Paul Katz Art

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

Beautiful Hard Edge abstract painting by American artist, Anthony Krauss. Oil on canvas, ca. 1980, measures 32 x 38 inches. Signed on verso. Excellent condi...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

This piece titled "Rabbit Rabbit Rabbit" is an original artwork made from secondhand ceramic figurines and mixed media by Debra Broz. This piece measures...

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

Large abstract expressionist oil on canvas of Toulon Rugby Club supporters at a rugby match. Unsigned. Extremely vibrant and energetic depiction of Toulon ...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 88 x 82 1/2 inches Signed on the stretcher Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract canvases...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 96 x 78 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widel...

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...

"Father and Son Used Tires" is a wall-hanging paper sculpture by American artist Drew Leshko measuring 12”h x 22.125”w x 8”d. It is made from paper, enamel, acrylic, basswood, wire,...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widel...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract...