Peter Olson Art

Balloon Dog (Orange) - Jeff Koons, Contemporary, 21st Century, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 2300 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Jeff Koons playfully tests the boundaries of commerce, celebrity, banality, and pleasure. In his hands even the most familiar, everyday items transcend commonality to become true icons that manifest the essence of American popular culture. "Balloon Dog is a very optimistic piece, it is a balloon that a clown would have maybe twist for you at a birthday party. But at the same time, there's the profoundness of an archaic sculpture...

Balloon Monkey (Orange) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Sign...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Tulips Coupe Plate - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition 2014 Glazed porcelain 31 × 31 cm (12.2 × 12.2 in) Signed and numbered on verso Edition of 2500 In mint condition, in the original packaging and accompanied by Certificate of Authenticity One of the most famous artists working today, Jeff Koons makes gleeful, tongue-in-cheek sculptures, paintings, and installations that border—and often cross—the edge of good taste. Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons has made monumental balloon dogs, a series about his lusty relationship with Italian porn star Cicciolina, cast-aluminum pool toys, a gold-painted porcelain sculpture of Michael Jackson, and a giant sculpture that resembles both Play-Doh and a heap of dung. Though the artist resists complex interpretations of his work, Koons’s innovative fabrication processes have elevated him far above the designation of simple provocateur. Koons received his BFA from the Maryland Institute College of Art in Baltimore and has exhibited extensively in New York, London, Chicago, Basel, Seoul, and elsewhere. His work belongs in the collections of The Broad, the Hirshhorn Museum and Sculpture Garden, the Los Angeles County Museum of Art, the Museum of Modern Art, the Tate, and the Whitney Museum of American Art. His work has sold for nearly $100 million on the secondary market. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub...

In "Leap of Faith II," Henk Jan Sanderman masterfully blends sculpture and painting to create a captivating piece that transcends traditional boundaries. This original artwork featur...

This piece was created with a real found snail shell and durable epoxy clay by New York artist, Bethany Krull to traverse the surface of the floral plate. The glistening wet snail f...

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges po...

"Marilyn" 2017, by Carlos Alejandro Measures: 11.25" x 9.25" x 2" One of a kind piece, mixed media on wood 2017 Art is a way of living. For Carlos Ale...

This set of Jeff Koons' Balloon Animals includes Balloon Rabbit, Balloon Monkey and Balloon Swan, made of highly reflective porcelain. Incorporating the...

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...

This piece is a beautiful and large red wooden rocking horse sculpture with a mounted white porcelain skull created by New York artist, Bethany Krull. ...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs T...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...