Paper Furniture

Original vintage travel poster promoting travel to India featuring a stunning illustration of a Manipuri Dancer in traditional Manipuri bride clothing with a long round stiffened dec...

Pair of 'Bloc' parchment clad table lamps with matching parchment paper shades by Design Frères.

Limited Edition Series of 20 Pendant Lights CONCHA Embroidure is an extension of MESEME Studio’s latest CONCHA Pendant Light collection in collaboration with artist Nicole Chui. Bor...

This captivating mid-20th century original etching "Portrait d'Homme" by Claude Weisbuch adds a touch of artistic charm and vintage appeal to any collection. The intricate details of...

Pencil drawing of a woman's portrait, created by Aligi Sassu in the 1970s Ø cm 43 h cm 52 Aligi Sassu (1912-2000) was a renowned Italian painter and sculptor who left an indelible ...

Presenting a captivating set of six Karl Blossfeldt Photogravures from the 1942 edition of the book 'Wunder in der Natur.' In its original condition, this piece boasts minor wear t...

This captivating early 20th century framed glass-covered print of a romantic scene adds a touch of elegance and historical charm to any home décor. The intricate details of the scene...

Presenting a captivating set of four Karl Blossfeldt Photogravures from the 1942 edition of the book 'Wunder in der Natur.' In its original condition, this piece boasts minor wear ...

Presenting a captivating set of four Karl Blossfeldt Photogravures from the 1942 edition of the book 'Wunder in der Natur.' In its original condition, this piece boasts minor wear ...

Presenting a captivating set of twenty Karl Blossfeldt Photogravures from the 1942 edition of the book 'Wunder in der Natur.' In its original condition, this piece boasts minor wea...

Presenting a captivating set of eight Karl Blossfeldt Photogravures from the 1942 edition of the book 'Wunder in der Natur.' In its original condition, this piece boasts minor wear...

In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001...

Bright Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold dust applications. The decoration is made with gold dust applied to create a nuance...

Great image of a brown bear. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after captain brown with original hand color. ...

Very big drawing, a studie made on the art college, by Renee Belveaux (1903-1984). She is from Belgium, Luik. This artwork is signed 1921. This a studie after the dancing faun. The w...

Two-panel screen depicting a scene capturing a tiger under a Japanese Matsu pine with gold leaf frame. On one of the panels, a tiger is depicted with a concentrated expression. Abov...

Iconic Akari light sculpture known as Model 7A designed by Isamu Noguchi and handcrafted from traditional washi paper and bamboo. Each Akari lamp shade is meticulously crafted by han...

Original 2000s silkscreen print “Heros” by the great Italian avant-garde artist Mimmo Rotella. Signed in full at lower right. Original dry stamp “Stamperia Berardinelli Verona Italy” Original multiple collage type model on silkscreen on which the artist has made scratches. This work, never before on the market, comes from a private collection and is beautified by an impressive original frame in ebonized wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

“Vedute interrotte” Interrupted Views, 1988/1989 Lithograph with silkscreen interventions 70x70 cm Signature in pencil on front Artist's embossed stamp on the front Bibliography 1989 Mario Schifano. Best seller, edited by Giuseppe Bonini with introduction by Achille Bonito Oliva, Torcular Edizioni, snp, rep. 26 Notes Artwork part of the collection ‘Best Seller: 31 graphic works by Mario Schifano’ edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini Total edition of 331 copies (200 in Arabic numerals, 50 in Roman numerals, 21 in letters of the alphabet, 30 artist's proofs and 30 out of print) This etching, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The artwork is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...

Brassai's Insight: Photogravure of Picasso's Sculpture, circa 1948 From 1948 Photography by Brassai Photogravure From 'The Sculptures of Picasso' by Daniel Henry Kahnweiler Printed ...

Brassai's Insight: Photogravure of Picasso's Sculpture, circa 1948 From 1948 Photography by Brassai Photogravure From 'The Sculptures of Picasso' by Daniel Henry Kahnweiler Printed ...

Brassai's Insight: Photogravure of Picasso's Sculpture, circa 1948 From 1948 Photography by Brassai Photogravure From 'The Sculptures of Picasso' by Daniel Henry Kahnweiler Printed ...

Brassai's Insight: Photogravure of Picasso's Sculpture, circa 1948 From 1948 Photography by Brassai Photogravure From 'The Sculptures of Picasso' by Daniel Henry Kahnweiler Printed ...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 From 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 From 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 From 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 From 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 From 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm...

