Baroque Art
7
to
96
284
193
207
82
255
159
11
147
77
71
86
115
Overall Height
to
Overall Width
to
121,044
69,454
50,619
22,755
15,365
8,269
4,994
4,786
4,111
2,881
2,589
2,572
2,432
588
306
171
122
115
70
46
45
44
27
22
20
20
17
14
13
12
12
11
10
8
263
73
34
126
2
3
4
2
4
1
3
2
86
40
11
10
6
6
292
258
149
144
61
Style: Baroque
English 17th century portrait of a lady
Located in Bath, Somerset
A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame.
We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work.
Provenance:
Private collection Nottingham until 2021
Mellors and Kirk sale December 2000, lot 1173
The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips.
Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...
Category
17th Century Baroque Art
Materials
Oil, Canvas
18th Century Sanguine Drawing, La Naissance de Louis XIII, After Rubens.
Located in Cotignac, FR
18th Century French Sanguine drawing, possibly a preparatory sketch for the painting by Nattier after the painting by Rubens. Presented in shaped 'marie-louise' mount in plain gold wood frame with collection label.
The subject is the Queen Marie de' Medici seated on a grand throne, the baby is in the arms of Health while Justice looks over him. Fecundity brings a cornucopia of fruit with the heads of the other children the Queen will bear. The Sun rides his chariot across the sky to indicate that Louis XIII was born in the morning and the calm figure of France surveys the whole scene.
An engraving exists (see the Wellcome Collection) of this same image: 'The birth of King Louis XIII', after the engraving by B. Audran the younger after the painting by Jean-Marc Nattier after the oil painting of Peter Paul Rubens in the Louvre 'La Naissance du Dauphin (future Louis XIII) à Fontainebleau, le 27 septembre 1601'.
Jean-Marc Nattier (17 March 1685 – 7 November 1766) was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire.
He received his first instruction from his father, and from his uncle, the history painter Jean Jouvenet (1644–1717). He enrolled in the Royal Academy in 1703 and applied himself to copying pictures in the Luxembourg Palace, making a series of drawings of the Marie de Médici painting...
Category
18th Century Baroque Art
Materials
Ink, Chalk, Paper, Clay
Claude Lorrain Landscape with Hermes and the Muses, Aquatint by Richard Earlom
Located in Greven, DE
Claude Lorrain landscape with the God Hermes, Amor and the Muses. Richard Earlom aquatint c1817
by Lorrain, Claude le/Earlom, Richard
Countryside with ...
Category
19th Century Baroque Art
Materials
Paper
Still life with roses. 2019. Oil on canvas, 60x90 cm
Located in Riga, LV
Still life with roses. 2019. Oil on canvas, 60x90 cm
Arturs Amatnieks (Leon) (1974)
Leon (real name: Artūrs Amatnieks) is a professional artist, wo...
Category
2010s Baroque Art
Materials
Oil, Canvas
Portrait of Noble Lady
Located in New Orleans, LA
Signed and dated "N MAE / 1691" (lower right)
Oil on canvas
A masterful example of 17th-century Dutch portraiture, this magnificent oil on canvas comes alive with luminous color, dramatic contrast and extraordinary detail. The work was composed by Nicolaes Maes, an artist widely regarded as the most prominent portrait painter of his era in Amsterdam. Fashionably styled, Portrait of a Noble Lady exemplifies the mature style of Maes, executed with the same artistry and attention to detail he imparted on his most important private commissions.
This work by Maes comes from the second half of his career and follows in the rich tradition of the great Flemish Baroque painters Peter Paul Rubens and Anthony van Dyck. Like these artists, Maes excels at not only capturing his subjects with a technical perfection but also their inherent elegance and grace. The sitter is draped in luxurious white and red silks and pearls, underscoring the importance and prosperity of his wealthy clientele. She is placed against a dark backdrop, enabling a striking chiaroscuro effect characteristic of the artist’s portraits.
Maes’s immense talent for detail and composition is clearly evident. In both palette and proportion, it embodies the somewhat austere style preferred by the artist, which emphasized a painstaking study of the costumes, hairstyles and accessories of his subjects. Such elaborate and highly detailed costuming in portraiture was a fashionable way to show one's wealth in the 17th century, particularly among the emerging class of wealthy merchants. Similar works by the painter can be found in the Rijksmuseum (Amsterdam), National Gallery (London), National Gallery of Art (Washington, D.C.), Metropolitan Museum of Art (New York) and Philadelphia Museum of Art, among others.
