Walnut Wardrobes and Armoires

Beautiful vintage modern walnut credenza. This credenza features nine spacious drawers, with the drawers on the left and right sides being longer, and the center drawers shorter. The...

Tall wardrobe with brutalist mosaic motif by Lane Furniture. Designed for their Pueblo collection, featuring both cabinet and drawer storage. Please...

Original walnut wardrobe made in Czechia by Vichr a Spol. Period: 1930-1939. Condition: Original. Material: Walnut and Chrome-plated steel.

Wardrobe in the bedroom of the main suite of the Giulio Cesare ocean liner launched in 1920 in Palermo with the first voyage from Genoa in 1922. Completely set up by the Ducrot compa...

Broyhill Brasilia Brutalist Magna mid-century walnut dresser. This dresser measures: 54 wide x 19 deep x 43.25 inches high. All pieces of furn...

This antique armoire is made from beautiful hardwood and burled walnut veneers. Easy to move and assemble, it is constructed from six separate pieces that stack together. There are two tall wardrobes on each side flanking the center sections. The wardrobe sections have dowels for hanging clothes and small drawers at the bottom. The top center section has locking doors which open to a single compartment. It is large enough to hold a small sound system or tv, and there is a small hole cut in the back for wiring. The lower center section consists of five 5 large graduating drawers. The top drawer has 2 dividers to create 3 sections. All drawers are lined with gilded multi-color Florentine paper...

This magnificent wardrobe comes from Germany and was made around late 18th or early 19th Century. It is made of solid walnut wood. It has undergone a professional renovation process ...

Important and rare antique solid walnut cabinet, 19th century. Characterized by a refined hand carving of the wood on the front doors. The...

Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. Throughout his designs the use of pure materials and honest natural processes are paramount. The...

A vintage Italian semainier, handcrafted and carved walnut, fitted with seven drawers, each with scrolling foliate marquetry, rising on bracket feet. circa 20th century; Italy. A...

Broyhill Brasilia Mid Century Walnut Magna Dresser. This dresser measures: 54 wide x 19 deep x 43.5 inches high. All pieces of furniture can be had...

19th Century French grand vitrine or wardrobe made in fine hand carved walnut wood in provincial style. Very good and stable condition with no restorations made so far. Original glas...

Canvas credenza by Phaedo Dimensions: W 72" x D 18" x H 30" inches Materials: natural black walnut Madder dyed side-panels Osage dyed drawer...

French armoire with a brass wire door. Louis Philippe period cabinet. Three shelves adjustable and three drawers. Made in 1840 (see the date on the photo). The low draw194p112 h5...

Antique carved walnut cassone coffer on paw feet from Spain, circa 1880. Very versatile as well: Could be used as a seating bench, or an entry piece o...

Simply the best armoire I have ever seen. This incredible work of art is from the 18th century and made in the south of France of walnut. Clearly an important commission of the time...

Art Nouveau rosewood wardrobe. Second wardrobe on my second auction. The furniture from our workshop is manually covered with high-gloss shellac Laquer.

German castle furniture from the province of Anhalt with rich inlays, in small dimensions, very balanced design. Inlaid walnut and other woods, veneered on fruitwood. Original brass fittings and locks. Inventory label backside: Castle of Mosigkau, province Anhalt, inv. no. 1064 Germany, Braunschweig, 18th...

Broyhill Brasilia Mid Century walnut magna dresser This dresser measures: 54 wide x 19 deep x 43.25 inches high All pieces of furniture can be had ...

Rare and important antique wardrobe in solid walnut made in the late 18th century French Louis XV. Characteristic wavy line with wood carvings on the floral taste front. Beautiful c...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Carabottino is a collection made of a clever play of textures and transparencies, that makes these objects the centerpiece of any environment. A storage unit, a mirror or a table that establishes a dialogue between inside and outside. A wooden grating in a two-dimensional form traditionally made with wooden slats, carabottino is considered to be an accessory element of relative importance, similar to window and door...

This is an antique gentleman's wardrobe. An English, walnut compactum cupboard by Waring & Gillow, dating to the late Victorian period, circa 1900. ...

Helen Hobey for Baker midcentury walnut highboy dresser. This highboy dresser measures: 47 wide x 23 deep x 56.5 inches high. All pieces of furniture can be had in what we call...

Original 1960s coat stand in walnut and beech with umbrella stand Finishes in light wood Very elegant Special design. Comes from an old country house in the Pisa area of Tuscany. The...

We are delighted to offer for sale this very rare and important, Museum quality, Gothic style Antique Burr & Burl Walnut wardrobe with oversized, polished brass fittings This piece is part of a suite, I have the matching dressing table listed under my other items I have never seen another wardrobe like this in my career, it has a Gothic castle look and feel to it, the timber panels are way older than the actual wardrobe, I think this was made in the Victorian era by repurposing something that was very old and making something newer and usable, the fixtures are fittings all look to be mid-17th century circa 1740-1760, the timber I would say is around the same era but the internals are pure Victorian circa 1860-1880 Inside you have a large campaign chest...

