Jeff Hoare Art

Abstract expressionist watercolor painting of blue, black, orange, and green signed by Charles Ragland Bunnell (1897-1968). Presented in a custom frame with all archival materials an...

Abstract watercolor fragment of a sunset over a field by Irene Pattinson (American, 20th Century). Tag on verso reads "Miller Fine Art / The Estate of Irene Pattinson". Unsigned. Acq...

Abstract cityscape watercolor with loosely defined landscape elements and geometric shapes by Les (Leslie Luverne) Anderson (American, 19...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

"Abstract Calligraphy" Mixed Media Painting 98" x 79" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo Uni...

Abstract watercolor with loosely defined landscape elements by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed on...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

Modern and bright urban abstract in yellow & purple by Carl E. Schwartz (American, 1935-2014), c.1970s. Signed "Schwartz" lower right. Presented in a silver metal frame. Image size: ...

Abstracted composition inspired by prehistoric paintings in the caves of Lascaux, France by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lower right. Fr...

Represented by George Billis Gallery. When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The l...

Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012) Acrylic on canvas 76 x 101.5 cm (29 ⁷/₈ x 40 inches) Signed lower middle Paul Jenkins Executed in 1970 Provenance: Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

An original compact mid century watercolor in its original frame presentation. The work is signed "Schwab" with an illegible first initial.