Art Deco
27
to
309
1,213
1,065
506
129
1,340
525
57
912
369
362
306
478
Overall Height
to
Overall Width
to
121,226
69,519
50,790
22,807
15,395
8,319
5,023
4,794
4,151
2,883
2,588
2,584
2,431
588
1,133
709
393
348
222
210
197
183
174
123
112
111
111
109
94
87
77
72
65
54
2
17
1,953
459
7
42
460
587
100
56
17
53
173
66
188
158
41
37
37
640
631
466
462
330
Style: Art Deco
Original Vintage Travel Poster Winter In Majorca Spain Carlos Puntis Art Deco
By Carlos Puntis Nebot
Located in London, GB
Original vintage travel advertising poster - Winter in Majorca Spain - featuring an Art Deco illustration of a lady in a red swimsuit sunbathing with a thermometer showing a warm tem...
Category
1930s Art Deco
Materials
Paper
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Art Deco Fashion Illustration Ink Drawing by G. Ferro
Located in Atlanta, GA
Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...
Category
1930s Art Deco
Materials
Paint, Paper, Ink, Watercolor
Huntress with Borzoi
Located in Los Angeles, CA
A stunning French Art Deco figural group depicting a Huntress and her Borzoi.
The bronze has a beautiful warm patina and the base is two types of marble.
It is signed on the base and...
Category
1930s Art Deco
Materials
Marble, Bronze
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
The Sailboat - Original woodcut, Handsigned
Located in Paris, FR
Edward PELLENS
The Sailboat, 1922
Original woodcut
Handsigned in pencil
Numbered /154
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of t...
Category
1920s Art Deco
Materials
Woodcut
French Interior Decoration Project Study by Maurice Dufrene Studio, 1940s
Located in Atlanta, GA
This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...
Category
Early 20th Century Art Deco
Materials
Paper, Pencil
Original Erte Art Deco table watercolour and ink designs, 20th Century
Located in Petworth, West Sussex
Romain de Tirtoff called ERTE (Russian/French, 1892-1990)
Les emotions: La Tristesse et l’Indifference
Ink and watercolour
Inscribed with details and signed with studio stamp (lower...
Category
20th Century Art Deco
Materials
Paper, Ink, Watercolor
Original Vintage Travel Poster Bulgaria Balkans Angel Tilov Art Deco Bulgariya
Located in London, GB
Original vintage travel poster for Bulgaria featuring a scenic view of a steam train travelling through a tunnel on a rocky cliff above a river with a bridge linking a riverside town to the railway and trees and mountains in the distance. Artwork by the award winning Bulgarian watercolour...
Category
1930s Art Deco
Materials
Paper
Nude, arms raised
Located in Fairlawn, OH
Nude
Matchstick and ink drawing heightened with conte crayon
c. 1925
Signed with the Estate Stamp "B"
Provenance: Joseph A. Erdelac (1914 -2005), Cleveland
Acqu...
Category
1920s Art Deco
Materials
Ink
Disegno figurativo allegorico italiano stile Decò della prima metà del XX secolo
Located in Florence, IT
Il disegno in questione rappresenta una figura figura femminile nuda in piedi con le braccia alzate, in una posa solenne come fiero è il suo sguardo, ai cui piedi sta sdraiata una fi...
Category
1930s Art Deco
Materials
Paper, Color Pencil
Paris, Luxembourg Garden - Original wooodcut, Handsigned and numbered /105
Located in Paris, FR
Emile BOIZOT
Paris, Luxembourg Garden - 1920
Original woodcut
Handsigned in pencil
Numbered /165
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind...
Category
1920s Art Deco
Materials
Woodcut
Woman with Roses, Offset Lithograph by Louis Icart
By Louis Icart
Located in Long Island City, NY
Woman with Roses
Louis Icart, French (1888–1950)
Offset lithograph, signed in the plate
Size: 18 x 24 in. (45.72 x 60.96 cm)
Category
Mid-20th Century Art Deco
Materials
Lithograph, Offset
Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart
Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category
1930s Art Deco
Materials
Paper, Pencil, Aquatint
Original Antique Advertising Poster Cycles Dilecta Georges Favre Art Deco Design
Located in London, GB
Original antique advertising poster for a French brand of bicycles - Cycles Dilecta - featuring a colourful dynamic Art Deco design depicting a stylised figure of a cyclist leaning f...
Category
1920s Art Deco
Materials
Paper
Antique French Art deco Leaping Stag Bronze Statue Sculpture Bronze marble 1925
By Georges H. Laurent
Located in Portland, OR
A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925.
