Tacita Dean Art

Tacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...

Tacita Dean (British, born 1965) La puerta del Diablo, 2021 Medium: Hand-printed photochemical colour photograph printed on Fuji flex paper, mounted on paper Dimensions: 40 x 37.5 cm...

Tacita Dean An Organised Whole 2021 Screenprint Edition of 125 60 × 76 cm (23.62 × 29.92 in) Signed, numbered and dated In mint condition Tacita Dean, along with seven other leading international artists, were asked to create a print to celebrate Tate Modern’s 21st anniversary. Tacita Dean works in a large number of techniques in media ranging from painting to photography and film, frequently combining more than one of them. She addresses issues relating to the passage of time, exploring what we remember and how we remember it. Often her art revolves around decay and loss as triggers of memories. For her Tate Modern 21 Years print Tacita Dean compounds the traditional ideas of landscape, and still life in a single collaged image. The background is from Tacita's extensive vintage postcard collected by the artist in her visits to European flea markets, while the black and white object is from her Father’s collection of flints. The foregrounding of the flint changes its scale, suggesting something more monumental than a simple flint, and having too the characteristics of a Henry Moore public sculpture. "My relationship to film begins at the that moment of shooting, and ends in the moment of projection. Along the way there are several stages of magical transformation that imbue the work with varying layers of intensity." —Tacita Dean TACITA DEAN Tacita Dean is a dedicated conceptual artist working primarily in film. Her eloquent 16 and 35mm analogue films are carried by a sense of history, time and place, and a fascination with the unique qualities of film itself. She was 17 years old and she found an old wind-up Standard-8 camera in his study. Being clockwork, ‘it didn’t need a battery, so I put a film in that’. And away she went. Influenced by a range of artists and writers, including Marcel Broodthaers...