Canvas Animal Paintings

War Horse, 19th Century after Sir Edwin Henry Landseer (1802-1872) Large 19th century Napoleonic Cuirassier War Horse scene, oil on canvas. Excellent quality and condition depicti...

Texan artist Ash Almonte's vibrant original paintings are inspired by abstract expressionism combined with an optimistic contemporary outlook. Almonte is inspired by beautiful color,...

Ferrán Martí (1943) Caged rabbits oil Oil measures 19x24 cm. Frame measures 32x37 cm.

The Serpent - Aboriginal Dot Painting in Acrylic on Canvas Bold dot painting with a snake by Aboriginal Australian artist Geoffrey "Pirup" Woods (Aboriginal Australian, d. 2010). A ...

Fox Hounds & Jack Russell Terrier In The Kennels, 19th Century by John C Entwistle (1842-1899) Large 19th Century English kennel scene with the fox hounds and a terrier resting, oi...

In Nathan Neven's captivating masterpiece, "Right by You," the wild comes alive within the confines of an interior setting. Crafted with oil on canvas, this original work brings toge...

Le Lad Blanc et ses Chevaux, 19th Century by ALFRED DE DREUX (1810-1860) to $950,000 Large 19th Century French classical scene of The Death Of Icarus, oil on canvas attributed to A...

GROWING UP (#11) is a unique oil on canvas diptych painting by contemporary artist Zoran Šimunović, dimensions are 180 × 290 cm (70.9 × 114.2 in). The artwork is sold unframed. The a...

Title: Company 1 Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

GROWING UP (#10) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov’s artwork begins spontaneously and gives expression to personal creativity and insight. Each piece is unique in design. SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. - Gallery wrapped in sustainable FSC certified wood. - Wire Installed. The edges are painted so there is no need for additional framing. The artwork is ready for display. Artist Irena Orlov. Signed. Certificate for authenticity. About an Artist: Irena Orlov is a Los Angeles-based contemporary multidisciplinary visual artist whose work uses a combination of both traditional and new media. In a blending of traditional and new media, Irena Orlov developed special techniques which continue to give her art a unique look and aesthetic. While the majority of her works are done with mixed media, she also creates with acrylic, oil, pastel, watercolors and pencil. Much of her art has been implemented in renowned hotels, wellness and corporate settings across the world. Exhibitions and Collections: 2021 Resorts World Las Vegas 2021 Robert Kidd Gallery, Birmingham, MI 2020-2021 ACA ART Comes Alive 2020, Cincinnati 2020-2021 Artsy “Digital Winter Exhibition 2020 – 2021”, Art Screen TV 2020 GALLERIA IL COLLEZIONISTA - ROMA, CHRISTMAS ART EDITION 2020 Robert Kidd Gallery, Birmingham, MI 2020 Shibuya Station Exhibition Tokyo III, 2020 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase, Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Salal Credit Union, Cafe, Washington 2019 Parcus Gallery, Berlin, Germany 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

"Ocelots Managua" is an oil painting by famed Neo-Expressionist Hunt Slonem. This work is completed with a golden vintage style ornate frame and features a group of playful felines o...

Title: Running Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

Adorable 19th century cat painting "Le Chat" painted by Alexandre Clarys This mesmerising cat gazes intently at the viewer, whilst the artist has captured his fluffy fur and sparkl...

This early 20th-century oil painting by French artist Charles Clair (1860-1930) depicts numerous sheep feeding in a stone barn. Hailing from the picturesque rural area of Mars-sur-A...

Do Astronauts Need Art? (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

In this masterly painting, Francesco de Mura presents the meeting of Herminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered...

Do Dolls Have Emotions? (#3) is a unique oil on canvas painting by Croatian contemporary artist Zoran Šimunović, dimensions are 180 x 150 cm (70.9 × 59.1 in). The artwork is signed,...

Don Pollack's work centers on portraying the interplay between society and nature. He employs impressive realism in oil painting to illustrate his personal journeys. Pollack also del...

GROWING UP (#6) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

Atarax is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions are 130 × 195 cm (51.2 × 76.8 in)....