Georges H. Laurent was known for his animal subjects and t...
Category
1920s Art Deco
Materials
Bronze
Original Vintage Advertising Poster Barcelona International Exposition 1929 Fair
Located in London, GB
Original vintage advertising poster for the Exposicion Internacional Barcelona International Exposition held from 20 May 1929 to 15 January 1930 featuring an Art Deco illustration of...
Category
1920s Art Deco
Materials
Paper
French Art Deco Cubist Monkey by Gabriel Beauvais 1930s Ceramic
Located in Oakland, CA
French modernist glazed ceramic monkey sculpture by Gabriel Beauvais,1930. This sculpture was made in a turquoise blue glaze ceramic, a stunning color most likely by Kaza Edition in ...
Category
1930s Art Deco
Materials
Ceramic
APHRODITE
By Erté
Located in Aventura, FL
Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches.
Artwork is in excellent condition.
Category
1980s Art Deco
Materials
Paper, Offset
Dance, Large Art Deco Painting by Giancarlo Impiglia
Located in Long Island City, NY
Artist: Giancarlo Impiglia, Italian/American (1940-)
Title: Dance
Year: 1987
Medium: Oil on Canvas, signed and dated
Size: 84 in. x 84 in. (213.36 cm x 213.36 cm)
Category
1980s Art Deco
Materials
Oil
Amedeo Gennarelli Bronze Bust Art Deco Woman
By Amadeo Gennarelli
Located in Oakland, CA
An original patinated bronze bust by Amedeo Gennarelli circa 1925. This slightly nude model is depicted from her shoulder, looking forward with a stylized turban on her head. A stunn...
Category
1920s Art Deco
Materials
Bronze
June
Located in Greenwich, CT
June is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 203/300 and estate-stamp...
Category
20th Century Art Deco
Materials
Paper, Screen
1989 A.M. Cassandre 'L'Oiseau Bleu'
Located in Brooklyn, NY
Paper Size: 34.75 x 23 inches ( 88.265 x 58.42 cm )
Image Size: 31.5 x 19 inches ( 80.01 x 48.26 cm )
Framed: No
Condition: B-: Good Condition, Signs of Handling and Age
Supplemental...
Category
1980s Art Deco
Materials
Lithograph
Ivory and Ebony: two girls friends in a landscape. Art Deco
Located in Firenze, IT
Ivory and Ebony: two girls friends in a landscape. Art Deco
Circa 1930 - 1940.
Medium-large format painting from the Art Deco period.
The two girl friends.
Painting signed lower ...
Category
1930s Art Deco
Materials
Canvas, Paint, Oil
Venice, night party
Located in PARIS, FR
Henri Le Riche
Grenoble, 1868 - Neuilly-sur-Seine, 1944
Venice, night party
Painting, oil on canvas
Signed and dated 1928
Painting: 73 x 54 cm
Beautiful old frame: 87.5 x 68.5 cm
Goo...
Category
1920s Art Deco
Materials
Oil
Art Deco Spanish Woman Fashion Illustration
Located in Wilton Manors, FL
Elegant and glamorous fashion illustration from the 1920's,
Original signed gouache painting on paper.
Monogrammed V.S. lower right.
Site: 10"x 7.75" Frame: 19.25"x 17"
Category
1920s Art Deco
Materials
Paper, Gouache
G Gori Bronze Female Nude Statue Classic Art Deco France
Located in Oakland, CA
G Gori bronze Female draped nude statue Classic Art Deco made in France. A verdigris green patinated bronze sculpture depicting a bare-breasted female stan...
Category
1920s Art Deco
Materials
Marble, Bronze
3 Cubist Art Deco Style Musicians Large Ceramic Sculptures
Located in Oakland, CA
Three Cubist Art Deco style musicians sculptures in ceramic. These large statues are done in a French technique called Craquele (crackle ware). They are signed and numbered “N.R” (Natacha Roche). Groups of ceramic musicians...
Category
1980s Art Deco
Materials
Ceramic
Art Deco Pheasant Birds Statue by Rochard Unique
By Irénée Rochard
Located in Oakland, CA
The Art Deco Birds Statue by Rochard is a unique treatment of two pheasant birds in contrasting positions. Both figures are mounted on a beautiful base crafted in three colors: marbl...
