International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Map of Chatham, Cape Cod
Located in New York, NY
Original map of Chatham, Cape Cod, with recent hand-coloring, 1938. Light toning to edges; has original holes punched in left edge. From "Massachusetts Cit...
Category
1930s International Fine Print Dealers Association Art
Materials
Paper
PERU
By Johannes Jansson
Located in Santa Monica, CA
JOHANNES JANSSON (1588 - 1664)
PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2
A nice example of one of the earliest maps of Peru. From the ...
Category
1630s Old Masters International Fine Print Dealers Association Art
Materials
Engraving
Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category
1890s Post-Impressionist International Fine Print Dealers Association Art
Materials
Aquatint, Etching
'Church with Houses' — Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Houses' also 'Tree and Star' ('Kirche mit Hausern', 'Baum und Stern'), woodcut, 1933, one of a small but unknown number of letterhead proofs; Prasse W275. Annotated 'W 275' (Feininger catalogue number) and inventory number '3033' in pencil, in the bottom right sheet corner. A fine, richly-inked impression, on cream, laid letterhead paper, in excellent condition. Very scarce.
Image size 2 7/16 x 2 5/8 inches; sheet size 10 x 6 7/8 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus International Fine Print Dealers Association Art
Materials
Woodcut
MOBY DICK
By Rockwell Kent
Located in Portland, ME
Kent, Rockwell, illustrator. MOBY DICK by Herman Melville. .Lakeside Press, 1930. The Artist and the Book, 140. Edition of 1000 copies. First edition thus. Three volumes, quarto, 279, 284, and 282pp. 280 illustrations by Kent after his ink and wash drawings, except that the title pages of each volume are prints made from copper-plate engravings by Kent. In the original aluminum slipcase. In excellent condition.
Jo Mielziner...
Category
1930s International Fine Print Dealers Association Art
Materials
Black and White
March 8, 2001
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category
Early 2000s Modern International Fine Print Dealers Association Art
Materials
Etching
Arlecchino in blu e grigio (Harlequin in Blue and Gray)
By Duilio Barnabe
Located in Chicago, IL
This work is signed by Barnabè in the lower right. Harlequins were one of Barnabè's favorite subjects, reminders of the costumed revellers at the famous Carnival of Venice celebrated...
Category
Mid-20th Century Modern International Fine Print Dealers Association Art
Materials
Charcoal, Gouache
'Flyable Objects Identified' —Mid-Century Modern
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Flyable Objects Identified', color serigraph, 1969, edition 30, Ryan 83. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, o...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Screen
Ocelot by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category
1850s International Fine Print Dealers Association Art
Materials
Paper
TOD UND FRAU (DEATH AND WOMAN)
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
Category
1910s International Fine Print Dealers Association Art
Materials
Etching, Drypoint
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
1850s Edo International Fine Print Dealers Association Art
Materials
Woodcut
Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint.
Edition of 50
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Intaglio
Ninth Inning
Located in Myrtle Beach, SC
Sylvia Mayzer Rantz, 'Ninth Inning', lithograph, 1949, edition 24. Signed, dated, titled, and numbered '9/24' in pencil. A fine, richly-inked impression, on cream wove paper. The ful...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
THE EIGHT - Rare early proof of a major Grosvenor School Linocut
By Cyril Power
Located in Santa Monica, CA
CYRIL POWER (1872 – 1951)
THE EIGHT 1930 (Coppel CEP 18: V. 18)
Color linocut. Unsigned. A printer’s counterproof (?) in reverse, on newsprint. Only two...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Linocut
Seahorse Print
By Mathurin Meheut
Located in New York, NY
Plate number 12, Hippocampe mouchete, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
JONAH AND THE WHALE
By Ruth Starr Rose
Located in Portland, ME
Rose, Ruth Starr (American, 1887-1965). JONAH AND THE WHALE. Lithograph, 1936.
Edition size not known.
Titled, signed and dated in pencil. Printe...
Category
1930s International Fine Print Dealers Association Art
Materials
Lithograph
EARLY GUNNER
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
EARLY GUNNER, c. 1930
Etching and drypoint signed and numbered in pencil,17. Image, 9 ½ x 15 inches. Full sheet 11 3/8 x 18 1/4 inches. With deckle ed...
Category
1930s Abstract Impressionist International Fine Print Dealers Association Art
Materials
Drypoint
A CLEAN SHOT
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
A CLEAN SHOT 1930
Etching and drypoint. Signed and numbered 26 in pencil.Signed and dated in the plate 1930. Image 10 5/8 x 13 ½ inches, sheet 12 x 18 inc...
Category
1930s Impressionist International Fine Print Dealers Association Art
Materials
Etching
Son avocat, en phrases creuses, clame sa totale inconscience (His lawyer, ...
By Georges Rouault
Located in Fairlawn, OH
Son avocat, en phrases creuses, clame sa totale inconscience (His lawyer, in hollow phrases, proclaims his total indiffference)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned (as issued)
From: Miserere (Have Mercy), 58 plates
Plate 19
Aquatint, drypoint, roulette and burnishing over heliogravure
1922-1927
Edition: 425 on Arches vellum with the Ambrose Vollard watermark
25 Hors commerce portfolios
All published impression are unsigned, as issued
Signed and numbered only on the colophon
Published by Societe d’Editions l’Etoile Filante, Paris, 1948
Printer: Jacquemin, Paris, 1922-1927
Reference: Chapon & Rouault 72 c/c
Condition: excellent
Image/Plate size: 21 1/16 x 15 7/8
Rouault’s Miserere...
Category
1920s French School International Fine Print Dealers Association Art
Materials
Aquatint
FISHERMAN - FROM ESTAMPAS DE YUCATAN.
By Alfredo Zalce
Located in Portland, ME
Zalce, Alfredo (Mexican 1908-2003). FISHERMAN - FROM ESTAMPAS DE
YUCATAN. Lithograph, 1945. Edition of 100. From the portfolio of eight
lithographs. Printed in brown on cream colored wove paper by Jose
Sanchez at Taller de Grafica Popular...
Category
1940s International Fine Print Dealers Association Art
Materials
Lithograph
Lower East Side Crowd
By Abraham Walkowitz
Located in Fairlawn, OH
Lower East Side Crowd
Ink and ink wash on paper, c. 1910
Signed in ink lower center edge (see photo)
Signed with the initials lower right corner (see p...
Category
1910s American Modern International Fine Print Dealers Association Art
Materials
Ink
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches.
Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City.
Impressions of this work are in the permanent collections of the Illinois State Museum and the New York Public Library.
ABOUT THE IMAGE
Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
MACHINES
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (Mexican, 1883-1949)
MACHINES, (aka Dos cabezas y Maquinas, Dos Cabezas, Maquinas) 1935 (Orozco 26)
Lithograph. Image 12 x 17 inches. Full margins, sheet 16 x 2...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Lithograph
White Fronted Geese Flying above Reeds and Water.
By Ohara Koson
Located in Storrs, CT
White-Fronted Geese Flying above Reeds and Water. c. 1933. Shikishiban: 10 10/16 x 9 1/16 (sheet 10 14/16 x 9 12/16). Signed and sealed Shoson. Publisher: Watanabe Shozaburo. Illustrated: Crows, Cranes & Camellias, S11.6, p. 197. Stamped "made in Japan" verso, indicating that it was printed for the United States after 1921. A fine impression with subtle shading and gauffrauge in the 2 large birds' feathers. Based on the body markings, these actually appear to be mallard ducks, not geese. Good olor and condition Housed in a 20 x 16-inch archival mat.
Koson Ohara...
Category
Early 20th Century Showa International Fine Print Dealers Association Art
Materials
Color, Woodcut
The Beatles, Paul McCartney and George Harrison at Marylebone Station
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s International Fine Print Dealers Association Art
Materials
Silver Gelatin
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 12 3/4 x 17 3/4 inches
Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity.
A local Maine newsletter mentions “the artist Greta Allen’s house...
Category
1940s American Impressionist International Fine Print Dealers Association Art
Materials
Watercolor
Beetle Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
Mid-18th Century International Fine Print Dealers Association Art
Materials
Laid Paper
Hagoromo - Noh
Located in Myrtle Beach, SC
Matsuno Sofu (1899-1963), 'Hagoromo - Noh', woodblock print, 1937. Signed 'Sofu' with the artist's seal, lower right. A fine impression, with fresh color...
Category
1930s Showa International Fine Print Dealers Association Art
Materials
Woodcut
Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
By Mary Cassatt
Located in Storrs, CT
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Category
19th Century Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Watercolor
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s International Fine Print Dealers Association Art
Materials
Gouache
'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner.
A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus International Fine Print Dealers Association Art
Materials
Woodcut
Squid Print
By Mathurin Meheut
Located in New York, NY
Plate number 11,Calmar (Loligo vulgaris) from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
LA SORCIERE - (The Witch)
By Kurt Seligmann
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,)
LA SORCIERE - (The Witch) 1934
Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category
1930s Surrealist International Fine Print Dealers Association Art
Materials
Etching, Aquatint
'Autumn' — 1920s American Modernism, Color Woodcut
By Charles Turzak
Located in Myrtle Beach, SC
Charles Turzak, 'Autumn', color woodcut, edition 50, c. 1925. Signed, titled and numbered '17/50' in pencil. Signed in the block, lower left. A fine impression, with fresh colors, on...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as issued
From: Miserere (Have Mercy), 58 plates
Plate 15
Aquatint, drypoint, roulette and burnishing over heliogravure
1922-1927
Edition: 425 on Arches vellum with the Ambrose Vollard watermark
25 Hors commerce portfolios
All published impression are unsigned, as issued
Signed and numbered only on the colophon
Published by Societe d’Editions l’Etoile Filante, Paris, 1948
Printer: Jacquemin, Paris, 1922-1927
Condition: Excellent
Image/Plate size: 19 7/8 x 13 7/8 inches
Reference: Chapon & Rouault 68 d/d
Flora and Kang cite Lamentations 3:18-23 as a possible verbal equivalent: "my soul is bereft of peace; I have forgotten what happiness is; so I say, ‘Gone is my glory, and all that I had hoped for from the Lord.’ The thought of my affliction and my homelessness is wormwood and gall! My soul continually thinks of it and is bowed down within me."
Rouault’s Miserere...
Category
1920s French School International Fine Print Dealers Association Art
Materials
Aquatint
Wendingen - Cover Jan Sluijters . Issue No 2 of the 5th series 1923.
By Jan Sluijters
Located in New York, NY
WENDINGEN - Number 2 of the 5th series 1923 dedicated to posters of Dutch artists author Jac.Jongert
Color Lithograph after a drawing by Jan Sluijters. Dutch text cover designed by Jan Sluijters
In good condition with minor wear.
JAN SLUYTERS. Posters by Dutch Artists. Published March 1923. Introduction by Jac. Jongert,
twenty-seven illustrations after designs by Roland Holst...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Lithograph
IT ALWAYS TURNS OUT FOR THE BEST.
By Johnnie Winona Ross
Located in Portland, ME
Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA.
In excellent condition: the browned edges and the foxing mark are qualities of the old papers...
Category
1980s International Fine Print Dealers Association Art
Materials
Acrylic
Butterflies, Moths and Caterpillars Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
Mid-18th Century International Fine Print Dealers Association Art
Materials
Laid Paper
(PHILOSOPHER READING)
By Ferdinand Bol
Located in Santa Monica, CA
Circle of or a follower of Ferdinand Bol - (1616-1680)
(PHILOSOPHER READING) ca 1700
Etching on thin laid paper attached to support sheet at the top sh...
Category
18th Century Old Masters International Fine Print Dealers Association Art
Materials
Etching
Fat Stock Market
By Clare Leighton
Located in Myrtle Beach, SC
Clare Leighton, 'Fat Stock Market', 1933, wood engraving, edition 100, Boston Public Library 217. Signed, titled, and numbered '11/100' in pencil. A super...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Woodcut
ARP, Jean. Sphere de sable ( RARE LIMITED EDITION), No. 13 of 20 copies .
By Jean Arp
Located in New York, NY
ARP, Jean, poems by Georges HUGNET. Paris; Robert-J. Godet 193. Collection "Pour mes amis" With
35 illustrations integrated with the text (2 full-page), by J. Arp. Small 8vo, [...
Category
1940s Modern International Fine Print Dealers Association Art
Materials
Other Medium
The Beatles, Paul McCartney, George Harrison and Norman Rossington on a platform
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s International Fine Print Dealers Association Art
Materials
Silver Gelatin
The Beatles, George Harrison signing a book in the walled garden
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s International Fine Print Dealers Association Art
Materials
Silver Gelatin
Myra
By Marcus Harvey
Located in London, GB
Silkscreen, 2016, on Somerset wove, signed and numbered from the edition of 25, published by Shapero Modern, London, printed by K2 Screens, London, image size 39.5 x 48.5 cm (15.6 x 19.1 in), sheet 50 x 63.5 cm. (19.7 x 25 in.)
