Peter Monaghan Art

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

Hydrangea is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

Orange mono color from the studio of this very well collected British artist. Image 21" x 15" Originally from Bury, in the North of England, John Emanuel works in Porthmeor, Cornwa...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

To create this masterpiece, Kempken used a unique technique of painting multiple artworks and cutting them up to weave them back together. The process of weaving to her is meditativ...

The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.

Original painting on canvas. Hand signed, titled and dated on verso by the artist. Custom framed as pictured. Artwork is in excellent condition. Certificate of authenticity include...

It is a tall, vertical painting. The mixed media is composed of oil paint and gold leaf with smaller silver leaf birds at the bottom of the composition. The bird silhouettes look lik...

Anna Pennati is an artist addressed to the international art world, in her 25-year career she has participated in over 50 exhibitions in private galleries and museum spaces, includin...

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...