Nicolaes Maes was born in Dordrecht in 1634 to a prosperous cloth merchant. Around 1848, he moved to Amsterdam to study under Rembrandt for several years before returning to his native Dordrecht, where he established himself as a painter of genre scenes and portraits. In the 1650s, Maes traveled to Antwerp where he studied the work of Flemish artists such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens...
Category
17th Century Baroque Art
Materials
Oil, Canvas
Old Master Drawing, Baroque, Jacob de Wit, Allegory of Victory, Putti, Ships
By Jacob De Wit
Located in Greven, DE
Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle.
Probably a d...
Category
Late 17th Century Baroque Art
Materials
Paper, Crayon
Transformation. Still life with roses. 2021. Canvas, oil, 76x61 cm
Located in Riga, LV
Transformation. 2021. Canvas, oil, 76x61 cm
Arturs Amatnieks (Leon) (1974)
Leon (real name: Artūrs Amatnieks) is a professional artist, working in ...
Category
2010s Baroque Art
Materials
Canvas, Oil
Still life with flowers and basket. 2021. Canvas, oil, 76x61 cm
Located in Riga, LV
Still life with flowers and a basket. 2021. Canvas, oil, 76x61 cm
Artwork in baroque style and technique. Flowers on black background
Arturs Amatnieks...
Category
2010s Baroque Art
Materials
Canvas, Oil
Small Vase (MADE TO ORDER) (Hand-painted, hand-made, porcelain)
Located in Kansas City, MO
(MADE TO ORDER) (Hand-painted, hand-made, porcelain)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Small Vase"
Year: 2021
Porcelain, Glaze, China...
Category
2010s Baroque Art
Materials
Luster, Porcelain, Glaze
The Market - Painting - 18th Century
Located in Roma, IT
The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist.
Oil painting on canvas. The artwork depicts a bargaining scene at the marke...
Category
18th Century Baroque Art
Materials
Oil
Yunomi (MADE TO ORDER) (Sabbath, Kiddush, Ceremonial Vessel)
Located in Kansas City, MO
(MADE TO ORDER) (Sabbath, Kiddush, Ceremonial Vessel)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Yunomi"
Year: 2021
Porcelain, Glaze, ChinaPaint, 24k German Gold Luster,...
Category
2010s Baroque Art
Materials
Luster, Porcelain, Glaze
Claude Lorrain Landscape with temptation of Saint Anthony, Aquatint by Earlom
Located in Greven, DE
Claude Lorrain landscape with the temptation of Saint Anthony .Richard Earlom aquatint c1817
by Lorrain, Claude le/Earlom, Richard
Country...
Category
19th Century Baroque Art
Materials
Paper
"Putti" 19th c. Terracotta, Antique, Mythical Figures, Patina
Located in Detroit, MI
SALE ONE WEEK ONLY
“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a...
Category
Late 19th Century Baroque Art
Materials
Terracotta, Wood
Soldiers by a Tent, Soldiers Camp, Circle Van Huchtenburg, Old Master Painting
Located in Greven, DE
Circle of Jan van Huchtenburg
Landscape Scene with a Soldiers Camp
Oil on Canvas, 41 x 55 cm
Soldier Camp Life Scene
together with a wonderful golden Frame
Category
18th Century Baroque Art
Materials
Oil, Canvas
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
Provenance
New York, Doyle, 14. October 2015, No. 6
The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ).
Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”.
Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque.
Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Category
16th Century Baroque Art
Materials
Oil, Canvas, Handmade Paper
Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
Category
17th Century Baroque Art
Materials
Engraving
Pair of Religious Scenes - Painting - 18th Century
Located in Roma, IT
Pair of Religious Scenes are an original pair of old masters' artworks realized in the 18th century by Anonymous Italian artist.
Oil on canvas. Pr...
Category
18th Century Baroque Art
Materials
Oil
Battle of Peterwardein, By Jan van Huchtenburg, Battle Scene, Old Master
Located in Greven, DE
Jan Van Huchtenburg
Battle of Peterwardein, 1716
Oil on canvas, 45 x 64 cm
monogrammed "HB"
n 1670 he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers...
Category
18th Century Baroque Art
Materials
Canvas
Flemish School, Portrait Young Boy, Old Master Drawing, Baroque, 17th Century
Located in Greven, DE
Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos.
