Paul Meleschnig Art

Jean Shrimpton and Terence Stamp photo by Terry O’Neill 1963 A close cropped portrait of British actor Terence Stamp and model Jean ‘The Shrimp’ Shrimpton, London 1963. The couple ...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Ali In Training (1966) - Silver Gelatin Fibre Print (Photo by R. McPhedran/Hulton Archive/Getty Images) American heavyweight boxer Muhammad Ali throws bare-handed punches in the ri...

Man Ray (1890-1976) Échiquier Surréaliste (Surrealist Checkerboard), 1934/1991 Medium: Silver Gelatin Print (later print) Dimensions: 30.5 x 23.7 cm Stamped: "Copie d'une épreuve...

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

Gelatin Silver Print Paper size: 10 x 8 inches Framed size: 26.5 x 22.5 inches Dated 'Apr 29 1982' on the reverse Provenance: Private collection, New York This work originates fr...

Natalia • Weston CT, 2014 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series...

Estate Stamped Larger Limited Edition sizes available. Next available edition printed upon purchase. Please allow 3 weeks for production.

Hepburn With Dove 1966 by Terry O’Neill Lifetime hand signed Limited Print Paper size 12 x 16″ inches / 31 x 41 cm Gelatin Silver Print signed and numbered by artist 40/50 With...

Black and White Fine Art landscape photography. Platform for the lifeguard tower on the lonely sandy beach on the island of Sylt, Germany. Archival pigment ink print, edition of 10. ...

Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves to enter a sexy anthropomorphic world. Often men are called "rakes" to suggest amoral activity. In...