Unknown

“View of Notre Dame”

Circa 1975

Original oil on heavy cardboard (old chocolate candy box cover) of a hill view landscape by Whitney Myron Hubbard. Signed lower left. Signed and titled verso. Circa 1930. Conditi...

Miniature oil on board original painting of a view of Place du Tertre in Montmartre, Paris. France. Circa 1975. Signed illegibly lower right. Condit...

Small well executed oil on card stock mounted to board miniature painting of two treesq on a hillside. Signed lower right “Goodwin 05”. Condition is very good. Artist unknown. The a...

Original oil on board painting of a vintage Paris street scene. Signed by the artist lower left. Artist copyright verso. Condition is very good. Circa 1940. Overall framed measuremen...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Oil on wooden panel painting of the iconic Flatiron building in New York City by the British artist Claude Cahill Cooper. Signed lower right. Condition is excellent. Circa 1975. The painting is housed in its original ornate gold leaf frame. Overall framed measurements are 23.25 by 19.25 inches. Claude Cahill Cooper (b. 1941) An Impressionist painter, he uses the pointillist method in many of his paintings. . Claude Cahill Cooper was born in London, England to parents who were both doctors. Recognizing his talents in drawing at an early age, his parents enrolled him at the Coventry Art School while he was still attending primary school. In later years he attended the London Art Institute and had his first show a few years later. His works are exhibited in London, Paris, and New York and his typical signature is C.C. Cooper. Flatiron Building, originally Fuller Building, steel-framed skyscraper in New York City that was completed in 1902. It is one of the city’s oldest surviving skyscrapers. The Flatiron Building on Fifth Avenue is significant not only in its unusual appearance but also as one of the key buildings in the Beaux-Arts Classicist movement. Its architect, New York–born Daniel Burnham, is better known for his work and plans in Chicago than in his city of birth. In 1873 he formed a partnership with John Wellborn Root that was significant in creating a group of architects and engineers called the Chicago School. The commercial office tower scheme, named initially after the building’s promoter George Fuller...

Emilio Longoni (Barlassina 1859 - Milan 1932), Alpine Lake (1910) Oil painting on canvas pasted on board 20 x 41 cm signed lower right in Emilian frame late 16th century.

In creating this oil painting, I immersed myself in capturing the essence of a tranquil waterfront scene. With every brush stroke, I aimed to convey the serene atmosphere and the gen...

In this oil painting , I sought to capture the ephemeral dance of light through vibrant leaves, a tribute to nature's quiet yet profound transitions. The impressionistic strokes conj...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist A...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist Anders Ståhl keeps the historical tradition of Plein Air alive. Not least when it comes to partly lost working methods in the field. For Anders, this has been a most natural way of creating since childhood; to interpret what he sees and feels, by drawing and painting.  Quickly capturing impressions in the field is one of the most demanding ways of painting you can imagine, since you are simultaneously fighting against both time and the elements. Back in the comfort of the studio, there is so much more time to interpret and perhaps work with larger formats. Anders has a strong artistic relationship with painters from the mid-1800s to the early 1900s, especially the French impressionists and Nordic landscape...