Category
17th Century Baroque Art
Materials
Crayon
Old Master Painting, Flemish Baroque Grisaille, Cornelis Schut, Mary with Child
Located in Greven, DE
Cornelis Schut, atrributed to
(1597 - Antwerp - 1655)
Mary with Child, St. Elisabeth and John the Baptist en grisaille
Oil on wood, 33,5 x 26,5 cm
Co...
Category
17th Century Baroque Art
Materials
Oil
Knights - Painting by Peter Van Lear - 17th Century
Located in Roma, IT
Knights is an original old masters artwork realized in the first half of the 17th century by Peter Van Lear (called Il Bamboccio).
Mixed colored oil painting on canvas. The artwork includes frame: 43x84.5 cm
Pieter Bodding van Laer...
Category
17th Century Baroque Art
Materials
Oil
Tuscan Baroque Nude Putto Candle Holder 17-18 century gilded wood
Located in Florence, IT
One flame candle holder putto made of gilded wood.
Those kind of objects were present in churches or noble villas, specially during the Baroque times.
The base is not coeval.
Category
17th Century Baroque Art
Materials
Gold
Thomas Willeboirts Bosschaert, Dancing Putti, Pan, Satyr, Rubens School, Model
By Thomas Willeboirts Bosschaert
Located in Greven, DE
Thomas Willeboirts Bosschaert
Pan plays to the dance of the putti
Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp)
Pan plays to the dance of the putti
Oil sketch
Oil on canvas, 35 x 51 cm
Provenance:
Belgian private collection, ca. 1980 to 2020.
The oil sketch shows a flute-playing man with dark curls sitting at the left edge
of the picture in a recess draped with cloth. In the lower left corner, a fallen
bowl with leaking water can be seen. The right half of the picture shows a circle
of five dancing putti, whereby the left putti can be recognized as a satyr due to
the goat legs. The background is dominated by a dark mountain landscape. In
the sky a rising or setting sun can be guessed. It is possible that the flute player
represents Bacchus, the god of wine and ecstasy. This fits with the flute as a
symbol of celebration, as well as the bowl of water, which could refer to
Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same
time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference
to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually
depicted with satyrs in his retinue, which would explain the putto with goat legs.
However, the interpretation of the flute player as the god Pan would be
possible. He is usually shown with his flute and associated with dance.
Moreover, he is native to the mountainous landscape of Arcadia.
The present work is an oil sketch, i.e. a preparatory study. This is suggested by
the partly unfinished parts, as well as the structure of the picture. Some parts
are already almost completely laid out, such as the flute player, while others, for
example the horizon and also the figures of the putti, are only sketched in
outline.
The painting can be attributed to the Baroque painter Thomas Willeboirts
Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe.
Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis
van Dyck, among others. He studied with Gerard Seghers...
Category
17th Century Baroque Art
Materials
Canvas
The Rape of the Sabine Woman, ink and pencil. After Nicolas Poussin
By (Circle of) Nicolas Poussin
Located in Brooklyn, NY
Poussin’s subject is the abduction of the Sabine women. Historically, this subject was known as The Rape of the Sabines (rape being derived fro...
Category
Early 17th Century Baroque Art
Materials
Ink, Paper, Pencil
Botanic Garden Palm Leaves, Handmade Tropical Still Life Print in Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave.
Details:
+ Title: Tropical Palm Branches
+ Year: 2021
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 70x100 cm (28x 40 in.), a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
* Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube.
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading.
What you get is an amazing, royal blue image...
Category
2010s Baroque Art
Materials
Photographic Film, Other Medium, Emulsion, Watercolor, Archival Paper, P...
Baroque Italian Old Master, Madonna, Child, Angels, Oval, Marratta, Christmas
By Workshop Of Carlo Maratta
Located in Greven, DE
Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...
Category
18th Century Baroque Art
Materials
Canvas, Oil
17th Century Italian Old Master Fine Portrait of St. Nicholas
Located in Cirencester, Gloucestershire
St. Nicholas of Tolentino (1245-1305)
Italian School, 17th century
oil painting on canvas,
canvas: 10 x 8 inches
provenance: private collection, Germany
Very fine and rare 17th century Italian Old...
Category
17th Century Baroque Art
Materials
Oil
Van der Bent, Southern Landscape with woman animals, Dutch Old Master, Berchem
Located in Greven, DE
17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent
So far, little is known about the life and work of Jan van der Bent. He was...
