Paul Henry Ramirez Art

Abstract composition is a color etching and aquatint on paper, realized in 1990 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil ...

Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...

François MORELLET Op Art : Geometrical Abstraction Original etching with aquatint Unsigned as issued On vellum 46 x 46 cm (c. 18 x 18 in) Authenticated with the Chalcographie du Louvre...

Gerald Lubeck, Kitchen Stuff, Abstract Print (Etching), 29.50 x 22, 1979 Colors: White, Blue, Gray, Brown

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931 - 1991) Ponte Vecchio, Florence (1972) Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...

Artist: Harry Hoehn, American (1917 - 1974) Title: Untitled Year: circa 1963 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 18/50 Image Size: 17.5 x 23 inches ...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

Signed, titled and numbered from the edition of 6. The horizontal and vertical directional lines, and the use of black and white give Allirand’s prints their dynamic presence. Two ma...

Nellie Buel 1908-2002 Comfort Texas Image Size: 9 x 6.5 Frame Size: 14 x 11 Medium: Lithograph Dated 1961 "Flight" Biography Nellie Buel 1908-2002 Nellie V. Buel (nee Upton), was born in 1908. Nellie attended Oregon State in Corvallis and graduated from the University of California, Berkeley, with a BA in Anthropology and Art. After many years as a faculty and Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson and Kent Rush. Nellie Buel's work has been accepted in local and national juried shows. She has won numerous awards and prizes from art groups such as the San Antonio Art League and the San Antonio Watercolor Group, among others. Nellie's work is also included in permanent collections at St. Mary's University, the Healy-Murphy Learning Center, McAllen International Museum, the Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM), and the McNay Art Museum Study Collection. Nellie V. Buel died in the United States in 2002. Nellie V. (Upton) Buel, born January 15, 1908, Portland, OR, died November 15, 2002. She attended Oregon State in Corvallis and graduated from University of California-Berkeley with a BA in Anthropology and Art. After many years as a faculty wife, Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson, and Kent Rush. Although she was equally talented and proficient in all media, her interests soon specialized in graphics, in particular hand-pulled, limited editions of etchings, calligraphy, monotype, and woodblocks on handmade papers. Her work has been accepted in local and national juried shows, with awards and prizes from art groups such as San Antonio Art League, San Antonio Watercolor Group, Hill Country Arts Foundations, Texas Watercolor Society, and International Society of Experimental Artists. Nellie's work is also included in permanent collections at St. Mary's University, Healy-Murphy Learning Center, McAllen International Museum, Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM) and McNay Art Museum Study Collection. After she and her husband retired to Boerne, they founded the Cibolo Studio in Comfort, Nellie's art studio and gallery, which she shared with Debbie Little-Wilson. Working in her studio, participating in shows, and sharing knowledge, techniques, and ideas with other artists, she continued to expand her artistic endeavors and creativity until very recently. She also gave of her time and talent through her teaching and critiquing other artists' works. Sadly, the contents of Cibolo Studio were heavily damaged during July, 2002 floods, causing closure of the studio after 30 years at the same location. She is predeceased by her husband of 58 years, Col. (USAF) Jack Buel. She is survived by her daughter, Ellen Todd Hanks (George); son, John Thomas Buel; three grandaughters, Kathryn Buel, Elizabeth Buel, and Natalie Mund (Randy) and three great-grandchildren. She is also survived by a host of artist friends and colleagues, but most especially by Debbie Little-Wilson, Dripping Springs...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...

OttofMT is an Etching realized by the Artist Assadour Nasser Assar in 1999. Hand signed and dated on the right margin, titled "OttofMT" and numbered on the left corner 42/50 es. T...