Charles Martin Art

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Jack Nicholson and Anjelica Huston, 1971, STERN Photographed at Nicholson's house on Mulholland drive in Los Angeles. Silver Gelatin Print Edition si...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This illustrati...

François-Maurice Roganeau (1883-1973) Portrait of a young man, 1947 signed and dated lower left Titled Guy Ernoult (name of the sitter) on the upper part 27 x 22 cm in a beautiful f...

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

Fernand Léger Dantzig's street, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c...

Artist: Alexander Calder (1898-1976) Title: Potpourri en Ciel Year: 1975 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 29...

Created in the 1980s for Erté's 'Art to Wear' jewelry collection, this gouache painting on paper is signed 'Erté' on the front and titled and annotated on the back in Erté's hand - "...

This captivating piece titled 'Orange Bikini Swimmer on the Sand' beckons for a contemplative pause. The figurative drawing in watercolor, with ink accen...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...