Category
17th Century Baroque Art
Materials
Canvas, Oil
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Baroque Art
Materials
Bronze
Roses. Canvas, oil, 90x65 cm
Located in Riga, LV
Roses. Canvas, oil, 90x65 cm
Arturs Amatnieks (Leon) (1974)
Leon (real name: Artūrs Amatnieks) is a professional artist, working in realism techniq...
Category
2010s Baroque Art
Materials
Oil, Canvas
Important 17' Century Mythological Painting Diana and Actaeon Oil on Canvas
Located in Rome, IT
Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses.
Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame .
Giovanni Battista Viola...
Category
17th Century Baroque Art
Materials
Oil
Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Islands
*Monogram signed by Catesby in the plate (printed signature) lower right
Year: 1771-1810 (third edition)
Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper
Limited edition: Unknown
Printer: Unknown
Publisher: Benjamin White, London, UK
Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing
Matted size: 18.88" x 22.38"
Sheet size: 13.75" x 21.13"
Platemark size: 10.25" x 13.75"
Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition
Very rare
Notes:
Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right.
Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals.
Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent.
Biography:
Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
Category
1770s Baroque Art
Materials
Watercolor, Handmade Paper, Etching, Intaglio
Just A Little Tipsy (MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
Located in Kansas City, MO
(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Just A Little Tipsy"
Year: 2021
Porcelain, Glaze, ChinaPaint, 24k Germ...
Category
Late 17th Century Baroque Art
Materials
Luster, Porcelain, Glaze
Claude Lorraine Landscape, Richard Earlom Aquatint, 1810
Located in Greven, DE
Claude Lorrain landscape. Richard Earlom aquatint c1810
by Lorrain, Claude le/Earlom, Richard
Countryside with hunters and a deer , by Richard Earlom after Claude Lorrain.
Richard ...
Category
19th Century Baroque Art
Materials
Paper
Roman master carver 17th century (II/II) Mirror Gold Italy Old master Wood Art
Located in Riva del Garda, IT
Pair of large oval-shaped baroque mirrors (II / II)
Roman master carver of the seventeenth century
Carved, lacquered and gilded wood
Antique mercury silvered glass mirror
92 x 76 cm.
(at the mirror 59 x 43 cm.)
We present this pair of prestigious oval-shaped mirrors (of which a second pair is also available, of excellent executive level, which interprets the period of the Italian Baroque in an exemplary way.
The works are in carved and gilded wood with a black lacquered background, richly decorated with a deep volute carving with particularly vigorous leaf motifs, coping and lateral ends embellished with cherub heads.
This type of boldly carved volute acanthus mirrors...
Category
17th Century Baroque Art
Materials
Gold
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Art
Materials
Etching, Engraving
Peruvian School Holy Family, oil on canvas with drops of silver
Located in Brooklyn, NY
A very nice painting of a Holy Family, oil on canvas.
Category
Late 17th Century Baroque Art
Materials
Silver
J Haid, Martin Van Meytens, Engraving, Portrait Count Ferdinand Plettenberg
Located in Greven, DE
Johann Jakob Haid (1704-1767), engraver
Johann Stenglin (1715-1770), engraver
Martin van Meytens (1695-1770), inventor
Ferdinand Count of Plettenber...
Category
18th Century Baroque Art
Materials
Engraving
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
1730s Baroque Art
Materials
Engraving
Baroque Painting, Oil on Canvas. Princely Dance in the Castle with Violin Music.
Located in Berlin, DE
Decorative baroque painting, oil on canvas. Princely dance in the castle.
Dimensions including frame 94 cm x 77.5 cm
Dimensions without frame 79cm x 63cm.
Category
19th Century Baroque Art
Materials
Canvas, Oil
Bust of a Lady, prob Queen Elisabeth Petrowna, Terracotta Sculpture, Baroque Art
Located in Greven, DE
Bust of a Lady, thought to be Elisabeth Petrowna, also known as Elisabeth of Russia
Depicted before she was crowned
Terracotta Bust
Elizabeth Petrovna (Russian: Елизаве́та (29 Decem...
Category
18th Century Baroque Art
Materials
Terracotta
Francesco Furini Sanguine Drawing before 1642
Located in Florence, IT
Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...
