John Cary Art

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

Huts is an original etching and drypoint on cream colored paper, hand-number and signed in pencil on the lower margin by Pierre Boncompain. Edition of 24 prints. In excellent condit...

"Cranes and Concrete" is Frederick Mershimer's mezzotint of the construction scene on Broadway between 13th and 14th streets. Mershimer is no strang...

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...

“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

Jennifer Jokhoo Riverbank SE1 (Petrol) Limited Edition Handmade Reduction Linocut Print Edition of 15 Sheet Size: H 20cm x W 20cm x D 0.1cm Sold Unframed Please note that in situ ima...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...

This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...

Original poster: Wings Over America. Artist: Tom Woodburn. Archival linen backed in very good condition. Original fold marks touched up during linen backing. Ready to frame. (all U. S. Government World War II timeframe posters were folded and mailed out across the nation.). These original fold marks are not considered a flaw. The image on most monitors should render the true color of this poster with the ivory borders, brown feathers of the eagle, the red-orange of the text, and the center of the stars. The artwork was done in 1939 but the poster was officially printed in 1941. You can sense the speed of the aircraft in this image with the small white trails ¬¬¬¬off the wings and the contrast in size of the eagle in size to the planes. Tom Woodburn. A Texan who had studied art and architecture, Tom Woodburn was commissioned in the Infantry a month after the U. S. entered World War I. He hopes it will never have to enter World War II. He created the recruiting posters before the start of World War II and his incredible designs were instrumental in helping encourage the enlistment of soldiers making the U.S. better prepared. Wings Over America, Air Corps...