Revival Tables

French golden bronze coffee table, Jansen style with balck glass top. The black glass is framed with gilden bronze ribs and is supported by four legs with ram heads, in neoclassical ...

Lovely set of nesting tables crafted of solid walnut stained birch, with the highly sought after barley twist legs and bevelled edges. The two lower tables slide into grooves in the ...

This is a gorgeous paint decorated faux marble pedestal in very good vintage condition. The top is faux painted to look like marble. Measures 44 tall x 13.75 x 13.75. Dates to the 19...

Beautiful console side table characterized by the handcrafted carved decors and beveled top and raised on four stunning Bobbin turned Barley twist carved legs. Finished on all sides,...

A vintage postmodern neoclassical columns «ruins» coffee table after Gufram Capitello, circa late 20th century. Plaster cast Roman or Greek column ruins base upholds a beveled glass ...

This very distinctive and elegant furniture was built in the area of Emilia Romagna. This can be inferred for several reasons. One of these is that the tabletop is made of scagliola,...

Constructed entirely of solid walnut with an octagonal top resting on a turned standard atop a quadripartite bracket footed base

This is a fantastic table made of precisely placed inlaid species of marble. The marble is in good original condition. The top is inlaid in a floral pattern and the base is also flor...

A pretty Neo Classical painted console table in the manner of Robert Adam. This hand painted table has a faux marble decorative top in birch with rounded corners. Beneath, the apro...

Flit Top Chess Board Backgammon Tooled Leather Top Two Drawers Game Table Brass Claws Feet & Castors MINT!

Beautiful and practical size, hand carved Gothic sidetable or small desk. This rare antique table in the Gothic Style can be placed tight on your wall...

Having a circular top above a conforming case housing ond drawer and featuring carved and ebonized lions above the straght legs, the legs joined by a low platform stretcher and raise...

This is a gorgeous set of bronze and glass top gueridons or end tables. They have a light visual impact and a gorgeous patinated bronze in a Verdi green finish. They are in good cond...

Pair of elegant neoclassical inlaid slab consoles threaded in various woods: walnut olive cherry They feature an elegant ornamental frieze depicting a Lyre. Measures: L. cm 135 - D...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of An Antique Italian Baroque Dining Table...

Twisted walnut column for vase, bust holder or sculpture, 1940s, Gothic style, wax polished, with exceptional patina. Circular base and turned top. About Bassano's Ebanisteria The ...

A set of two 1950s Neoclassical brass and onyx marble Italian console tables represents a unique and luxurious style characteristic of mid-20th century Italian design. These tables f...

Gorgeous restored French 19th century empire sewing stand. Made from Mahogany with bronze grips and carved bone keyplate. Amazing quality piece with fresh French polish finish. Full...

A small round Hollywood Regency gilt sheaf of wheat drink or side table with a glass top. This petite table features a round base with faux bamboo gilt legs. At the center, the gilt ...

A pair of stools that can perfectly serve as a low table, in Spanish baroque style, from the early 20th century, made of beech wood with turned Wood l...

This is a fantastic pair of red and gold leaf figural tables. The tables feature gorgeous nude maidens and beautiful red lacquer and gold leaf details. No major wear beyond normal ag...

Base x coffee table made of heavy wrought iron, curved and handcrafted by skilled artisan in the 1950s. The base measures 60 x 60 h 77. the iron is kept natural with a coat of Ovatro...

Base x coffee table made of heavy wrought iron, curved and handcrafted by skilled artisan in the 60s. The base measures 60 x 60 h 74. the iron is kept natural with a coat of Ovatrol....

A stunning Italian Baroque elaborately carved gilt wood marble top console table, circa 1870. Italy, late 19th century, hand-crafted in opulent and luxurious Rococo Revival taste, e...

Rare set including a console and a mirror in blackened, gilded and painted wood of antique inspiration. The console, topped with molded Italian Portor marble, is decorated with three...

A lavish pair of massive Venetian / Neo Grec style sculpture pedestals. Made from bronze with a vibrant polychrome finish. Feature a traditional columnar form with large topless figu...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

Painted tole tray on an ochre ground, mounted on a bespoke, faux bamboo, later wooden stand,the central reserve showing Vesuvius and the BA Charles X style oval transfer decoratay of...

Large parade console table, supported by uprights ending in curly feet, richly carved with leafy scrolls and female figures depicted up to the torso, connected by a cross moved with ...

Wonderfully sleek serpentine French Baroque style side table. The legs draw the eye immediately. Slender and, to use the word again, “sleek” cabriole legs. The carved and polychrome ...

Pair of Baker Furniture eglomise mirror and bleached oak Tables. Nice distressed look . Labeled Baker.

19th Century French Napoleon III Period Gothic Revival Walnut Library Table is an amazing example of the revival of the oldest formal style to originate from France, dating to the mi...

Mediterranean, possibly Spanish or Portuguese, Gothic Revival table, the tiered brass base with studded elements, the top with sheet iron metal frame inset with faience ceramic tiles...

No. 17 dining set in bentwood and cane 'long john' chairs and table designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on many places. The stained beech wood has discoloration. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

Bruce Talbert attributed possibly for Cox and Sons. A good period Gothic Revival oak desk with the original leather writing area and Y shaped supports bel...