Marcus Harvey's 'Myra' was included in the controversial Sensation exhibition of Young British Artists at the Royal Academy of Art in London in 1997. Norman Rosenthal, the Secretary of the Royal Academy, described it as the single most important painting in the show – "a very, very cathartic picture ... It is an incredibly serious and sober work of art that needs to be seen."[4] However, it provoked angry press and public comment before the exhibition opened, including the ironic comment in an editorial in The Sun: 'Myra Hindley...
Category
21st Century and Contemporary Young British Artists (YBA) International Fine Print Dealers Association Art
Materials
Screen
CURRIER & IVES - 1860 LINCOLN ELECTION CAMPAIGN
By Currier & Ives
Located in Santa Monica, CA
CURRIER & IVES (LOUIS MAURER)
1860 LINCOLN ELECTION CAMPAIGN
THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270)
Lithograph...
Category
1860s Other Art Style International Fine Print Dealers Association Art
Materials
Lithograph
Untitled (for the journal, XX Siécle)
By Hans Hartung
Located in Fairlawn, OH
Untitled (for the journal, XXe Siécle)
Color lithograph on wove paper, 1973
Unsigned (as issued)
From: XXe Siecle,, December 1973, No. 41
Published by G. di San Lazzaro for A. Maeght, Paris
Printed by Mourlot, Paris
Edition 3000 (There was also a signed edition of 75 on larger paper)
Catalogue raisonné: Subsequent to Schmücking
Condition: Excellent
Image/Sheet size: 12 1/4 x 9 1/2 inches
"Hans Hartung
B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE
Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
The Wright Brothers at Kitty Hawk
By Frank Lemon
Located in New York, NY
Lemon, Frank.
Flights: Unforgettable Exploits of the Air.
This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927.
Wright Aeronautical Corporation, 1928.
Origi...
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
PENNY ARCADE - MISERIA
Located in Portland, ME
Penny Arcade (American, born 1950).
LA MISERIA POSTER.
Photo offset poster, circa 1991.
22 1/2 x 17 3/4 inches, mounted to paper and backed with cloth ...
Category
1990s International Fine Print Dealers Association Art
Materials
Offset
'Psychopathic Ward' — American Socially-Conscious Realism, 1940s
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Psychopathic Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 60, Bassham 78. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A ...
Category
1940s Realist International Fine Print Dealers Association Art
Materials
Lithograph
Next Door Neighbor
By Sedrick Huckaby
Located in Fairlawn, OH
Next Door Neighbor
Oil pastel and ink on handmade paper, 2012
Signed vertically lower left in image (see photo)
Series: 99%
Exhibited: Swarthmore College, List Gallery, Hiden in Pla...
Category
2010s International Fine Print Dealers Association Art
Materials
Oil Crayon
CHANGING FLIES
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
CHANGING FLIES c. 1930
Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...
Category
1930s Impressionist International Fine Print Dealers Association Art
Materials
Etching
Boats in a Harbor
By Duilio Barnabe
Located in Chicago, IL
This painting is signed and dated by Barnabè on the lower right.
In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Barnabè: "Barnab...
Category
20th Century International Fine Print Dealers Association Art
Materials
Oil, Canvas
Untitled
By Robert Motherwell
Located in London, GB
29.88 x 22.36 ins (75.9 x 56.8 cms)
Edition of 96
Signature:Signed "R. Motherwell" in pencil lower right
Inscriptions:Numbered in pencil lower right; artist's chop mark lower right
...
Category
1970s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Color, Etching, Aquatint
Blue and White Embroidery Design
By Felix Fuzier
Located in New York, NY
Original color Jugendstil design lithograph from "Dessins et Broderies Pour Costum et Ameublement." Paris, 1900.
Category
Early 1900s Jugendstil International Fine Print Dealers Association Art
Materials
Paper
LAST MOMENTS OF PRESIDENT LINCOLN
Located in Santa Monica, CA
J. F. BUFFORD PUBLISHER and PRINTER
LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865
Lithograph, very good impression. The 2 lower publishing lines ...
Category
1860s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
Boulder Dam
By Adolf Dehn
Located in Fairlawn, OH
Boulder Dam
Lithograph, 1946
Signed and dated in pencil lower right (see photo)
Titled in pencil lower left (see photo)
Printed by Lawrence Barrett, Colora...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
'Broken Carousel' — Mid-century Symbolism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Broken Carousel', color lithograph, 1950, edition 35, Fine and Looney 285. Signed, titled, and numbered '18/35' in pencil. Initialed in the stone, lower right. A fine, richly-inked ...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s International Fine Print Dealers Association Art
Materials
Gouache
