Jean Arp Prints and Multiples

Keith Haring Headstand Original vintage exhibition Poster printed in Screenprint On thick paper 90 x 60 cm (c. 36 x 24 in) INFORMATION: Official screenprint poster for the Haring e...

Leon Bibel, 'Archway', color serigraph, 1939, edition 25. Signed, dated, titled, and numbered ' /25' in pencil. A rich, painterly impression, with fresh colors, on buff wove paper; ...

Fritz Eichenberg, 'City LIghts', wood engraving, 1934, edition 200. Signed, titled 'Lights', and annotated 'No 2/200 for Howard M. Chapin' in pencil. Initialed in the block, lower right. A fine, richly-inked black impression, on cream wove paper, with full margins (1 1/4 to 1 7/8 inches); a small loss (5/8 inch) in the top right sheet corner, well away from the image, otherwise in excellent condition. Printed by master printer Ernest Roth...

Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the following public collections: Burne Jones Collection, IL; Chegodaev Collection, Moscow; Kent Collection, NY; Philadelphia Museum of Art; Princeton University Library, NJ; Pushkin Museum, Moscow; Smithsonian American Art Museum, Spector Collection, NY. Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...

KIYOSHI SAITO (Japanese 1907 - 1997) DAITIKUJI KYOTO, 1957 Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...

Motherwell, Robert. ST. MICHAEL III. Dedalus 237, Belknap 206, Tyler Graphics 398. Lithograph and screenprint in colors, 1979. One of 20 Artist's Proofs in addition to the edition of...

William the crow The woman and the bird Silkscreen printing Circa 1078 Edition of 100 copies Numbered, dated and signed in pencil by the artist. 70 x 50 cms Perfect condition 790...

Guillaume Corneille 1948 Aquatinte/ eau forte Proof of artist Signed, dated and noted PA (artist’s proof) from the artist’s hand to the crayoN Print run 125 copy Laid paper with wate...

The encounter is an artwork realized by Ferdinando Codognotto in 2023.  Woodcut based on stencil of 1971. 50 x 36 cm. Hand signed in the lower right margin. Good condition. 

SAUL STEINBERG (American 1914-1999) Via Air Mail Geometric Design Lithograph. Sheet: 21 1/2 x 28 inches; Frame: 22 1/4 x 29 inches. Plate signed and dated l/r with sticker upper ri...

Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...

This rare to come across woodcut from 1965 is from an edition of 250, individual number 202. In original frame. It was formerly in the collection of The Greenwich Library, Greenwich,...