This beautiful Regency Revival flame mahogany dining table was made by the Master Cabinet maker William Tillman and bears his label on the underside, it can seat eight people in comf...

Collier and Plucknett. A rare Gothic Revival oak side table. A very accomplished solid architectural design which has a powerful look, with fine turned details and beautifully made.

Charles Bevan for Marsh & Jones Late Kendal. An exhibition quality Gothic Revival Burr Walnut drop leaf Sutherland table with fine inlaid decoration to the top in exceptional origina...

Important & unique table with the Herter Brothers, New York paper label. When we purchased this antique ebonized table in the Renaissance Style...

***Ask About Reduced In-House Delivery Rates - Reliable Professional Service & Fully Insured*** Antique Renaissance Revival Carved Scroll-Form Walnut & Marble Turtle Top Parlor Table...

***Ask About Reduced In-House Delivery Rates - Reliable Professional Service & Fully Insured*** An antique Brooks parlor table offers shaped and beveled marble turtle top over heavi...

***Ask About Reduced In-House Delivery Rates - Reliable Professional Service & Fully Insured*** An antique Victorian parlor table offers shaped and beveled marble top over walnut ba...

A striking antique European Palladian Neoclassical style later stripped bleached whitewashed mahogany pedestal center table. 19th century, having a round top with highly figured mah...

Splendid and elegant gilded wooden coffee table, in neoclassical style. The rectangular top with circular sides is enriched by a refined fabric covered by glass, which gives further ...

Elegant round baroque table from the early 1900s with top in Ferrarese walnut root and central inlay polished with shellac and wax The table is a 1900s production of the famous eleg...

A Fine Italian 19th Century Florentine Pietra Dura Inlaid Table Raised on a Giltwood Carved Pedestal Stand. The circular pietra dura inlaid top centered with a bouquet of flowers inc...

Very pretty vintage Gothic Revival coffee table that's been updated with a fresh coat of white paint. The scalloped underside and central finial in the undulating stretchers are sup...

Egyptian Revival style design, Iron base with brass trim and wooden hand stenciled top -marketed by Brunschwig & Fils.

A Large and Impressive Pair of Italian Early 20th Century Rococo-Style Gilt-Bronze Center Tables or Wall Consoles with Marble Tops, attributed to Luigi Ciampaglia, renowned for his leadership at the esteemed Fonderia (Foundry) Chiurazzi di Napoli (Naples). These tables boast intricately cast serpentine gilt bronze frames featuring an ornate apron adorned with bearded male masks flanked by swaged floral garlands, C-scrolls, and acanthus motifs. They stand on four elegantly curved cabriolet legs joined by an 'X' stretcher, all terminating in floral sabots, supporting luxurious veined green Verde Antico marble tops. Both tables are elegantly engraved with "Ciampaglia" on the apron, suggesting they were likely a special private commission by Luigi Ciampaglia, possibly crafted by either the Fonderia Ciampaglia or the Fonderia Chiurazzi. Circa: Naples, 1920-1940. Luigi Ciampaglia held the position of head artisan at the Fonderia (Foundry) Chiurazzi di Napoli. Established by Gennaro Chiurazzi (1840–1906), the Fonderia Chiurazzi originated from a modest foundry founded in Naples in 1870. It swiftly gained renown, expanding into a workshop within the Albergo dei Poveri, where a team of skilled craftsmen, known as formatori, diligently produced casts of numerous statues. Over time, the foundry secured the privilege of taking molds from prestigious collections, including those of the Museo Archeologico Nazionale in Naples, the Capitoline Museums, the Vatican, the Borghese Gallery in Rome, and the Palazzo Pitti and the Uffizi Gallery in Florence. This resulted in the creation of over fifteen hundred plaster piece molds, embodying the century-long legacy of the company—a feat that remains unparalleled today. Chiurazzi bronzes...

Pair of 20th Century faux painted malachite wood Doric column pedestals.

19th Century French Renaissance Revival Desk is a magnificent example of master cabinetmaking by French artisans from the 1850s to the end of the century. Utilizing hand-select old-...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Mid Century French Empi...

​Theodore Alexander Caryatid Iron & Inlaid Walnut Burl Round Drum Center Table Dimensions : 31" Tall X 36" Round This gorgeous table was made by Th...

Coffee table with Pink Portogallo marble top and wrought metal base . This coffee table will make a stately addition to a modern decor. Its sleek silhouette is completed with a r...

This is a handsome Vintage pair of Regency revival occasional tables. Masterfully created in gorgeous flame mahogany with brass galleries and elegant ormolu feet. They would be p...

If you're looking for that statement piece in an entry hall or a room, this Baker Furniture Regency Mahogany Entry Hall Console is your match. With a Neo Classic Design, this Baker F...

This is an exquisite vintage mahogany Regency Revival parquetry 'trompe l'oeil' centre table, dating from the second half of the 20th Century. The table is supported with a singl...

Large 20th Century Turned Onyx Pedestal Marble Column, Italy 1980's. This amazing five piece pedestal has mostly a green, white and rust colored scheme. Perfect versatile piece to di...