Daria Dorosh Art

Donald Judd Untitled #82, 1974 Etching on German etching paper with deckled edges Hand signed and numbered 7/35 by the artist on the front Catalogue Raisonne Ref: Schellmann & Jitta,...

Medium: Etching with aquatint Framed dimensions: 52 1/2h x 38 1/2w inches

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

Venezia (Venice) is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old Venice building...

Dan Flavin (American, 1933-1996) Untitled (Sheet 10 from Projects 1963-1995), 1997 Medium: Etching and aquatint on rag paper Dimensions: 52.1 × 66 cm (20 1/2 × 26 in) Edition of 36: ...

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 27 from the limited edition of 75 by the artist on the front ...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

2005 Etching in colors Sheet: 40 7/10 x 45 7/10 in. (103.4 x 116.1 cm) Edition of 65 Signed in pencil, lower right, and numbered, verso Unframed, pristine condition

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa...