazine (where he was also the Art Editor), The Saturday Evening Post, Harper’s Bazaar, Collier’s, Ladies’ Home Journal, Country Gentleman, McCalls and Cosmopolitan. His increasing interest in painting and etching took him to the chief centres of study in Europe, especially Paris and London. From 1926 through to 1937 he was a fellow of the MacDowell colony in Petersborough, New Hampshire. Reynard was elected a member of the National Academy of Design and the American Watercolor Society. He was the president of the Montclair Art Museum, and served six years on the faculty of the Grand Central School of Art, New York. He also conducted the Department of Art at Millbrook School, Millbrock, New York, and was artist-in-residence at Palo Duro School of Art in Texas. In 1955 Baldwin-Wallace College awarded him an honorary Doctor of Humane Letters (LHD). Over the years Reynard’s focus shifted from illustration work to his own creative work, but in addition to producing his own art he also lectured in art and taught at several difference schools. Although he travelled extensively he remained loyal to his roots, returning to Nebraska every summer to conduct lectures and art classes in Omaha, Lincoln, Grand Island, Kearney and North Platte. In 1941 Reynard published a book of his poems “Rattling Home for Christmas” which he also illustrated. He remained deeply involved in music, always being a skilled pianist, as well as literature, and his prints often depicted concert halls and museums. Grant Reynard...

PLEASE NOTE: The painting will be shipped, not framed. The framing option is available on request with additional shipping costs. These birches grow in a specially protected area of ...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

My trip to the Kola Peninsula in 2010 to the Kolvitsa River and living in the village of Kolvitsa left the warmest memories. Despite the rather harsh conditions for plein air, especi...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right and is Illustrated in the Ashley John Gallery catalog titled "The Pennsylvania Impressionists". George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Choosing the motive as different for their eye-pleasing variety and play, at the same time, simplicity drew attention to themselves. I painted with this motive in winter, but this su...