Jaume Genovart Art

It was Picasso who said, "Every child is an artist. The problem is how to remain an artist once we grow up." While her work in the exhibition Child's Play is not meant specifical...

New Warning, 2020 Contemporary Art, Abstract Painting Acrylic and oil on canvas 130x130cm Signed and dated About the artist Adrian Gonzalez (Mexico, 1987). He graduated in Visual Arts from the Faculty of Arts and Design, UNAM (Universidad Autonoma de Mexico) in 2011. His work is part of the Sebastian Foundation Collection, Grupo Reforma and various private collections. He was a beneficiary of the FONCA “Young Creators” program in the specialty of Painting in the 2015/2016 edition. SOLO EXHIBITIONS 2020 - Dance Till U Drop. Pared Space. Galería Virtual. 2018 - SCROLL. Galería Plomo. México, D.F. 2016 - El aire de lo eventual. Galería Alterna. México, D.F. 2015 - Escenarios para habitar el mundo. Galería Luis Adelantado México. México, D. F. - El fin de la apariencia. Galería Central de la ENPEG La Esmeralda, CENART. México, D.F. 2012 - Patrones de la Realidad. Centro Cultural Periodista. México D. F. GROUP EXHIBITIONS 2021 - El Fin. The End Project Space. EU. Atlanta. 2019 - La Causa de las Causas. Museo de Arte Moderno. México, CDMX. 2018 - Pensamiento Especulativo. Fundación CALOSA. México, Guanajuato. - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Fotomuseo Cuatro Caminos. México, D.F. 2016 - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Capilla del Arte de la UDLAP. México, Puebla. - X Bienal Nacional de Pintura y Grabado “Alfredo Zalce”. MACAZ. México, Michoacán. - Parámetro 02. Arte Lumen. Museo de la Ciudad de México. México, D. F. - JUSTMAD 7. Feria de Arte Emergente. LASEDE/ Colegio Oficial de Arquitectos de Madrid. España, Madrid. - Efectos Especiales. Galería DIAGRAMA. México, D. F. 2015 - XI Bienal de pintura Joaquín Clausell...

Fantastical surreal landscape with a floating castle in an idyllic, dream-like setting with bright blue sky and green grass by Melissa Barkley (Ameri...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

"JUST A PERFECT DAY" is a wonderful, whimsical, surrealist mixed media painting. Acrylic, Sakura Markers & Pencil on a Birchwood Panel 36 x 36 inches 2024 Artist’s Statement "My soul serves as the compass that guides me towards pieces that resonate deeply within me." Kate Cohen...

Intriguing abstract impressionist style acrylic on canvas painting of a figure running titled "Perpetual Motion" by Cyrostofer/Christopher Shoemaker (...

Surrealist Landscape with Feathered Object in Acrylic, Paper, and Gold Leaf Vibrant and colorful surrealist landscape by Oregon artist Hugh Webb (American, b. 1940). The main subject of this piece is a large Y-shaped object that appears to be covered in feathers created out of small ovals of paper. The landscape is comprised of a striped ground, with wispy blue tree-like object emerging from holes in the ground. Squares of pastel blue, teal, and pink float throughout the scene. The background is made of layers of distressed gold leaf. Unsigned, but was acquired from a collection of the artist's work. Board size: 24"H x 32"W Hugh Webb (American, b. 1940) earned a Bachelor of Fine Arts degree from the University of Utah and a Master of Fine Arts degree (1969) from the University of Oregon. Webb studied with Demetrios Jameson, Mark Sponenburgh, Gordon Gilkey, and John Rock...

Large abstract impressionist style figural painting titled "The Fourth Facade" by Cystofer/Christopher Shoemaker (Italian/German 20th c). Shoemaker calls Co...

J. James Akston Surrealism, Bird with Fish, marine scene Acrylic on Board Frame: 9.75 X 8 Image: 4.5 X 3.25 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

The artwork can be shipped rolled in a tube to your adress, please contact with us for all shipping options from our gallery. Moritz Berg, born in 1994, is an artist who resides and...

"Plutonium Messenger" Symbolic Visionary Art in Acrylic on Canvas Detailed symbolic work by Dana Lynn Andersen (American, b. 1962). This piece is a stylized version of the astrologi...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...