Wonderful image by Edmund Dulac Tipped in plate. On card Lithograph. Published 1911 The measurement given is the card size not the actual printed image.

Wonderful image by Edmund Dulac Tipped in plate. On card Lithograph. Published 1911 The measurement given is the card size not the actual printed image.

Wonderful image by Edmund Dulac Tipped in plate. On card Lithograph. Published 1911 The measurement given is the card size not the actual printed image.

Large Framed Color Lithograph after Kazimir Severínovich Malevich’s painting 'Portrait of a Female', 1928-1932. Printed by Atelier Mourlot, the famed Parisian printers noted for the...

Large framed Lithograph of Kazimir Severínovich Malevich’s painting 'Peasant in the Fields', circa 1929. Printed by Atelier Mourlot, the famed Parisian printers noted for their clos...

Italian watercolor from the mid-20th century. Artwork painted on paper fixed on cardboard, protected on the front by glass, depicting a view of Venice in eighteenth-century style of ...

Early 2000's "Flexible Love" accordion chair designed by Chishen Chiu, made with recycled cardboard paper and recycled wood fiber. The honeycomb structure allows this chair to extend and retract with ease. The title comes from the concept of a flexible loveseat...

Wonderful image by Arthur Rackham. It is one of the illustrations for Wagner's " The Rhinegold & The Valkyrie " Tipped in plate. On card Lithograph. Published 1910 The measurem...

Wonderful image of The Death of General Wolfe In the Battle of Quebec Fine Woodburytype engraving Published circa 1870 Unframed.

This Art Deco sideboard was produced in Italy in the 1940s by Vittorio Dassi. The laterals, the middle part and the legs are black lacquered, while the doors are in parchment with bronze decorations. The base is in green Serpentino marble...

Chic 'Bloc' parchment table lamp by Design Frères. Attractive European style shade mount with no apparent harp / final. The dimensions are the overall dimensions of the lamp an...

A global guide to the 500 works of permanently installed modern and contemporary art worth traveling to experience Enjoy a world tour from the comfort of your reading chair or plan a detailed and engaging art itinerary for your next trip with Destination Art...

Large 'Bloc' parchment lamp by Design Frères. Attractive European style shade mount with no apparent harp / final. Comes with the matching custom paper shade shown. Handmade with r...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Fine, scarce pair of original chromolithographs of architectural ceiling designs from Racinet's seminal L'Ornement Polychrome published by Firmin-Didot 1869-1873 and 1885-1887. Beaut...

Mists of Dawn By Chad Oliver. The John C. Winston Company, Philadelphia, 1952. First Edition. The authors first novel. Gray cloth binding, illustrated dust jacket, shelf wear, ed...

A hardback book with original dust jacket. Chinoiserie is one of the strongest, mostt consistent strains in western taste. It has affected every area of decor and design from Chippen...

Funasaka Yoshisuke (舟坂 芳助) is a distinguished Japanese printmaker and artist, recognized for his contributions to contemporary printmaking. Born in 1939 in Gifu, Japan, Funasaka deve...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Executed in a brilliant palette of sky blue, jade green, ivory and chocolate brown, this striking drawing of a Black male figure carrying a pile of green bananas on his head was done...

With fabulous artwork from French painter Herve Morvan, this poster promoting Air France routes to Europe was created in 1956. Air France was created in 1933 after a merger of multip...

Pair of neoclassical style lamps with hand painted parchment shades. The neoclassical style draws heavily on classical antiquity, with elements such as symmetrical shapes and decora...

Original 1938 Frank Macintosh "Night Blooming Cereus" & "Mending Fishing Net" Lithograph menu covers for Matson Lines are beautifully framed in black frames with woven wicker matting...

An informative and practical guide to cooking healthy, nutritious meals for dogs To dog owners, their pets are regarded as cherished members of the family, and they care about thei...

The book extensively categorizes the work of 15 of the most representative Brazilian furniture designers in the modern period, between the 1940s and 70s, including: Lina Bo Bardi, Jo...

Marcel Breuer: Buildings and Projects 1921-1961 Hardcover Cloth Binding Published by Frederick A. Praeger, New York, 1962 Binding is Loose Spotting along edges of cover No Dust Ja...

Akari model 7AD light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's stamp. Akari light sculptures by Isamu...

Glasgow, Edward Khull & Co, Printer, 1818. A complete four volume set of the works of Josephus including "Jewish Antiquities" and "The Jewish War". Translated from the Greek. Bound...

White on white paper cuts collage. White wood frame. Artist Nurit Amdur creates paper cuts and collages revolving around the journey of transition and turning something into “ someth...