Tony “Rubin” Sjoman Art

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

"Day at the Coast" by Robert Glick is a captivating 30" x 30" acrylic on canvas that masterfully blends the realms of abstraction and geometry. As part of...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Alex McClurg My work is informed by my attraction to geometric illustrations from book covers created in the 1960’s and 1970’s, quilt patterns and the idea of displacement. I continu...

This contemporary political painting, The State of America, is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of sys...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

One from a series of two abstract paintings made in 2022 by Amanda Andersen. These artworks began with the idea of a mountain range simplified into large layered shapes, a disoriented horizon line touched by wind and weather patterns. This piece has large areas of dark forrest green and ivory with mauve and light peach contrasted with black and white ovals–some accented with bright blue, red, green and yellow. Acrylic paint on canvas; on heavy duty stretcher bars ready to hang. 60 cm x 80 cm (23.6 x 31.5 inches) – 3.5 cm deep (1.37 inches deep). Initialed on the back. Original artwork ships in a box...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 11.25" x 11.25" x 2.25" and it is Aerosol & Molding Paste on Canvas with UV Gloss Varnish & Custom Poplar Wood F...

Large abstract acrylic painting on canvas by Amanda Andersen; one in a series of four created in 2020 during anxiety filled times due mostly to Covid. The shapes in these works represented a balloon at first–a common subject in the artist's earlier work, which honored the beauty and elegance of hot air balloons and also celebrated their invitation for a romantic escape. We all wanted an escape in 2020. The large shape can also be seen as a window; the static hole we all peered out from to check if the world was still out there. With stripes–also a common visual element in the artist's work, it may even suggest prison bars...

Paul Brach (American, 1924-2007). Cluster #3 Acrylic on canvas with collage metal stars on it. Paul Henry Brach, (born March 13, 1924 in New York City - d.November 16, 2007 in Easthampton, New York) was an American abstract painter and a lecturer and educator. As an abstract painter Paul Brach exhibited his work in New York with the Leo Castelli Gallery, the Cordier & Eckstrom Gallery, and with the André Emmerich Gallery and then later with Flomenhaft Gallery. Paul Brach's estate is represented exclusively by Eric Firestone Gallery. Paul Brach was born in New York City and was raised in Brooklyn and the Bronx. He went to the University of Iowa where he studied painting with Grant Wood. He served in the US Army during World War II. After the war, he finished school in Iowa on the GI Bill. At the University of Iowa he met the artist Miriam Schapiro and in 1946 they married. By 1951 they moved back to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. He was associated with the New York print studio Atelier 17 (Stanley Hayter) During the early 1960s Brach had part-time teaching jobs at The New School, Cooper Union, The Parsons School of Design and Cornell University's New York City Program. In 1967 Brach and his wife Miriam Schapiro moved to Southern California. He became the Dean of the CalArts program in Los Angeles in 1969. As dean of the School of Art at the California Institute from 1969 to 1975, Mr. Brach hired John Baldessari, Allan Kaprow and the critic Max Kozloff, among others. He helped to create a freewheeling experimental atmosphere out of which emerged artists like David Salle, Eric Fischl, Barbara Bloom...

This contemporary political Black White House painting is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of systemic...