Do Dolls Have Emotions? (#1) is a unique oil on canvas painting by Croatian contemporary artist Zoran Šimunović, dimensions are 180 x 150 cm (70.9 × 59.1 in). The artwork is signed,...

Taureau XI is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes ...

Do Astronauts Need Art? (#2) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

Taureau X is a unique acrylic on canvas painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes ...

GROWING UP (#3) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

Nocturnal Melody 6 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, acrylic, etching on cardboard mounted ...

GROWING UP (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

"Red Rover" by Hunt Slonem features a grouping on rabbits on a garnet red background. This oil painting comes with an artist-selected vintage style gold fram...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

America Martin "The Cow, The Dove and The Moon" Oil & Acrylic on Canvas 102 x 56 in. ______________ Exploring the identity of both her namesake and country, LA-based America Martin ...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the frame...

This portrait depicts us the trusted confidant of the Conflans d'Armentières family. More precisely, Julien Prieur was the fiscal procurator of the Marquisate of Armentières, playing the role of representative of the "public ministry", safeguarding the interests of his lord. His role, one can imagine, was crucial at the death of Michel de Conflans (in 1717) since the latter left an heir, Louis, aged only 6, and a widow, Diane Gabrielle de Jussac, whom some memoirs describe as "a very clever grande dame" . Prieur ensured the smooth running of the family's affairs and it is probably to thank him for his services that Diane Gabrielle had his portrait painted, most probably by a painter close to Jean-Baptiste Oudry. Julien Prieur appears as he is, middle-aged, with a benevolent look, in his hunting suit. Only his knotted wig links him to the nobility. Above all, he is depicted as a hunter, a passion that he shared with the Marquis of Armentières. His very young master, Louis, became a first-rate hunter, hunting in the King's entourage, in whose cabinet he died of apoplexy in January 1774. As for the his son, he was one of Louis XVI's closest hunting companions, as numerous souvenirs attest . 1. Some biographical information about the model and the commissioner While the identity of many 18th century portraits is uncertain, an old label stuck on the reverse of the canvas gives us some precise information on the identity of the model: "Mr. Julien Prieur, homme d’affaires de Mr. le Marquis d'Armentières - Commune of Brécy - Aisne". The label also suggests that it could be his son Louis Prieur living in Rocourt (probably Rocourt-Saint-Martin, a neighbouring municipality of Brécy), born on 30 September 1745, who died on 8 July 1826, but this hypothesis must be rejected in view of the model's clothing. This label probably gives us an indication on the previous owner the owner of this painting; we will see later why it seems likely that this label was affixed between 1826 and 1832. Brécy is now a municipality in the Aisne County (Hauts-de-France) located between Soissons and Château-Thierry, slightly north of the Paris-Reims axis. It borders the municipalities of Armentières-sur-Ourcq and Rocourt-Saint-Martin. According to Louis Prieur's death certificate, he was in fact born in 1743 and not in 1745 . The age of the model in the painting and the dating of this painting would indicate that Julien Prieur, was probably born at the very end of the 17th century. In Louise-Marthe de Conflans-Coigny, chatelaine de Brécy , we read that "the Conflans were a family of ancient nobility, which genealogists trace back to the 12th century, when it was said to have come from the house of Brienne. In the 16th and 17th centuries, this family had several illustrations in the profession of arms. [...] Michel de Conflans, [...] belonged to a younger branch of the family, of which Saint-Simon wrote, with his acid soaked pen, that "poor and obscure, they had never left their village, where their house resembled a hut" and elsewhere that they "lived on their rifles and cabbages". Fortunately for Michel de Conflans, the last representative of the elder branch, Henriette d'Armentières, made him her heir on her death in 1712. It was through her that the land of Armentières and its 14th century castle became part of the estate of this branch, as well as, not far from there, the land of Brécy and the castle of Le Buisson, where the family lived. In the early years of the 18th century, Michel de Conflans was able to push himself into the entourage of the Duke of Orleans, becoming his first gentleman of the chamber. However it was above all his son Louis who restored the family status through his military career. Born on 23 February 1711, Louis de Conflans, Marquis d'Armentières died of apoplexy on 18 January 1774, in the King's cabinet at Versailles. Appointed lieutenant general in 1746, he received his Marshal of France’s stick in 1768. The Dictionary of French Biography writes of him that "without ever achieving a high command, he appeared with honour in all the wars of his time". The estates of Armentières and Le Buisson were sequestered during the French Revolution, declared national property and sold at auction (in 1794 and 1795 respectively) after the Marquise d'Armentières, the Marshal's second wife, was beheaded in 1794. The Château du Buisson (where Michel de Conflans died in 1717) was bought by a granddaughter of the Marshal de Conflans, the Marquise de Coigny, in 1816 and remained in her family after her death in 1832 until the sale of the 1,054 hectares estate in 1866. The bayonet blows that probably pierced the canvas in three places may well have a revolutionary origin and it is conceivable that the painting, acquired by the Marquise de Coigny from Louis Prieur, Julien's son, after the latter's death, was then restored and given the label specifying the name of the model. 