Raphael Gleitsman Art

"Vaches au paturage sur les bords de la Seine (Cows Grazing on the Banks of the Seine)" is a pastel on paper by Alfred Sisley. The artwork is signed lower left, "Sisley". The framed ...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Work : Soft Pastel on archival and heavy paper for pastel drawing. The colors are fixed on the paper and the work has been treated with a UV-resistant varnish. Signed lower right. Un...

Alphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...

An original watercolor on paper by American modernist Charles E. Burchfield, created in 1916. This work comes in an archival frame presentation and has been authenticated by the Bur...

La Baie des Anges a Nice et le Casino is a lovely gouache on paper from 1928. The work is fully authenticated by Fanny Guillon-Laffaille and is listed in the Raoul Dufy Catalogue Rai...

Dove, Arthur (American, 1880-1946). OIL BOAT. Watercolor and crayon on paper, 1932. Signed "Dove," lower right. Provenance, Alfred Stieglitz, American Place Gallery; Terry Dintenfass...

Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his land...

Estate stamp lower right

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

A painting by Irving Norman. "Big City" is a social surrealism city scape, watercolor on paper in a dark palette of reds, blues, and yellows by artist Irving ...