Category
1640s Baroque Art
Materials
Color Pencil, Paper
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category
Mid-17th Century Baroque Art
Materials
Etching, Engraving
Mocking of Christ, by Frans Francken (II) and possibly Ambrosius Francken (II)
Located in Brooklyn, NY
Mocking of Christ, with all around in grisaille: the Crucifixion, the Resurrection, God the Father, Mankind after the Fall,; in the corners the four evangelists.
J. Dijkstra ao, cat. The paintings of Museum Catharijneconvent, Utrecht (Museum Catharijneconvent) 2002, p. 196, pict., as Frans Francken...
Category
17th Century Baroque Art
Materials
Copper
Portrait of Margaritta MacDonald in red jacket and white gown (half-length)
Located in Saint Augustine, FL
Artist: (after) Sir Henry Raeburn (Scottish, 1756-1823)
Title: "Portrait of Margaritta MacDonald in red jacket and white gown (half-length)"
*No signature found
Circa: 1820
Medium: O...
Category
1820s Baroque Art
Materials
Canvas, Paint, Oil, Gesso
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Art
Materials
Etching, Engraving
Adoration Of The Shepherds Painting Oil on canvas Italy 18th Century
By (After) Sebastiano Conca
Located in Riva del Garda, IT
(After) Sebastiano Conca (Gaeta 1680 - Naples 1764)
The Adoration of the Shepherds
oil on canvas, (cm): 122 x 100,
framed
The proposed table, datable in the first decades of the e...
Category
18th Century Baroque Art
Materials
Oil
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
1730s Baroque Art
Materials
Engraving
Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi.
Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
Category
Early 1800s Baroque Art
Materials
Etching
After Guido Reni Religious Figurative Drawing 19 century pencil laid paper
By (After) Guido Reni
Located in Florence, IT
The drawing, pencil on laid paper 29 x 27 cm, represents a moment of rest during the Flight to Egypt.
It's a study on an etching ispired by a Guido Reni's painting, made by him durin...
Category
Early 19th Century Baroque Art
Materials
Pencil, Laid Paper
Portrait de Fanny Charrin /// French Impressionist Art Nouveau Lady Woman Girl
Located in Saint Augustine, FL
Artist: Malo-Renault (French, 1870-1938)
Title: "Portrait de Fanny Charrin"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned
Year: 1909
Medium: Original Etching and Drypoint on wov...
Category
Early 1900s Baroque Art
Materials
Intaglio, Drypoint, Etching
Old Master Painting, Flemish Baroque, Religious Scene, Esau and Jacob, Lentil
By Erasmus Quellinus the Younger
Located in Greven, DE
Isaac and Rebecca had two sons: the twins Esau and Jacob. Esau was the first-born, giving him the birthright. Among Jews the birthright gave the eldest son authority over the family,...
Category
17th Century Baroque Art
Materials
Oil, Panel
18th C, In the Style of the Classicizing Baroque, Biblical, Rebekka and Eliëzer
Located in brussel, BE
Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries.
Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...
Category
18th Century Baroque Art
Materials
Canvas, Oil
Still Life with fruits - Oil Paint On Canvas - 17th Century
Located in Roma, IT
Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master.
Original oil painting on Canvas.
The painting represents a still life...
Category
17th Century Baroque Art
Materials
Oil, Canvas
16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
By Joos van Cleve
Located in brussel, BE
Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe.
During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia.
During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
Category
16th Century Baroque Art
Materials
Canvas, Oil
17th C., Baroque, Genre Painting, Stop of the Travelers
Located in brussel, BE
As the Dutch painter Philips Wouwerman often did, this artist painted travellers stopping at an inn or a farm. One of the men got off his horse to urinate against the facade of the building. The motif of a peeing man was far from an exception in Dutch genre paintings...
Category
17th Century Baroque Art
Materials
Oil, Canvas
"The Beggars Opera" and " A Just View of The British Stage" Original Etchings
Located in Houston, TX
The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...
Category
1820s Baroque Art
Materials
Etching
Amor Cutting Bow, Parmigianino, Old Master, Mannerism, Prague, Large Painting
Located in Greven, DE
Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...
Category
17th Century Baroque Art
Materials
Canvas, Oil
Baroque art for sale on 1stDibs.
Find a wide variety of authentic Baroque art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Suzi Fadel Nassif, Kind of Cyan, Agent X, and Melanie Sherman. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Baroque art, so small editions measuring 2.38 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $345,000, while the average work sells for $5,900.