Taisho Ceramics

This antique Jar dating to the early 1900s once served the purpose of crafting salty eggs. The jar features a wonderful brown glaze. There is a ridged pattern finish near to the Jar'...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

Marked at base, Japan, 19th century. Provenance: Collection Nieuwenhove. Condition: Minimal age signs like some ware to enamel. 1 process flaw or damage to base rim. Size: 330 x ...

Nicely made artifact of high quality. Condition No damages, just some ware due to age. Size 180mm wide 110mm depth 50mm high Period 19th century 20th century Meiji Perio...

A charming vintage Japanese oribe glazed chawan by Matsumoto Tetsuzan (b. 1955), Seto, Japan. The tea bowl, called a chawan, wonderfully potted with...

A large charred cedar, elm & paper Japanese Tansu from the early 20th century Taisho period. Coming in two parts its both an incredibly decorative & use...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...

A beautiful Tamba (Tanba) ware (or Sigaraki ware) Japanese pottery vase/jar/pot - produced sometime during the Edo Period (1603-1867). Tamba-yaki ware is a type of Japanese pottery a...

Exquisite late 19th century Japanese Fukagawa porcelain charger, circa 1890s, Meiji period (1868-1912).It depicts rocks and auspicious chry...

A lustrous, dark glaze clings to the squat form of this petite kitchen jar. The glazed vessel dates to the early 20th Century and was used for storing foo...

This is an old Japanese sake bottle. It is from the Meiji period (1860s-1900s). It is made of ceramic and covered with paper. It is slightly cracked and reinforced with paper. The pa...