Category
1930s Art Deco
Materials
Marble
Original "Stufe Pagliero Michele" vintage Italian poster
Located in Spokane, WA
Original Stufe Pagliero Michele vintage Italian antique poster. Archival linen backed and ready to frame. Lithograph from 1929. Excellent condition, ready to frame. A condition. Bright and vibrant colors. The company was founded in 1814 and is the oldest in Italy. Note there is a tax stamp on the left side near the word “Iipi,” as shown in 1 photograph.
Italian terracotta and tile stoves are traditional heating devices that have been used in Italy for centuries. They are typically made from terracotta clay, a type of earthenware known for its heat-retaining properties. The stoves are often decorated with colorful tiles, creating a beautiful and functional piece of furniture.
Terracotta stoves...
Category
1920s Art Deco
Materials
Lithograph
The Martinican nude woman
Located in PARIS, FR
Elie Anatole PAVIL
1873-1948
The Martinican nude woman
Painting, oil on canvas
Signed
Painting: 41 x 33 cm (16.1 x 13 inches)
Modern natural oak frame (American box): 51 x 43 cm (20....
Category
1930s Art Deco
Materials
Oil
Lucien Charles E. Alliot French Art Deco Bronze The Gazelles 1930
Located in Oakland, CA
Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—very three-dimensional treatment showing the movement of the animals.
Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 in Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, which were exhibited for many years at the Salon de Paris. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups: La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...
Category
1930s Art Deco
Materials
Marble, Bronze
Yellow Ceramic
Located in Brookville, NY
Keith Day Pearce Murray was a New-Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Will...
Category
Mid-20th Century Art Deco
Materials
Ceramic
May
Located in Greenwich, CT
May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...
Category
20th Century Art Deco
Materials
Paper, Screen
Art Deco Sculpture of a Bear by Martel
Located in Oakland, CA
This highly stylized modernist sculpture of a bronze bear provides a rare opportunity to own a piece by some of the most fascinating sculptors in history. Jan and Joel Martel were an...
Category
1930s Art Deco
Materials
Bronze
Hat and Chain
Located in Greenwich, CT
Hat and Chain is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 14.25 x 11 inches. From the edition of 650, the art is numbered CCXXXIV/CCC ...
Category
20th Century Art Deco
Materials
Paper, Screen
April
Located in Greenwich, CT
April is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 296/300 and estate-stam...
Category
20th Century Art Deco
Materials
Paper, Screen
Onyx Sleeve
Located in Greenwich, CT
Onyx Sleeve is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered 184/300 and e...
Category
20th Century Art Deco
Materials
Paper, Screen
Chignon
Located in Greenwich, CT
Chignon is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered XXVI/CCC and esta...
Category
20th Century Art Deco
Materials
Paper, Screen
Rose Fan
Located in Greenwich, CT
Rose Fan is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 18.75 x 14.5 inches. From the edition of 650, the art is numbered CCXXVI/CCC and ...
Category
20th Century Art Deco
Materials
Paper, Screen
French Art Deco Woman Singing Gouache Painting
Located in Atlanta, GA
A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. The composition is very vibrant, using the contrast of black and white elements ag...
Category
1930s Art Deco
Materials
Gouache, Board, Cardboard
Romain de Tirtoff, called Erte original theatre set design, gouache on paper
Located in Petworth, West Sussex
Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990
La Porte de la Guerre #1
Gouache on paper
8.3/4 x 8.3/4 in. (22.2 x 22.2 cm.)
Signed ‘Erte’ (lower right) and numbered ‘8128’ (...
Category
20th Century Art Deco
Materials
Paper, Gouache
Victime de l'Art
Located in Greenwich, CT
Victime de l'Art is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 20 x 14 inches. From the edition of 650, the art is numbered 243/300 and ...
Category
20th Century Art Deco
Materials
Paper, Screen
Romain de Tirtoff, called Erte original theatre set design, gouache on paper
Located in Petworth, West Sussex
Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990
La Porte de la Guerre #2
Gouache on paper
8.3/4 x 8.3/4 in. (22.2 x 22.2 cm.)
Signed ‘Erte’ (lower right) and numbered ‘8128’ (...
Category
20th Century Art Deco
Materials
Paper, Gouache
Romain de Tirtoff, called Erte original theatre set design, gouache on paper
Located in Petworth, West Sussex
Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990)
Le Chateau de Cristal
Gouache on paper
6.1/2 x 9.1/2 in. (16.5 x 24.2 cm.)
Signed ‘Erte’ (lower right) and inscribed with stam...
