Living Room Sets

We are delighted to offer for sale this stunning vintage restored Chesterfield cigar brown leather Library suite A very rare find, I never come across original sets of three piece...

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. Also referred to as the "Fehlbaum sofa". Finding this particular sofa is a rar...

Single pillow made of antique hand silk embroidery Suzani textile, beautiful vine and flowers motifs. Fresh quality insert, fine cotton backing. Some missing embroidery due to age an...

Mid-Century seating group consisting of four armchairs and a table: 33 x 41 x 41 cm. The armchairs are made of white plastic and are on castors. The cubic armchairs are equipped with...

Restored Rattan 4 Strand Deco Living Room 3 Piece Set. The set consists of a large sofa and two generously proportioned armchairs, restored to its former glory with newly reupholster...

Rare Mid Century 8 Piece "Far Horizon" collection Dark Rattan Sofa, Chair & Table Livingroom set with a designed John Wisner for Ficks reed reminiscent of James Mont that has an Asia...

Art Deco French Style Three Piece Sofa Suite, recently restored with new cushioning and soft velvet fabric. These pieces are very comfortable which makes this set a pleasure to own and use. The wood framing has been restored as well. The color is soft light teal/gray and would fit perfectly into any Art Deco setting. The craftsmanship is outstanding with all pieces finished using a matched gimp on both the outsides and insides of all 3 pieces. A loveseat and two armchairs, the wood tone is warm medium mahogany brown. We love the lines of Art Deco sofas and chairs...

Charming Antique Salon Set, Austrian, Inlaid, 5-Piece Set, Settee with 4 Chairs!! Beautiful curved lines! Neutral upholstery color! Great pieces for the parlor or your living are...

Mid century sofa and armchair by andersson circa 1960. Here we have a sofa and armchair designed by bertil frighagen for broderna andersson.  Know as the aristocrat model and well r...

Set of Italian Mid-century Rattan Bowl Chair with side table and magazine rack This set of rattan furniture was manufactured probably in the 1950s in Italy. It consists of a captiv...

This salon suite is nineteenth century, comprising of a settee And four arm chairs, each with an arched crest rail centering A stylized shell and foliage flanked by blossoming stems...

A rare 1940s, curved walnut dining chairs set, designed by Guglielmo Ulrich in the 1940s. Manufactured in Italy in refined Art Deco style. The eight chairs have been fully restored b...

The luxurious Sayari Outdoor Collection is inspired by the beauty of the African continent. The return of sculptural and curved seating - outdoors. Instead of using traditional shape...

This is a classic original corner suite consisting of a three seat sofa, and a two seat sofa with matching corner two tier table. All produced in finest q...

Original Price [3500] Building blocks side lounge chair: An illusion that plays with positive and negative shapes through its design, the white version is made from leather and a me...

Art Deco Rattan living-room set including a matching 3-seat sectional sofa and lounge chair with matching stacked coffee table with two side tables. Both lounge chairs and sofas feat...

Extremely rare, complete & matching set from its first owner. 6 pieces. Designed by Percival Lafer & produced by LAFER S.A. - São Paulo Brazil. The complete set was labeled. Only c...

Black secession seating group by Fischel in original vintage condition with signs of use.

Complete old vintage Liberty living room set: 6 chairs, 2 armchairs, 1 sofa, 1 console with mirror and 2 shelves, all richly carved with period floral motifs and precious original brocade fabric, made in Italy in the middle of the 1900s. Lots of material, which can also be divided into several rooms, in full Art Nouveau style. Measures: chairs cm w 45 x H 84 x P 40, armchairs cm w 68 x H 100 x P 70...

This spectacular Pallas lounge set was designed by the Swedish designer Svante Skogh in 1954 and is a rare example from the repertoire of modernist design. The Pallas set was designe...

The I.S.A. (Industria Salotti e Arredamenti) manufacture also known as ISA, ISA Bergamo and ISA Italia was founded in the late 1940s near Bergamo in Ponte San Pietro. It produced a s...

De Sede DS46 Sectional sofa-Living room set in Patinated Cognac Brown Buffalo Leather, Switzerland 1970s This twelve-piece De Sede DS 46 sectional sofa-living room set is a one-of-a...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair is designed in the like...

Beautiful complete Italian luxury Louis Philippe style 1930s living room set includes: 1 sofa 2 armchairs Refined living room set in beech wood. The...

Chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Calico-29 Dimensions: Height: 74 cm / 29,13 in Width: 57 cm / 22,44 in De...

We are delighted to offer for sale this exquisite Victorian hand made in England, Walnut framed with Chinoiserie upholstery three piece suite. ...

Sofa and seating set , 1920s hand-carved walnut. Original upholstery in excellent condition. Periodo del design 1920 - 1949 Production Period 1920 - 1929 Country of Manufacture Italy...

Restored rattan 6-Strand square pretzel lounge chair with black tropical barkcloth cushions with matching stacked rattan ottoman and 2-tier stacked side table with Mahogany tops. The...

Bonzanini Rudy design for Tecnosalotto Mantova Italy in years 70 Set of 4 chairs with structure in chrome and cuscion ulphostered textile si...

- good original condition with minor signs of use - Dimensions of the Sofa: 86x197x82.

Ciottolo #1 Seat by Imperfettolab Dimensions: D 580 x W 90 x H 50 cm Materials: Fiberglass. Also available in different dimensions and colors. Please contact ...

Vintage Sofa Set by Saporiti, Italy 1950s. Original upholster, very rare to find in the set armchairs + sofa. Armchairs 70 x 84 x 94 cm each; Sofa 1...

Moss 1800 sofa by Artu Pavel Vetrov Dimensions: W 180 x D 82 x H 76 cm Materials: Wood, Upholstery Other colors and materials available. Soft, flowin...

Pair of White Lacquered Rattan Armchairs Lined on the Sides with Cushions

Rare complete Italian Art Nouveau 1900s living room set includes: 1 sofa 2 armchairs 2 chairs Refined living room set in carved beech wood. The wood has an elegant carved decoration...

Lace white daybed by MOWEE Dimensions: D200 x W195 x H60 cm. Material: Polyethylene, stainless steel and polyester. Weight: 60 kg Also available in different colors and finishes ...

This gorgeous living room set consist of two very rare lounge chairs and matching coffee table. The set was produced in late 1980s by Stol Kamnik. Its modern look is still fashionabl...

Vintage Dakota Bergere chair and ottoman by Hammer Fine Furniture. Featuring French styling with Tuscan Field Green Leather and Brixton Crackle finish frame with nailhead trim. Made...

3 Piece Art Deco Sofa Carved Frame. This exquisite Art Deco sofa set showcases a masterful blend of intricate carving and upholstered cloud-like sh...

A vintage Mid-Century modern Swedish adjustable armchair or high back recliner with an ottoman, made of hand crafted polished Beechwood, designed by Folke Ohlsson and produced by Dux...

Haven Olive pouf by Warm Nordic Dimensions: D57 x H 40 cm Material: Textile upholstery, Foam, Wood. Weight: 9.5 kg Also available in different colours a...

Lace cream daybed by MOWEE Dimensions: D200 x W195 x H60 cm. Material: Polyethylene, stainless steel and polyester. Weight: 60 kg Also available in di...

Little big armchair + little big pouf Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the picture: Fabric: Sheepskin...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules...

Afra & Tobia Scarpa “Soriana” three-seater sofa for Cassina, original brown leather and chromed steel, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model b...

Original condition.

Salotto realizzato in ebano riccamente intagliato composto da coppia di sedie, scrittoio, coppia di poltrone e divano decorati con mascheroni, figure antropomorfe alate e pinnacoli d...

Vintage Danish Velvet Lounge Chairs, 1940s. Set of 2. Pair of vintage Art Deco curved arm chairs upholstered in golden yellow velvet made by Danish ...

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

Wood and Upholstery Restored. Marble in original condition Solid Rosewood structure, Rosewood veneers, Marble and Bossa Fabrics Upholstery.

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Counter chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Wool, Calico 29. Dimensions: Height: 101 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm ...

Mid-Century Modern Rattan Seating Set, Italy,1970s

Eight wrought iron chairs in very good condition. Profiled round legs with central bracing. The applied seat is removable and could be relatively easily reupholstered, depending on t...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

Rare "Double Horseshoe" arm rattan 2 seater sectional loveseat with a single large 2-tier side table apart from the sofa and matching lounge chair. Measures: Sofa: 33in. H x 73in. ...

Set of six old Hans J. Wegner chairs in solid oak and black leather. Model W2. Produced by C.M. Madsen Denmark in 1950s. With beautiful patina and in original condition.