Expressionist Paintings and Screens

3-941 Hand made diorama using bird feathers and natural fauna set in a lacquered wood frame under glass.

Amazing oil painting of a little girl made by Karl Nolde, (Listed German Expressionist 1902-1994). It has the sign “Kanol” you can easily see it in the pict...

A set of three framed and matted Chinese silk paintings of women. The focal point of each composition is a single woman or two women, adorned in a ...

An expressionist oil painting of a seaside view from a balcony in carved gilded frame. It is signed on the bottom right hand corner Aoyama. Signed Aoyama circa 1960s-1970s Frame measures 16 x 19 1/4 inches Painting measures 9 1/2 x 13 inches This painting is likely a scene from the French Riviera or Cote d'Azur. Yoshio Aoyama...

A beautiful, hand-painted oil on canvas depicting river scene in Spring. The background is a gorgeous blush color, with the mountain rocks in rust oran...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

A beautiful and striking framed Asian tiger scroll painting featuring a regal tiger in the moonlight. This work is hand-painted with masterful brushstroke...

Hand painted abstract expressionism calligraphy Asian folding screen, in the manner of Robert Motherwell, Sofu Teshigahara, et al, believed to be Japa...

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Vintage Pichhavai painting on fabric of Krishna, Radha and female Gopis. Krishna walking with Radha and the Gopis by moonlight. The colors, details...

Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...