Sam Silberstein Art

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of sky blue, black, white and grey "Bumble", made by Susan Stover in 2020 Cardboard, latex, acrylic, v...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

With a vision of paintings that literally break free of the canvas, Blady + Van Mil invented moulage (molded collage) through experimentation in the early days of the pandemic. It be...

Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of robin's egg blue, sky blue, beige, orange, and black "Why so Blue?", made by Susan Stover in 2020 C...

This piece titled "Isosahedron" is an original artwork by members of Space 1026 and is made of cardboard, paper, acrylic, and varnish. This piece measures 1...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

"Drenched in Enthusiasm" is a mixed media art piece by artist, Susan Stover. Drenched in Enthusiasm, is made of cardboard, exterior house paint, acrylic paint, varnish and hand sewn together with waxed linen thread. Inspired by her love of textiles and eastern cultural design elements, Stover creates monumental quilt-like pieces that also occupy the space of being a sculpture. This piece measures to 48.75" x 48.5" and is featured in Colibri Gallery...

This piece titled "Rhombicuboctagedron" is an original artwork by members of Space 1026 and is made of cardboard, paper, acrylic, and varnish. This piece me...

Planeta XVI is a unique small size round contemporary mixed media wall sculpture relief by renowned Polish-Dutch artist Eliza Kopec. This relief is part of a body of work that contin...

"Big Love" is a mixed media work on aluminum by Amber Goldhammer, with layers of text in many different colors. With the word "Love" repeated throughout the asymmetrical heart-shaped...