2. Description of the portrait The painting presents a man in his thirties in his hunting costume. Pictured at mid-body, his face is marked by his life in the open air and characterised by a look of great bonhomie. Holding a rifle under his elbow, he is soberly dressed in a large caramel-coloured jacket, decorated with silver buttons. Presented in a three-quarter view, the model holds a partridge in his right hand. The jacket opens onto a vermilion waistcoat. A green shoulder strap probably holds a powder flask hidden under his arm while a satchel is visible on his belt. The model is wearing a grey wig, tied at the back with a black ribbon that seems to fly in the wind. This ornament anchors Julien Prieur in his time. "The new King of France, Louis XV, [imposed] a style of smaller wigs for men and the rigorous white or preferably greyish powdering. From the middle of the century men also used a ponytail on the back of the neck, tied with a ribbon, a style that became very popular in all courts." He stands out against a dark, purplish sky at the end of an autumn day in a soberly sketched forest landscape. The treatment of the sky recalls the influence of Largillière, Oudry's first master. 3. Jean-Baptiste Oudry Jean-Baptiste Oudry was born on 17 March 1686 in Paris, rue de la Ferronnerie. He began his apprenticeship around 1705-1707 with Nicolas de Largillière, with whom he stayed for five years. In 1713 Oudry established his "livre de raison" in which he reproduced all his early works in wash drawings up until 1718. During this first period which lasted about 7 years, Oudry produced works of great diversity, both in the genres that the artist tackled and in the artists which influenced him. It has been estimated that he painted about 150 pictures during this period: mainly portraits, but also still lifes and some religious paintings and landscapes. Of the hundred or so portraits that Oudry is said to have painted during this period, only fifteen have been identified today. A number of those lost portraits are probably still confused with works by Largillière. First admitted to the Académie de Saint-Luc in 1708, he was then allowed to join the Académie Royale in 1717, and subsequently admitted as a history painter in 1719. This year marks a turning point from which Oudry will assert himself as an animal painter. In 1723 he met Louis Fagon, Intendant of Finances, and the Marquis de Beringhen, the King's first equerry, who became both friends and patrons of the artist, giving him access to royal commissions and enabling him to be appointed as painter of the Royal Tapestry Factory of Beauvais in 1726. From 1728 onwards, the creation of tapestries became the core of his work, even though at the same time Oudry developed his skill as an illustrator, first for Scarron's Roman Comique and then for La Fontaine’s Fables. Between 1726 and 1731, Oudry created the decoration of a large drawing room at the château de Condé-en-Brie, about twenty kilometres from Brécy, which has remained in place to this day. This important commission, about which few details are known, is said to have originated with the Countess de Verrüe, a great lady of the French Regency who often stayed at Condé with her friend Jean-François Leriget, Marquis de la Faye, then owner of Condé. A prolific artist, Oudry fulfilled numerous commissions in parallel with his regular contributions to the Salons, to which he regularly took part until 1753. He suffered a stroke in 1754 and died the following year. It seems almost certain, in view of the importance of his work, that Oudry supervised a workshop in which several artists were involved, but this point is very poorly documented. Given the geographical proximity of Brécy and Condé-en-Brie, the links between the Armentières family and the Condé patrons, and finally based upon the quality of our portrait, we propose the hypothesis that it was painted by one of the painters who worked with Oudry at Condé. 4. Related artworks: comparison with some other portraits of hunters by Jean-Baptiste Oudry While Oudry gradually abandoned portraiture from 1720 onwards to devote himself to animal paintings, he seems to have made an exception for hunter portraits, which were often depicted in the company of their hunting dogs. Two examples seem particularly evocative and suggest a dating for our painting around 1730. We will see in a second part why this dating proposal seems relevant. The first portrait worth mentioning is the presumed portrait of Lieutenant Claude-André Courtin de Crouey, lord of Quatre Fils and Cormeilles-en-Parisis made in 1723, reproduced below. Also presented in a very tight frame, it is interesting for the similarities in the representation of the rifle, and in particular the two metal rivets that are almost identical in our painting. The painting that seems closest to ours is the presumed portrait of Monsieur...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the framed artwork: 182...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO ASTRONAUTS NEED ART? The artwork is sold framed. Dimensions of the fram...

