Hannes Forster Art

Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...

Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...

Countably Infinite, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unframed ____________________________ On Hansen originally from Scandinavia is the pseudonym used by the photographer Cristian Hunter, a third-generation artist who has spent most of his professional career as a photographer. His work bears the traces of lived experiences, exploring the possibilities of formal abstraction, and seeking an organic experience between space and time through painting and photography. “There is no longer a single idea explaining everything, but an infinite number of essences giving meaning to an infinite number of objects. The world comes to a stop, but also lights up.” ― Albert Camus...

Today Leonid Tomilin's drawings are the result of more than 35 years of experimentation with technique and material (paper, graphite pencil). Alexander Glezer, director general of ...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series expresses Kyong Lee's personal emotions and experience about the Spring through 5 colours and words. Lee emboss...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Untitled 1 Artist: William Schwedler, A...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gallery...

JENNIFER VIVIANO Cracked 2018 Chalk pastel and graphite on paper 8 x 22 inches

JENNIFER VIVIANO Seamed 2018 Chalk pastel and graphite on paper 8 x 22 inches

Artist: Lou Fink, American (1925 - 1980) Title: Helmet #3 Year: 1977 Medium: Pencil on paper, signed and dated l.l. Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)