Neoclassical early Biedermeier armoire or wardrobe. Cherry veneered with fillings in walnut and ebony. Beautifully straightened design with original fittings in brass plate. Magnifi...

Vladimir Kagan walnut dresser two door 3 drawers cabinet chifforobe on slayed legs mint!

Albert Parvin style mid century walnut highboy dresser gentlemans chest armoire. This dresser measures: 48 wide x 22 deep x 57 inches high. All pieces of furniture can be had i...

A large and very richly carved 19th century French walnut Gothic Revival armoire. This stunning cabinet has the most amazing carved details. The extensively carved decorations wi...

This beautiful walnut armoire features a central door front flanked by two doors, which open to shelved storage. (Two shelves).  

Very nice simple wardrobe from the time of the Biedermeier. Made of solid walnut. The cabinet has very beautiful walnut wood that leaves a great impres...

We are delighted to offer for sale a lovely circa 1940’s light Walnut double wardrobe made by The Walnut Cabinet Works which is part of a large suite ...

Art Nouveau rosewood wardrobe. Second wardrobe on my second auction. The furniture from our workshop is manually covered with high-gloss shellac Laquer.

Mainline by Hooker mid century walnut and cane 8 drawer highboy dresser This highboy dresser measures: 42 wide x 20 deep x 46.75 inches high All pieces of furniture can be had ...

An incredibly beautiful studio case piece by New Hope craftsman Robert Whitley featuring solid sculptural walnut legs which extend upwards above the top of the cabinet giving this st...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Designed by Luciano Frigerio, wardrobe with eleven doors in brass and walnut wood, Macassar ebony is a precious essence that is widely used in cabinet making, fine carpentry, turning...

United Style Young Manufacturing mid century walnut and brass gentleman's chest highboy dresser. Dresser measures: 42 wide x 19 deep x 46.75 inch...

Antique French Carved "Walnut Massif" Armoire, Circa 1860-1880. Exceptional piece with curve-line beveled glass doors and a fitted interior with g...

Broyhill Brasilia Mid Century Walnut magna dresser This dresser measures: 54 wide x 19 deep x 43.25 inches high All pieces of furniture can be had ...

Drexel Viewpoint 70 Gentlemen’s chest \ dresser. Tons of drawers for maximum storage. The left side drawers make a perfect jewelry storage space. R...

French Provencal closet, walnut wood, 1.60 cm wide at the body, 1.80 at the hat. Top quality wood, remains well proportioned even though it has huge measures. Present only one shel...

Armoire, cupboard or kitchen cabinet with two doors decorated to the outside with geometric patterns framed by moldings. The legs that protrude below and the cresting and lower moldi...

Italian neoclassic style walnut & inlaid glass door armoire, mid 20th century.

Mid-Century Modern handmade walnut cabinet with geo diamond texture Shelves are not included with cabinet, but we can custom make them if needed. Contact us for additional info. ...

An absolutely outstanding and exceptional Armoire A' Quatre Portes - 4 door Armoire from the Dolomite region of Italy. Expertly crafted with 4 doors and...

This large, elegant antique "bonnetiere" (one-door armoire) would make a beautiful addition to any living room or bedroom! Crafted in the Perigord region of France circa 1750, the si...

We are delighted to offer lovely circa 1940’s light Walnut double wardrobe made by The Walnut Cabinet Works which is part of a large suite This piece...

This Edmond Spence designed midcentury dresser features stunning marquetry combined with carefully sculpted "Checkerboard" front. Four lower drawers offer spacious storage while top ...

Circa 1890 19th C French walnut armoire / bookcase with wired grill doors and book matched walnut veneer with marble top. Sourced from the South of France Measures: W188 x D...

Rare and important antique wardrobe in solid walnut wood made in 1880s. Internally with a stick to hang clothes. In the lower part two comfortable large drawers. Very linear, perfect...

This Renaissance Cabinet reveals the great mastery of the Lyon workshops which are at the origin of its realization. Sculptors and wood-carvers worked here in symbiosis to express an...

Mid century sculpted walnut highboy armoire gentlemans chest This armoire measures: 37.5 wide x 20 deep x 50.25 inches high All pieces of furnit...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Antique French Provincial hand-carved walnut "Bonnetiere" cabinet, Circa 1880's.

The Queretano armoire has a simple structure that allows for the intricate decoration on its double doors to speak for themselves. Its emblematic design, consisting of rhombus shapes...

A stunning 18th century walnut Dutch armoire. The large angular crown with stepped moulding, above two tall solid cross banded panelled doors separated and flanked by pilaster columns with shaped mouldings to the base and carvings to the top. One key operates the locking right door and acts as a pull. The left door latches from the inside to keep it in place when closed. Just behind the doors are three shelves and two drawers. The base with a repeat shape as the top cornice. The whole is supported by 4 large bun feet. The detail continues with two cross banded panelled sides with soft curved corners. Throughout its long life, the wood finish has acquired a patina that is simply amazing and has an undeniable antique quality. Impeccable craftsmanship. This elegant and richly walnut armoire from The Netherlands will be a great acquisition for contemporary or traditional interiors. Great quality. A good piece of 18th century Dutch antique furniture...