Douglas Mcclellan Art

Criss-Cross, 2019 by a.muse is on the subject of missed connections and chance meetings. The one of a kind chine-colle monotype was hand-pulled on an etching press by the artist. An ...

An abstract work on paper hand-pulled on an etching press by the artist a.muse who inspired by jazz uses bright color to create pulsing vibration, good vibes, and spontaneous movemen...

Love Me Tender, 2019 by a.muse is about unspoken desire in relationships. A 13.5" x 11" chine-colle monotype, dated, titled, and signed (front and back) by the artist. Love Me Tende...

A piece on freedom, movement, and rhythm, Twirling, 2018 by a.muse is a 15" x 11.25" monotype dated, titled, and signed (on front and back) by the artist. Abstract art on paper...

Inspired by Matisse Flower Vase, 2020 by a.muse is an explosion of color and possibilities. A 15" x 11" monotype, one-of-a-kind, semi-abstract art on w...

Through the use of bright color a.muse creates harmony and balance for Bouquet, 2020. An abstract work on watercolor paper, the print is hand-pulled on an etching press by the artist...

Tell Me, 2019 by a.muse is a 13.5" x 10.25" chine-colle monotype dated, titled, and signed (front and back). The print, hand-pulled on an etching press by the artist, is in an editio...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

"Midcentury Blocks" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print, layers of mulberry papers have been run through an etching pr...

Robert Natkin Untitled, ca. 1979 Monotype with heart drawing Hand signed twice; inscribed to Dorothy and Arthur with text and heart Unique Original vintage frame included Measurement...

Cool turquoise, blues, and greens are streaked with pearlescent accents that play across this beautiful abstract original work "Flash Memory 'B'" by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson, Roger Folk George Allen and John Cosby. Chris Nugent was a student of Phil Dike, Millard Sheets and Rex Brandt. Sullivan was also a student of Diebenkorn, so Linda was able to gain a very contemporary understanding of painting. Her mother is Margaret Bedell...

"Field of Truth III 'E'" features rich aquas, blues and a touch of red streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...