Charlotte Smith Art

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

UK based artist Melanie Berman explores the intrinsic values of her materials whilst infusing her work with a personal language and signature palettes....

Artwork in old frame included. Western progress and development, of which we are so proud, have brought us to this point. A society where hyper-individualism, loss of solidarity, a...

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

Companion (Abstract painting) Acrylic and mixed media on panel - unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices c...

Mat Tomezsko's "NOW" series of mixed imedia street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acryli...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

THE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Gesso on Birch Wo...

An abstract painting of a round shape, made in blue, creates a serene atmosphere reminiscent of the limitless sky. Its clean, geometric style lends a contemporary feel while giving t...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...