Category
20th Century Art Deco
Materials
Paper, Gouache
Seascape with a boat
Located in PARIS, FR
Raymond WOOG
Paris, 1875 - Neuilly-sur-Seine, 1949
Seascape with a boat
Painting, oil on cardboard
Signed lower right
Painting: 19 x 24 cm
Modern natural oak frame (American box): 28...
Category
1920s Art Deco
Materials
Oil
Boulevard Haussmann Construction, Paris 1926, Silver Gelatin B and W Photography
By Press Photo
Located in Atlanta, GA
A unique original silver gelatin black and white photography, Boulevard Haussmann in Paris, France, June 1926.
A view of the Boulevard Haussmann in Paris with buildings under constr...
Category
1920s Art Deco
Materials
Silver Gelatin
Wonderful French Bronze if Female Dancer by S. Bauer, circa 1910s
Located in Oakland, CA
This is an excellent and sexy boudoir piece by an Austrian sculptor. S. Bauer. It represents this curious, carefree dancer, executed in brown patinated bronze with gold details. Her ...
Category
Early 20th Century Art Deco
Materials
Marble, Bronze
Muller Freres Luneville Hunters and Elephant Opalescent Glass Plate
Located in Oakland, CA
This stunning and extremely rare 1930s Art Deco opalescent glass presentation plate was manufactured by Müller Freres in Luneville, France. A gorgeous African theme echoes the design...
Category
1930s Art Deco
Materials
Glass
Love's Enchantment Limited edition silver, gold and onyx pearl & diamond brooch
By Erté
Located in New York, NY
Erte
Love's Enchantment, ca. 1980
Sterling silver brooch with 14K gold, onyx background and mother of pearl woman's head set with (4) full cut round brilliant diamonds
1 1/2 in diam...
Category
1980s Art Deco
Materials
Metal, Gold, Silver
In the Countryside near Paris in 1926 Silver Gelatin Black and White Photography
By Press Photo
Located in Atlanta, GA
A unique original silver gelatin black and white photograph, in the countryside near Paris, France, April 1926.
A soldier in uniform poses in front of the ruins of a house destroyed...
Category
1920s Art Deco
Materials
Silver Gelatin
Paris Decorative Art Exhibition and Russian Pavilion, 1925, B and W Photography
By Press Photo
Located in Atlanta, GA
A unique original silver gelatin black and white photography.
International Decorative Arts Exhibition in Paris, October 1925. The view from inside the USSR Pavilion.
Features:
Origi...
Category
1920s Art Deco
Materials
Silver Gelatin
Antique Show in Paris, 1927, Silver Gelatin Black and White Photography
By Press Photo
Located in Atlanta, GA
A unique original silver gelatin black and white photograph. On the 12th of April, 1927, the iconic "Foire au Jambon" (Ham Fair), was a well-known outdoor antique...
Category
1920s Art Deco
Materials
Silver Gelatin
Paris, Demonstration on Blvd St Germain, 1947 Silver Gelatin B and W Photography
Located in Atlanta, GA
An original silver gelatin black and white photograph by Associated Press, Paris. June 1947, a demonstration on Boulevard Saint Germain, Paris.
Features:
Original silver gelatin prin...
Category
1940s Art Deco
Materials
Silver Gelatin
1930s French Watercolour of an Early Art Deco Odeon Cinema and a Park
Located in Cotignac, FR
French watercolour on paper view of a park in front of an Odeon cinema by Henri Clamen. Though not signed the painting was acquired from the atelier of the artist with other signed w...
Category
Early 20th Century Art Deco
Materials
Paper, Watercolor
Portrait of a Woman in Purple - Parisian Art Deco Female Figurative
By Dominique Amendola
Located in Soquel, CA
Portrait of a Woman in Purple - Parisian Art Deco Female Figurative
Colorful and quirky art deco style figure painting of a seated Parisian woman dressed in light purple with decora...
Category
1990s Art Deco
Materials
Canvas, Oil, Stretcher Bars
The Bathers, Wood-Engraving Drawing Lithograph by John Buckland-Wright
Located in Atlanta, GA
This elegant wood-engraving charcoal drawing lithograph print was designed by John Buckland-Wright (1897-1954). The piece is signed, dated, titled, and numbered in pencil on the marg...
Category
1930s Art Deco
Materials
Ink, Paper
Art Deco art for sale on 1stDibs.
Find a wide variety of authentic art Deco available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Stefan Traloc, Erté, Gilbert Pauli, and Robin Morris. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Deco, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $425,000, while the average work sells for $1,655.