Marvin Smith Art

A Rose for A Friend by Inez Storer is oil on medal with mixed media. It is 11 x 11 and mounted on a wooden display box so there i s no need for a fr...

This lovely picture of a dog sat amongst roses is an oil-on-canvas painting that is over one hundred years old, by the English Artist Stanley Berkeley...

The French Heraldic Coat of Arms French, 19th century oil painting on board, unframed board: 17 x 21.5 inches provenance: private collection, France condition: overall good and sound...

Gorgeous hand applied 23K gold leaf warms the background of this still life. A collection of seashells are gathered in a silver basket and spill onto the rich, reflective table. This masterful painting by Helen Oh...

Initialed upper right, 'C.N.' (Danish, 19th Century) and dated 1898. A late nineteenth-century oil composed with a fresh palette and finely-observed detail. This elegant feline stud...

The Red Lobster by Georges Bordonave (French contemporary) dated 1984 signed oil painting on board, unframed board: 13 x 16 inches condition: very good provenance: from a large priv...

The simplicity of "Bailer Shell" is deceptive. The upturned pale yellow shell sits upon a deep, rich brown table. The shell's reflection is seen in the highly polished surface. The background is delicate green moiré pattern to give an even more opulent feel while adding to the meditative quality of the painting. This artwork is unframed. Please contact the gallery for framing options. Helen Oh...

Sheep, South Downs, last day of June II is an original landscape painting by Anna Pinkster. It was inspired by time spent sketching and roaming on the South Downs in East Sussex. I loved seeing the sea glistening in the background. Throughout my career my work has been inspired by my environment - the people, places and cultures that surround me. Following graduation from West Surrey College of Art in 1994 with a first class degree, I traveled extensively in India, South East Asia and Africa creating figurative work which endeavoured to capture people immersed in their daily lives, offering an insight into the essence of a different culture. Commuters in London and bathers on the beaches of Dorset have also inspired my work but, during the national Covid lockdown, I became fascinated by my local landscape in Somerset. I have since visited Wales and the South Downs, creating work in oils and charcoal, working directly from life then refining ideas in the studio. I am most excited working intuitively, directly from life, whether it be a life model in the studio, a flock of sheep in a field or, my most recent obsession, birds in my garden - I find an intense energy and freedom which, I hope, is evident in my work. I have exhibited regularly in London at the Mall galleries SWA, RP, NEAC and Pastel Society, and in the South West, winning prizes including the Prince of Wales Drawing...

Marimekko Ducks is 20 x 20 inches oil on canvas. .Maureen likes to use Marimekko fabrics in many of her paintings. Randi Hopkins, former assistant curator at Boston’s Institute of Contemporary Art, has called O’Connor “a masterful painter of some of our favorite things.” A pair of ceramic ducks...

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform...

English Native School, 19th Century, still life with fish Oil on canvas 54x63 cm frame included. Beautiful native English painting, representing an elegant still life of fish, cabba...

Doug Newton’s hyper-real oil paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. His subject matter concentrates on still lives of food, toys, candy and household objects. In addition to many group shows across the country, Mr. Newton’s show, “HARD CANDY and other confections” represents his fifth solo exhibition. His paintings have been collected in numerous private collections. Dr. Sonia Coman writes in her essay, Doug Newton’s hard candy: the confection of painting Doug Newton’s paintings are about… painting. The hyperrealist technique of trompe l’oeil or “trick the eye” is knowingly playful. It simultaneously calls attention to the illusion of a different material—for example, translucent candy wrappers—and the reality of the layers of paint, masterfully applied to the canvas. In that, Newton’s paintings pay homage to an esteemed series of trompe l’oeil masters, from Inquisition-era Spanish painter Francisco de Zurbarán to Gilded-Age American painter William Michael Harnett...