Bertrand Mogniat-Duclos Art

This original, oil on canvas of a women and her children on a quay in Venice is a beautiful picture of motherhood and femininity that was painted about 50 years ago by the French Artist Eugene Begarat...

Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...

Jacques-Laurent Agasse (Swiss, 1767-1849) Young Man Resting by the Roadside, 1819 Pen and ink and wash on paper, 5 1/4 x 6 1/2 inches Framed: 13 x 11 3/4 inches (approx.) Signed and ...

Signed oil on canvas circa 1910 by French post impressionist painter Michel Korochansky. This autumnal landscape depicts a view of women washing linen on the bank of a river. The las...

'Saintes-Maries-de-la-Mer', pen and ink on paper, by Genevieve Gallibert (circa 1930s). Like her famous French counterpart, Yves Brayer, Gallibert was also known for her artworks depicting the landscapes, wildlife and people of the Camargue region of the South of France, near Arles. She painted this tranquil scene from the capital of the Camargue, Saintes-Maries-de-la-Mer. Les Saintes-Maries-de-la-Mer is particularly lively in summer with its visitors, beaches, cafés, restaurants and shops. In winter, another atmosphere prevails with its long and deserted sandy beaches, the sea air, and the gentle breaking of the waves. Every May, Romanies, Manouches, Tziganes and Gitans come from the four corners...

Sunflowers, summer, yellow, van gogh,Ukraine Offer Free Shipping Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina....

Louis Eilshemius', American (1864 -1941), early works were influenced by the Barbizon School and Corot among others. This oil on canvas painting from 1890-1910 is from the era when h...

Signed lower right, 'Tommy G Thompson' (American, born 1948), titled, 'Shadows on a Shrimp Pink House, 822 & 824 Bourbon St. New Orleans' and dated 1977. A fine and original watercolor by this legendary painter of the New Orleans jazz scene and street life. Tommy Thompson...

Signed post impressionist oil on canvas landscape by French painter Jacques-Emile Blanche. The work depicts crowds of people enjoying a day at Brighton beach on the south coast of England. Bathers are dotted across the sandy beach with the pier on the right hand of the scene and the Grand Hotel behind. Signature: Signed lower right Dimensions: Framed: 29.5"x47.5" Unframed: 22.5"x39.5" Provenance: Private collection - Italy This work will be included in the catalogue raisonne of the work of Jacques Emile Blanche currently under preparation by Dr Jane Roberts & Muriel Molines Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris. Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie. He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet. The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them. In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen. He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet...

Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...

Tenterden by Lucien Pissarro (1863-1944) Watercolour, ink, pen and coloured crayon 16.5 x 24 cm (6 ¹/₂ x 9 ¹/₂ inches) Signed with monogram and titled lower right Provenance: The Redfern Gallery...

Transylvanian Forest, 2018 Ink and marker on paper (Signed and dated on lower front end) 11.81 H x 16.53 W in 30 H x 42 W cm The majority of Tara’s drawings are built on the idea o...