Artist: Thomas Hunt (English, 1854-1929) Title: "Unsold Cattle Returning from the Fair" *Signed and dated by Hunt lower right Year: 1883 Medium: Original O...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO DOLLS HAVE EMOTIONS? The artwork is sold framed. Dimensions of the framed ...

Bright flowers, juicy fruits and of course the helpers of our garden: hardworking bees. They also love the juice of ripe pears. Being behind a canvas woven from my thoughts and emoti...

The paintings are drawn with acrylic on the hardboard (back side made of the double cardboard). Acrylic paints are used to create the painting on canvas animals and ecology. A cruci...

Dated: 1987/55 Signed and dated upper edge Provenance: The artist Coe Kerr Gallery, New York Wright Gallery, New York Private collection, New York (Purchased from above, 1995) This...

Beautiful old oil painting ,depicting the portrait of a little dog , oil on canvas . ( ca 1850 ) Austrian school late 19th Ferdinand Krumholz was a Austrian visual artist who was bo...

In a moment of serene tranquility, bathed in the eternal glow of the winter sunset beneath the characteristic red hues of the Scottish sky, Shizico Yi's painting captures a poignant ...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

English School, late 20th century oil on canvas, framed framed: 23 x 30 inches canvas: 16 x 24 inches provenance: private collection, England the painting is in overall very good and...

This painting by artist Ray Simonini titled " Pair of Oysters" is a 12x16 nautical oil painting on canvas featuring a close-up of two oyster shells against a deep green and blue back...

This painting by artist Ray Simonini titled "Plucked from the Ocean" is a 12x16 nautical oil painting on canvas featuring a close-up of an oyster shell against a deep green and gray ...

The English Hunting Party late 20th century signed oil on canvas, framed framed: 21 x 25.5 inches canvas: 16 x 20 inches provenance: private collection, UK condition: very good and s...

Haystack at Sunset French Impressionist artist, late 19th century signed oil on canvas, framed framed: 13 x 16.5 canvas: 9.5 x 13 inches provenance: private collection, France cond...

Harald R. Hall (British, 1866 - 1902) - Highlander herd along trail. 77 x 51 cm. Antique oil painting on canvas, without frame. - Work signed bottom left: “H. R. Hall”. - Work in...

Wild Things - Animal landscape painting , Oil on canvas By Marc Zimmerman This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintin...

A 19th-century portrait of a terrier dog, especially one attributed to a renowned artist like Ben Marshall, offers more than just an artistic piece—it's a window into history and a c...

Hunt Slonem "Hummingbirds Lupin" on Yellow Green hummingbirds with flowers on a yellow background in an antiqued wood and gold frame. Unframed: 48 x 26 inches Framed: 56 x 33 inches...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

36"x36" oil on canvas, depicting an eagle-owl perched on a gilded gold armchair with green and white brocade upholstery. A woodpecker and a small songbird sit on the arms of the cha...

Oil on canvas Signed and dated left center: “1859” also signed on the back. Discover the serene beauty and meticulous craftsmanship of Eugène Verboeckhoven in this luminous paintin...

Woven Jungle - Landscape Nature Painting With Animals By Marc Zimmerman This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings,...